DUBLINERS by James Joyce
DUBLINERS
by James Joyce
THE SISTERS
There was no hope for him this time: it was the third
stroke. Night after night I had passed the house (it was vacation time) and
studied the lighted square of window: and night after night I had found it
lighted in the same way, faintly and evenly. If he was dead, I thought, I would
see the reflection of candles on the darkened blind for I knew that two candles
must be set at the head of a corpse. He had often said to me: “I am not long
for this world,” and I had thought his words idle. Now I knew they were true.
Every night as I gazed up at the window, I said softly to myself the word
paralysis. It had always sounded strangely in my ears, like the word gnomon in
the Euclid and the word simony in the Catechism. But now it sounded to me like
the name of some maleficent and sinful being. It filled me with fear, and yet I
longed to be nearer to it and to look upon its deadly work.
Old Cotter was sitting at the fire, smoking, when I came
downstairs to supper. While my aunt was ladling out my stirabout he said, as if
returning to some former remark of his:
“No, I wouldn’t say he was exactly ... but there was
something queer ... there was something uncanny about him. I’ll tell you my
opinion....”
He began to puff at his pipe, no doubt arranging his opinion
in his mind. Tiresome old fool! When we knew him first, he used to be rather
interesting, talking of faints and worms; but I soon grew tired of him and his
endless stories about the distillery.
“I have my own theory about it,” he said. “I think it was
one of those ... peculiar cases.... But it’s hard to say....”
He began to puff again at his pipe without giving us his
theory. My uncle saw me staring and said to me:
“Well, so your old friend is gone, you’ll be sorry to hear.”
“Who?” said I.
“Father Flynn.”
“Is he dead?”
“Mr. Cotter here has just told us. He was passing by the
house.”
I knew that I was under observation, so I continued eating
as if the news had not interested me. My uncle explained to old Cotter.
“The youngster and he were great friends. The old chap taught
him a great deal, mind you; and they say he had a great wish for him.”
“God have mercy on his soul,” said my aunt piously.
Old Cotter looked at me for a while. I felt that his little
beady black eyes were examining me, but I would not satisfy him by looking up
from my plate. He returned to his pipe and finally spat rudely into the grate.
“I wouldn’t like children of mine,” he said, “to have too
much to say to a man like that.”
“How do you mean, Mr. Cotter?” asked my aunt.
“What I mean is,” said old Cotter, “it’s bad for children.
My idea is: let a young lad run about and play with young lads of his own age
and not be.... Am I right, Jack?”
“That’s my principle, too,” said my uncle. “Let him learn to
box his corner. That’s what I’m always saying to that Rosicrucian there: take
exercise. Why, when I was a nipper every morning of my life, I had a cold bath,
winter and summer. And that’s what stands to me now. Education is all very fine
and large.... Mr. Cotter might take a pick of that leg mutton,” he added to my
aunt.
“No, no, not for me,” said old Cotter.
My aunt brought the dish from the safe and put it on the
table.
“But why do you think it’s not good for children, Mr.
Cotter?” she asked.
“It’s bad for children,” said old Cotter, “because their
minds are so impressionable. When children see things like that, you know, it
has an effect....”
I crammed my mouth with stirabout for fear I might give
utterance to my anger. Tiresome old red-nosed imbecile!
It was late when I fell asleep. Though I was angry with old
Cotter for alluding to me as a child, I puzzled my head to extract meaning from
his unfinished sentences. In the dark of my room I imagined that I saw again
the heavy grey face of the paralytic. I drew the blankets over my head and
tried to think of Christmas. But the grey face still followed me. It murmured;
and I understood that it desired to confess something. I felt my soul receding
into some pleasant and vicious region; and there again I found it waiting for
me. It began to confess to me in a murmuring voice and I wondered why it smiled
continually and why the lips were so moist with spittle. But then I remembered
that it had died of paralysis and I felt that I too was smiling feebly as if to
absolve the simonies of his sin.
The next morning after breakfast I went down to look at the
little house in Great Britain Street. It was an unassuming shop, registered
under the vague name of Drapery. The drapery consisted mainly of children’s
bootees and umbrellas; and on ordinary days a notice used to hang in the
window, saying: Umbrellas Re-covered. No notice was visible now for the
shutters were up. A crape bouquet was tied to the doorknocker with ribbon. Two
poor women and a telegram boy were reading the card pinned on the crape. I also
approached and read:
July 1st, 1895
The Rev. James Flynn
(formerly of S. Catherine’s
Church, Meat Street),
aged sixty-five years.
R. I. P.
The reading of the card persuaded me that he was dead, and I
was disturbed to find myself at check. Had he not been dead I would have gone into
the little dark room behind the shop to find him sitting in his armchair by the
fire, nearly smothered in his great coat. Perhaps my aunt would have given me a
packet of High Toast for him and this present would have roused him from his
stupefied doze. It was always I who emptied the packet into his black snuffbox
for his hands trembled too much to allow him to do this without spilling half
the snuff about the floor. Even as he raised his large trembling hand to his
nose little clouds of smoke dribbled through his fingers over the front of his
coat. It may have been these constant showers of snuff which gave his ancient
priestly garments their green faded look for the red handkerchief, blackened,
as it always was, with the snuff-stains of a week, with which he tried to brush
away the fallen grains, was quite inefficacious.
I wished to go in and look at him, but I had not the courage
to knock. I walked away slowly along the sunny side of the street, reading all
the theatrical advertisements in the shop-windows as I went. I found it strange
that neither I nor the day seemed in a mourning mood and I felt even annoyed at
discovering in myself a sensation of freedom as if I had been freed from something
by his death. I wondered at this for, as my uncle had said the night before, he
had taught me a great deal. He had studied in the Irish college in Rome and he
had taught me to pronounce Latin properly. He had told me stories about the
catacombs and about Napoleon Bonaparte, and he had explained to me the meaning
of the different ceremonies of the Mass and of the different vestments worn by
the priest. Sometimes he had amused himself by putting difficult questions to
me, asking me what one should do in certain circumstances or whether such and
such sins were mortal or venial or only imperfections. His questions showed me
how complex and mysterious were certain institutions of the Church which I had
always regarded as the simplest acts. The duties of the priest towards the
Eucharist and towards the secrecy of the confessional seemed so grave to me
that I wondered how anybody had ever found in himself the courage to undertake
them; and I was not surprised when he told me that the fathers of the Church
had written books as thick as the Post Office Directory and as closely printed
as the law notices in the newspaper, elucidating all these intricate questions.
Often when I thought of this, I could make no answer or only a very foolish and
halting one upon which he used to smile and nod his head twice or thrice.
Sometimes he used to put me through the responses of the Mass which he had made
me learn by heart; and, as I pattered, he used to smile pensively and nod his
head, now and then pushing huge pinches of snuff up each nostril alternately.
When he smiled, he used to uncover his big discolored teeth and let his tongue
lie upon his lower lip—a habit which had made me feel uneasy in the beginning
of our acquaintance before I knew him well.
As I walked along in the sun, I remembered old Cotter’s
words and tried to remember what had happened afterwards in the dream. I
remembered that I had noticed long velvet curtains and a swinging lamp of
antique fashion. I felt that I had been very far away, in some land where the
customs were strange—in Persia, I thought.... But I could not remember the end
of the dream.
In the evening my aunt took me with her to visit the house
of mourning. It was after sunset; but the windowpanes of the houses that looked
to the west reflected the tawny gold of a great bank of clouds. Nannie received
us in the hall; and, as it would have been unseemly to have shouted at her, my
aunt shook hands with her for all. The old woman pointed upwards
interrogatively and, on my aunt’s nodding, proceeded to toil up the narrow
staircase before us, her bowed head being scarcely above the level of the
banister-rail. At the first landing she stopped and beckoned us forward
encouragingly towards the open door of the dead room. My aunt went in and the
old woman, seeing that I hesitated to enter, began to beckon to me again repeatedly
with her hand.
I went in on tiptoe. The room through the lace end of the
blind was suffused with dusky golden light amid which the candles looked like
pale thin flames. He had been coffined. Nannie gave the lead and we three knelt
at the foot of the bed. I pretended to pray but I could not gather my thoughts
because the old woman’s mutterings distracted me. I noticed how clumsily her
skirt was hooked at the back and how the heels of her cloth boots were trodden
down all to one side. The fancy came to me that the old priest was smiling as
he lay there in his coffin.
But no. When we rose and went up to the head of the bed, I
saw that he was not smiling. There he lay, solemn and copious, vested as for
the altar, his large hands loosely retaining a chalice. His face was very
truculent, grey and massive, with black cavernous nostrils and circled by a
scanty white fur. There was a heavy odor in the room—the flowers.
We blessed ourselves and came away. In the little room downstairs,
we found Eliza seated in his armchair in state. I groped my way towards my
usual chair in the corner while Nannie went to the sideboard and brought out a
decanter of sherry and some wineglasses. She set these on the table and invited
us to take a little glass of wine. Then, at her sister’s bidding, she filled
out the sherry into the glasses and passed them to us. She pressed me to take
some cream crackers also, but I declined because I thought I would make too
much noise eating them. She seemed to be somewhat disappointed at my refusal
and went over quietly to the sofa where she sat down behind her sister. No one spoke
we all gazed at the empty fireplace.
My aunt waited until Eliza sighed and then said:
“Ah, well, he’s gone to a better world.”
Eliza sighed again and bowed her head in assent. My aunt
fingered the stem of her wineglass before sipping a little.
“Did he ... peacefully?” she asked.
“Oh, quite peacefully, ma’am,” said Eliza. “You couldn’t tell
when the breath went out of him. He had a beautiful death, God be praised.”
“And everything...?”
“Father O’Rourke was in with him a Tuesday and anointed him
and prepared him and all.”
“He knew then?”
“He was quite resigned.”
“He looks quite resigned,” said my aunt.
“That’s what the woman we had in to wash him said. She said
he just looked as if he was asleep, he looked that peaceful and resigned. No
one would think he’d make such a beautiful corpse.”
“Yes, indeed,” said my aunt.
She sipped a little more from her glass and said:
“Well, Miss Flynn, at any rate it must be a great comfort
for you to know that you did all you could for him. You were both very kind to
him, I must say.”
Eliza smoothed her dress over her knees.
“Ah, poor James!” she said. “God knows we done all we could,
as poor as we are—we wouldn’t see him want anything while he was in it.”
Nannie had learned her head against the sofa-pillow and
seemed about to fall asleep.
“There’s poor Nannie,” said Eliza, looking at her, “she’s
wore out. All the work we had, she and me, getting in the woman to wash him and
then laying him out and then the coffin and then arranging about the Mass in
the chapel. Only for Father O’Rourke I don’t know what we’d have done at all.
It was him brought us all them flowers and them two candlesticks out of the
chapel and wrote out the notice for the Freeman’s General and took charge of
all the papers for the cemetery and poor James’s insurance.”
“Wasn’t that good of him?” said my aunt.
Eliza closed her eyes and shook her head slowly.
“Ah, there’s no friends like the old friends,” she said,
“when all is said and done, no friends that a body can trust.”
“Indeed, that’s true,” said my aunt. “And I’m sure now that
he’s gone to his eternal reward, he won’t forget you and all your kindness to
him.”
“Ah, poor James!” said Eliza. “He was no great trouble to
us. You wouldn’t hear him in the house any more than now. Still, I know he’s
gone and all to that....”
“It’s when it’s all over that you’ll miss him,” said my
aunt.
“I know that,” said Eliza. “I won’t be bringing him in his
cup of beef-tea anymore, nor you, ma’am, sending him his snuff. Ah, poor
James!”
She stopped, as if she were communing with the past and then
said shrewdly:
“Mind you, I noticed there was something queer coming over
him latterly. Whenever I’d bring in his soup to him there, I’d find him with
his breviary fallen to the floor, lying back in the chair and his mouth open.”
She laid a finger against her nose and frowned: then she continued:
“But still and all he kept on saying that before the summer
was over he’d go out for a drive one fine day just to see the old house again
where we were all born down in Irishtown and take me and Nannie with him. If we
could only get one of them new-fangled carriages that makes no noise that
Father O’Rourke told him about, them with the rheumatic wheels, for the day
cheap—he said, at Johnny Rush’s over the way there and drive out the three of
us together of a Sunday evening. He had his mind set on that.... Poor James!”
“The Lord have mercy on his soul!” said my aunt.
Eliza took out her handkerchief and wiped her eyes with it.
Then she put it back again in her pocket and gazed into the empty grate for
some time without speaking.
“He was too scrupulous always,” she said. “The duties of the
priesthood were too much for him. And then his life was, you might say, crossed.”
“Yes,” said my aunt. “He was a disappointed man. You could
see that.”
A silence took possession of the little room and, under
cover of it, I approached the table and tasted my sherry and then returned
quietly to my chair in the corner. Eliza seemed to have fallen into a deep reverie.
We waited respectfully for her to break the silence: and after a long pause she
said slowly:
“It was that chalice he broke.... That was the beginning of
it. Of course, they say it was all right, that it contained nothing, I mean.
But still.... They say it was the boy’s fault. But poor James was so nervous,
God be merciful to him!”
“And was that it?” said my aunt. “I heard something....”
Eliza nodded.
“That affected his mind,” she said. “After that he began to
mope by himself, talking to no one and wandering about by himself. So, one
night he was wanted for to go on a call and they couldn’t find him anywhere.
They looked high up and low down; and still they couldn’t see a sight of him
anywhere. So, then the clerk suggested to try the chapel. So, then they got the
keys and opened the chapel and the clerk and Father O’Rourke and another priest
that was there brought in a light for to look for him.... And what do you think
but there he was, sitting up by himself in the dark in his confession-box, wide-awake
and laughing-like softly to himself?”
She stopped suddenly as if to listen. I too listened; but
there was no sound in the house: and I knew that the old priest was lying still
in his coffin as we had seen him, solemn and truculent in death, an idle
chalice on his breast.
Eliza resumed:
“Wide-awake and laughing-like to himself.... So then, of
course, when they saw that, that made them think that there was something gone
wrong with him....”
AN ENCOUNTER
It was Joe Dillon who introduced the Wild West to us. He had
a little library made up of old numbers of The Union Jack, Pluck and The
Halfpenny Marvel. Every evening after school we met in his back garden and
arranged Indian battles. He and his fat young brother Leo, the idler, held the
loft of the stable while we tried to carry it by storm; or we fought a pitched
battle on the grass. But, however well we fought, we never won siege or battle
and all our bouts ended with Joe Dillon’s war dance of victory. His parents
went to eight o’clock mass every morning in Gardiner Street and the peaceful odor
of Mrs. Dillon was prevalent in the hall of the house. But he played too
fiercely for us who were younger and tinier. He looked like an Indian when he
capered round the garden, an old tea-cozy on his head, beating a tin with his
fist and yelling:
“Yak! Yaka, Yaka, Yaka!”
Everyone was incredulous when it was reported that he had a
vocation for the priesthood. Nevertheless, it was true.
A spirit of unruliness diffused itself among us and, under its
influence, differences of culture and constitution were waived. We banded
ourselves together, some boldly, some in jest and some almost in fear: and of
the number of these latter, the reluctant Indians who were afraid to seem
studious or lacking in robustness, I was one. The adventures related in the
literature of the Wild West were remote from my nature but, at least, they
opened doors of escape. I liked better some American detective stories which
were traversed from time to time by unkempt fierce and beautiful girls. Though
there was nothing wrong in these stories and though their intention was
sometimes literary they were circulated secretly at school. One day when Father
Butler was hearing the four pages of Roman History clumsy Leo Dillon was discovered
with a copy of The Halfpenny Marvel.
“This page or this page? This page? Now, Dillon, up! ‘Hardly
had the day’.... Go on! What day? ‘Hardly had the day dawned’.... Have you
studied it? What have you there in your pocket?”
Everyone’s heart palpitated as Leo Dillon handed up the
paper and everyone assumed an innocent face. Father Butler turned over the
pages, frowning.
“What is this rubbish?” he said. “The Apache Chief! Is this
what you read instead of studying your Roman History? Let me not find any more
of this wretched stuff in this college. The man who wrote it, I suppose, was
some wretched fellow who writes these things for a drink. I’m surprised at boys
like you, educated, reading such stuff. I could understand it if you were ... National
School boys. Now, Dillon, I advise you strongly, get at your work or....”
This rebuke during the sober hours of school paled much of
the glory of the Wild West for me and the confused puffy face of Leo Dillon
awakened one of my consciences. But when the restraining influence of the
school was at a distance I began to hunger again for wild sensations, for the
escape which those chronicles of disorder alone seemed to offer me. The mimic
warfare of the evening became at last as wearisome to me as the routine of school
in the morning because I wanted real adventures to happen to myself. But real
adventures, I reflected, do not happen to people who remain at home: they must
be sought abroad.
The summer holidays were near at hand when I made up my mind
to break out of the weariness of school-life for one day at least. With Leo
Dillon and a boy named Mahony I planned a day’s Michigan. Each of us saved up
sixpence. We were to meet at ten in the morning on the Canal Bridge. Mahony’s
big sister was to write an excuse for him and Leo Dillon was to tell his
brother to say he was sick. We arranged to go along the Wharf Road until we
came to the ships, then to cross in the ferryboat and walk out to see the
Pigeon House. Leo Dillon was afraid we might meet Father Butler or someone out of
the college; but Mahony asked, very sensibly, what would Father Butler be doing
out at the Pigeon House. We were reassured: and I brought the first stage of
the plot to an end by collecting sixpence from the other two, at the same time
showing them my own sixpence. When we were making the last arrangements on the eve,
we were all vaguely excited. We shook hands, laughing, and Mahony said:
“Till tomorrow, mates!”
That night I slept badly. In the morning I was first comer
to the bridge as I lived nearest. I hid my books in the long grass near the
ashpit at the end of the garden where nobody ever came and hurried along the
canal bank. It was a mild sunny morning in the first week of June. I sat up on
the coping of the bridge admiring my frail canvas shoes which I had diligently
pipeclayed overnight and watching the docile horses pulling a tram load of businesspeople
up the hill. All the branches of the tall trees which lined the mall were gay
with little light green leaves and the sunlight slanted through them on to the
water. The granite stone of the bridge was beginning to be warm and I began to
pat it with my hands in time to an air in my head. I was very happy.
When I had been sitting there for five or ten minutes, I saw
Mahony’s grey suit approaching. He came up the hill, smiling, and clambered up
beside me on the bridge. While we were waiting, he brought out the catapult
which bulged from his inner pocket and explained some improvements which he had
made in it. I asked him why he had brought it and he told me he had brought it
to have some gas with the birds. Mahony used slang freely and spoke of Father
Butler as Old Bunsen. We waited on for a quarter of an hour more but still
there was no sign of Leo Dillon. Mahony, at last, jumped down and said:
“Come along. I knew Fatty's funk it.”
“And his sixpence...?” I said.
“That’s forfeit,” said Mahony. “And so much the better for
us—a bob and a tanner instead of a bob.”
We walked along the North Strand Road till we came to the
Vitriol Works and then turned to the right along the Wharf Road. Mahony began
to play the Indian as soon as we were out of public sight. He chased a crowd of
ragged girls, brandishing his unloaded catapult and, when two ragged boys
began, out of chivalry, to fling stones at us, he proposed that we should
charge them. I objected that the boys were too small and so we walked on, the
ragged troop screaming after us: “Saddlers! Saddlers!” thinking that we were
Protestants because Mahony, who was dark-complexioned, wore the silver badge of
a cricket club in his cap. When we came to the Smoothing Iron, we arranged a
siege; but it was a failure because you must have at least three. We revenged
ourselves on Leo Dillon by saying what a funk he was and guessing how many he
would get at three o’clock from Mr. Ryan.
We came then near the river. We spent a long time walking
about the noisy streets flanked by high stone walls, watching the working of
cranes and engines and often being shouted at for our immobility by the drivers
of groaning carts. It was noon when we reached the quays and, as all the laborer's
seemed to be eating their lunches, we bought two big currant buns and sat down
to eat them on some metal piping beside the river. We pleased ourselves with
the spectacle of Dublin’s commerce—the barges signaled from far away by their
curls of woolly smoke, the brown fishing fleet beyond Ringsend, the big white
sailing-vessel which was being discharged on the opposite quay. Mahony said it
would be right skit to run away to sea on one of those big ships and even I,
looking at the high masts, saw, or imagined, the geography which had been
scantily dosed to me at school gradually taking substance under my eyes. School
and home seemed to recede from us and their influences upon us seemed to wane.
We crossed the Laffey in the ferryboat, paying our toll to
be transported in the company of two laborer's and a little Jew with a bag. We
were serious to the point of solemnity, but once during the short voyage our
eyes met, and we laughed. When we landed, we watched the discharging of the
graceful three master which we had observed from the other quay. Some bystander
said that she was a Norwegian vessel. I went to the stern and tried to decipher
the legend upon it but, failing to do so, I came back and examined the foreign sailors
to see had any of them green eyes for I had some confused notion.... The
sailors’ eyes were blue and grey and even black. The only sailor whose eyes could
have been called green was a tall man who amused the crowd on the quay by calling
out cheerfully every time the planks fell:
“All right! All right!”
When we were tired of this sight we wandered slowly into
Ringsend. The day had grown sultry, and in the windows of the grocers’ shops
musty biscuits lay bleaching. We bought some biscuits and chocolate which we
ate sedulously as we wandered through the squalid streets where the families of
the fishermen live. We could find no dairy and so we went into a huckster’s
shop and bought a bottle of raspberry lemonade each. Refreshed by this, Mahony
chased a cat down a lane, but the cat escaped into a wide field. We both felt
rather tired and when we reached the field we made at once for a sloping bank
over the ridge of which we could see the Dodder.
It was too late, and we were too tired to carry out our
project of visiting the Pigeon House. We had to be home before four o’clock
lest our adventure should be discovered. Mahony looked regretfully at his
catapult and I had to suggest going home by train before he regained any
cheerfulness. The sun went in behind some clouds and left us to our jaded
thoughts and the crumbs of our provisions.
There was nobody but us in the field. When we had lain on
the bank for some time without speaking, I saw a man approaching from the far
end of the field. I watched him lazily as I chewed one of those green stems on
which girls tell fortunes. He came along by the bank slowly. He walked with one
hand upon his hip and in the other hand he held a stick with which he tapped
the turf lightly. He was shabbily dressed in a suit of greenish-black and wore
what we used to call a jerry hat with a high crown. He seemed to be old for his
moustache was ashen-grey. When he passed at our feet, he glanced up at us
quickly and then continued his way. We followed him with our eyes and saw that
when he had gone on for perhaps fifty paces he turned about and began to
retrace his steps. He walked towards us very slowly, always tapping the ground
with his stick, so slowly that I thought he was looking for something in the grass.
He stopped when he came level with us and bade us good day.
We answered him and he sat down beside us on the slope slowly and with great
care. He began to talk of the weather, saying that it would be a very hot
summer and adding that the seasons had changed greatly since he was a boy—a
long time ago. He said that the happiest time of one’s life was undoubtedly
one’s schoolboy days and that he would give anything to be young again. While
he expressed these sentiments, which bored us a little we kept silent. Then he
began to talk of school and of books. He asked us whether we had read the
poetry of Thomas Moore or the works of Sir Walter Scott and Lord Lytton. I
pretended that I had read every book he mentioned so that in the end he said:
“Ah, I can see you are a bookworm like myself. Now,” he
added, pointing to Mahony who was regarding us with open eyes, “he is
different; he goes in for games.”
He said he had all Sir Walter Scott’s works and all Lord
Lytton’s works at home and never tired of reading them. “Of course,” he said,
“there were some of Lord Lytton’s works which boys couldn’t read.” Mahony asked
why boys couldn’t read them—a question which agitated and pained me because I
was afraid the man would think I was as stupid as Mahony. The man, however, only
smiled. I saw that he had great gaps in his mouth between his yellow teeth.
Then he asked us which of us had the most sweethearts. Mahony mentioned lightly
that he had three totties. The man asked me how many had I. I answered that I
had none. He did not believe me and said he was sure I must have one. I was
silent.
“Tell us,” said Mahony pertly to the man, “how many have you
yourself?”
The man smiled as before and said that when he was our age,
he had lots of sweethearts.
“Every boy,” he said, “has a little sweetheart.”
His attitude on this point struck me as strangely liberal in
a man of his age. In my heart I thought that what he said about boys and
sweethearts was reasonable. But I disliked the words in his mouth, and I
wondered why he shivered once or twice as if he feared something or felt a
sudden chill. As he proceeded, I noticed that his accent was good. He began to
speak to us about girls, saying what nice soft hair they had and how soft their
hands were and how all girls were not so good as they seemed to be if one only
knew. There was nothing he liked, he said, so much as looking at a nice young
girl, at her nice white hands and her beautiful soft hair. He gave me the
impression that he was repeating something which he had learned by heart or that,
magnetized by some words of his own speech, his mind was slowly circling round
and round in the same orbit. At times he spoke as if he were simply alluding to
some fact that everybody knew, and at times he lowered his voice and spoke
mysteriously as if he were telling us something secret which he did not wish
others to overhear. He repeated his phrases repeatedly, varying them and
surrounding them with his monotonous voice. I continued to gaze towards the
foot of the slope, listening to him.
After a long while his monologue paused. He stood up slowly,
saying that he had to leave us for a minute or so, a few minutes, and, without
changing the direction of my gaze, I saw him walking slowly away from us
towards the near end of the field. We remained silent when he had gone. After a
silence of a few minutes I heard Mahony exclaim:
“I say! Look what he’s doing!”
As I neither answered nor raised my eyes Mahony exclaimed
again:
“I say.... He’s a queer old josser!”
“In case he asks us for our names,” I said, “let you be Murphy
and I’ll be Smith.”
We said nothing further to each other. I was still
considering whether I would go away or not when the man came back and sat down
beside us again. Hardly had he sat down when Mahony, catching sight of the cat
which had escaped him, sprang up and pursued her across the field. The man and
I watched the chase. The cat escaped once more and Mahony began to throw stones
at the wall she had escaladed. Desisting from this, he began to wander about
the far end of the field, aimlessly.
After an interval the man spoke to me. He said that my
friend was a very rough boy and asked did he get whipped often at school. I was
going to reply indignantly that we were not National School boys to be whipped,
as he called it; but I remained silent. He began to speak about chastising
boys. His mind, as if magnetized again by his speech, seemed to circle slowly
round and round its new center. He said that when boys were that kind they
ought to be whipped and well whipped. When a boy was rough and unruly there was
nothing would do him any good but a good sound whipping. A slap on the hand or
a box on the ear was no good: what he wanted was to get a nice warm whipping. I
was surprised at this sentiment and involuntarily glanced up at his face. As I
did so I met the gaze of a pair of bottle-green eyes peering at me from under a
twitching forehead. I turned my eyes away again.
The man continued his monologue. He seemed to have forgotten
his recent liberalism. He said that if ever he found a boy talking to girls or
having a girl for a sweetheart, he would whip him and whip him; and that would
teach him not to be talking to girls. And if a boy had a girl for a sweetheart
and told lies about it then he would give him such a whipping as no boy ever
got in this world. He said that there was nothing in this world he would like
so well as that. He described to me how he would whip such a boy as if he were
unfolding some elaborate mystery. He would love that, he said, better than
anything in this world; and his voice, as he led me monotonously through the
mystery, grew almost affectionate and seemed to plead with me that I should
understand him.
I waited till his monologue paused again. Then I stood up
abruptly. Lest I should betray my agitation I delayed a few moments pretending
to fix my shoe properly and then, saying that I was obliged to go, I bade him good
day. I went up the slope calmly, but my heart was beating quickly with fear
that he would seize me by the ankles. When I reached the top of the slope I
turned around and, without looking at him, called loudly across the field:
“Murphy!”
My voice had an accent of forced bravery in it and I was
ashamed of my paltry stratagem. I had to call the name again before Mahony saw
me and hallooed in answer. How my heartbeat as he came running across the field
to me! He ran as if to bring me aid. And I was penitent; for in my heart I had
always despised him a little.
ARABY
North Richmond Street, being blind, was a quiet street
except at the hour when the Christian Brothers’ School set the boys free. An
uninhabited house of two stories stood at the blind end, detached from its neighbors
in a square ground. The other houses of the street, conscious of decent lives
within them, gazed at one another with brown imperturbable faces.
The former tenant of our house, a priest, had died in the
back drawing-room. Air, musty from having been long enclosed, hung in all the
rooms, and the waste room behind the kitchen was littered with old useless
papers. Among these I found a few paper-covered books, the pages of which were
curled and damp: The Abbot, by Walter Scott, The Devout Communicant and The
Memoirs of Vedic. I liked the last best because its leaves were yellow. The
wild garden behind the house contained a central apple-tree and a few straggling
bushes under one of which I found the late tenant’s rusty bicycle-pump. He had
been a very charitable priest; in his will he had left all his money to
institutions and the furniture of his house to his sister.
When the short days of winter came dusk fell before, we had
well eaten our dinners. When we met in the street the houses had grown somber.
The space of sky above us was the color of ever-changing violet and towards it
the lamps of the street lifted their feeble lanterns. The cold air stung us,
and we played till our bodies glowed. Our shouts echoed in the silent street.
The career of our play brought us through the dark muddy lanes behind the
houses where we ran the gauntlet of the rough tribes from the cottages, to the
back doors of the dark dripping gardens where odors arose from the ashpits, to
the dark odorous stables where a coachman smoothed and combed the horse or
shook music from the buckled harness. When we returned to the streetlight from
the kitchen windows had filled the areas. If my uncle was seen turning the corner,
we hid in the shadow until we had seen him safely housed. Or if Mangan’s sister
came out on the doorstep to call her brother in to his tea we watched her from
our shadow peer up and down the street. We waited to see whether she would
remain or go in and, if she remained, we left our shadow and walked up to
Mangan’s steps resignedly. She was waiting for us, her figure defined by the
light from the half-opened door. Her brother always teased her before he obeyed,
and I stood by the railings looking at her. Her dress swung as she moved her
body and the soft rope of her hair tossed from side to side.
Every morning I lay on the floor in the front parlor
watching her door. The blind was pulled down to within an inch of the sash so
that I could not be seen. When she came out on the doorstep my heart leaped. I
ran to the hall, seized my books and followed her. I kept her brown figure
always in my eye and, when we came near the point at which our ways diverged, I
quickened my pace and passed her. This happened morning after morning. I had
never spoken to her, except for a few casual words, and yet her name was like a
summons to all my foolish blood.
Her image accompanied me even in places the most hostile to
romance. On Saturday evenings when my aunt went marketing, I had to go to carry
some of the parcels. We walked through the flaring streets, jostled by drunken
men and bargaining women, amid the curses of laborer's, the shrill litanies of
shop-boys who stood on guard by the barrels of pigs’ cheeks, the nasal chanting
of street-singers, who sang a come-all-you about O’Donovan Rossa, or a ballad
about the troubles in our native land. These noises converged in a single
sensation of life for me: I imagined that I bore my chalice safely through a
throng of foes. Her name sprang to my lips at moments in strange prayers and
praises which I myself did not understand. My eyes were often full of tears (I
could not tell why) and at times a flood from my heart seemed to pour itself
out into my bosom. I thought little of the future. I did not know whether I
would ever speak to her or not or, if I spoke to her, how I could tell her of
my confused adoration. But my body was like a harp and her words and gestures
were like fingers running upon the wires.
One evening I went into the back drawing-room in which the
priest had died. It was a dark rainy evening and there was no sound in the
house. Through one of the broken panes I heard the rain impinge upon the earth,
the fine incessant needles of water playing in the sodden beds. Some distant
lamp or lighted window gleamed below me. I was thankful that I could see so
little. All my senses seemed to desire to veil themselves and, feeling that I
was about to slip from them, I pressed the palms of my hands together until
they trembled, murmuring: “O love! O love!” many times.
At last she spoke to me. When she addressed the first words
to me, I was so confused that I did not know what to answer. She asked me was I
going to Arabi. I forgot whether I answered yes or no. It would be a splendid
bazaar, she said; she would love to go.
“And why can’t you?” I asked.
While she spoke, she turned a silver bracelet round and
round her wrist. She could not go, she said, because there would be a retreat
that week in her convent. Her brother and two other boys were fighting for
their caps and I was alone at the railings. She held one of the spikes, bowing
her head towards me. The light from the lamp opposite our door caught the white
curve of her neck, lit up her hair that rested there and, falling, lit up the
hand upon the railing. It fell over one side of her dress and caught the white
border of a petticoat, just visible as she stood at ease.
“It’s well for you,” she said.
“If I go,” I said, “I will bring you something.”
What innumerable follies laid waste my waking and sleeping
thoughts after that evening! I wished to annihilate the tedious intervening
days. I chafed against the work of school. At night in my bedroom and by day in
the classroom her image came between me and the page I strove to read. The
syllables of the word Arabi were called to me through the silence in which my
soul luxuriated and cast an Eastern enchantment over me. I asked for leave to
go to the bazaar on Saturday night. My aunt was surprised and hoped it was not
some Freemason affair. I answered few questions in class. I watched my master’s
face pass from amiability to sternness; he hoped I was not beginning to idle. I
could not call my wandering thoughts together. I had hardly any patience with the
serious work of life which, now that it stood between me and my desire, seemed
to me child’s play, ugly monotonous child’s play.
On Saturday morning I reminded my uncle that I wished to go
to the bazaar in the evening. He was fussing at the hallstand, looking for the
hat-brush, and answered me curtly:
“Yes, boy, I know.”
As he was in the hall I could not go into the front parlor
and lie at the window. I left the house in bad humor and walked slowly towards
the school. The air was pitilessly raw and already my heart misgave me.
When I came home to dinner my uncle had not yet been home.
Still it was early. I sat staring at the clock for some time and, when its
ticking began to irritate me, I left the room. I mounted the staircase and
gained the upper part of the house. The high cold empty gloomy rooms liberated me,
and I went from room to room singing. From the front window I saw my companions
playing below in the street. Their cries reached me weakened and indistinct
and, leaning my forehead against the cool glass, I looked over at the dark
house where she lived. I may have stood there for an hour, seeing nothing but
the brown-clad figure cast by my imagination, touched discreetly by the
lamplight at the curved neck, at the hand upon the railings and at the border
below the dress.
When I came downstairs again, I found Mrs. Mercer sitting at
the fire. She was an old garrulous woman, a pawnbroker’s widow, who collected
used stamps for some pious purpose. I had to endure the gossip of the
tea-table. The meal was prolonged beyond an hour and still my uncle did not
come. Mrs. Mercer stood up to go she was sorry she couldn’t wait any longer,
but it was after eight o’clock and she did not like to be out late as the night
air was bad for her. When she had gone, I began to walk up and down the room,
clenching my fists. My aunt said:
“I’m afraid you may put off your bazaar for this night of
Our Lord.”
At nine o’clock I heard my uncle’s latchkey in the hall door.
I heard him talking to himself and heard the hallstand rocking when it had
received the weight of his overcoat. I could interpret these signs. When he was
midway through his dinner, I asked him to give me the money to go to the
bazaar. He had forgotten.
“The people are in bed and after their first sleep now,” he
said.
I did not smile. My aunt said to him energetically:
“Can’t you give him the money and let him go? You’ve kept
him late enough as it is.”
My uncle said he was very sorry he had forgotten. He said he
believed in the old saying: “All work and no play makes Jack a dull boy.” He
asked me where I was going and, when I had told him a second time, he asked me
did I know The Arab’s Farewell to his Steed. When I left the kitchen, he was
about to recite the opening lines of the piece to my aunt.
I held a florin tightly in my hand as I strode down
Buckingham Street towards the station. The sight of the streets thronged with
buyers and glaring with gas recalled to me the purpose of my journey. I took my
seat in a third-class carriage of a deserted train. After an intolerable delay
the train moved out of the station slowly. It crept onward among ruinous houses
and over the twinkling river. At Westland Row Station a crowd of people pressed
to the carriage doors; but the porters moved them back, saying that it was a
special train for the bazaar. I remained alone in the bare carriage. In a few
minutes the train drew up beside an improvised wooden platform. I passed out on
to the road and saw by the lighted dial of a clock that it was ten minutes to
ten. In front of me was a large building which displayed the magical name.
I could not find any sixpenny entrance and, fearing that the
bazaar would be closed, I passed in quickly through a turnstile, handing a
shilling to a weary-looking man. I found myself in a big hall girdled at half
its height by a gallery. Nearly all the stalls were closed, and the greater
part of the hall was in darkness. I recognized a silence like that which
pervades a church after a service. I walked into the center of the bazaar
timidly. A few people were gathered about the stalls which were still open.
Before a curtain, over which the words Café Chantant were written in colored
lamps, two men were counting money on a salver. I listened to the fall of the
coins.
Remembering with difficulty why I had come I went over to
one of the stalls and examined porcelain vases and flowered tea-sets. At the
door of the stall a young lady was talking and laughing with two young
gentlemen. I remarked their English accents and listened vaguely to their conversation.
“No, I never said such a thing!”
“O, but you did!”
“O, but I didn’t!”
“Didn’t she say that?”
“Yes. I heard her.”
“O, there’s a ... fib!”
Observing me the young lady came over and asked me did I
wish to buy anything. The tone of her voice was not encouraging; she seemed to
have spoken to me out of a sense of duty. I looked humbly at the great jars
that stood like eastern guards at either side of the dark entrance to the stall
and murmured:
“No, thank you.”
The young lady changed the position of one of the vases and
went back to the two young men. They began to talk of the same subject. Once or
twice the young lady glanced at me over her shoulder.
I lingered before her stall, though I knew my stay was
useless, to make my interest in her wares seem the more real. Then I turned
away slowly and walked down the middle of the bazaar. I allowed the two pennies
to fall against the sixpence in my pocket. I heard a voice call from one end of
the gallery that the light was out. The upper part of the hall was now completely
dark.
Gazing up into the darkness I saw myself as a creature
driven and derided by vanity; and my eyes burned with anguish and anger.
EVELINE
She sat at the window watching the evening invade the
avenue. Her head was leaned against the window curtains and in her nostrils was
the odor of dusty cretonne. She was tired.
Few people passed. The man out of the last house passed on
his way home; she heard his footsteps clacking along the concrete pavement and
afterwards crunching on the cinder path before the new red houses. One time
there used to be a field there in which they used to play every evening with
other people’s children. Then a man from Belfast bought the field and built
houses in it—not like their little brown houses but bright brick houses with
shining roofs. The children of the avenue used to play together in that
field—the Divines, the Waters, the Duns, little Keogh the cripple, she and her
brothers and sisters. Ernest, however, never played: he was too grown up. Her
father used often to hunt them in out of the field with his blackthorn stick;
but usually little Keogh used to keep nix and call out when he saw her father
coming. Still they seemed to have been rather happy then. Her father was not so
bad then; and besides, her mother was alive. That was a long time ago; she and
her brothers and sisters were all grown up; her mother was dead. Tizzies Dunn
was dead, too, and the Waters had gone back to England. Everything changes. Now
she was going to go away like the others, to leave her home.
Home! She looked round the room, reviewing all its familiar
objects which she had dusted once a week for so many years, wondering where on
earth all the dust came from. Perhaps she would never see again those familiar
objects from which she had never dreamed of being divided. And yet during all
those years she had never found out the name of the priest whose yellowing
photograph hung on the wall above the broken harmonium beside the colored print
of the promises made to Blessed Margaret Mary Alacoque. He had been a school
friend of her father. Whenever he showed the photograph to a visitor her father
used to pass it with a casual word:
“He is in Melbourne now.”
She had consented to go away, to leave her home. Was that wise?
She tried to weigh each side of the question. In her home anyway she had
shelter and food; she had those whom she had known all her life about her. Of
course, she had to work hard, both in the house and at business. What would
they say of her in the Stores when they found out that she had run away with a
fellow? Say she was a fool, perhaps; and her place would be filled up by
advertisement. Miss Gavan would be glad. She had always had an edge on her,
especially whenever there were people listening.
“Miss Hill, don’t you see these ladies are waiting?”
“Look lively, Miss Hill, please.”
She would not cry many tears at leaving the Stores.
But in her new home, in a distant unknown country, it would
not be like that. Then she would be married—she, Eveline. People would treat
her with respect then. She would not be treated as her mother had been. Even
now, though she was over nineteen, she sometimes felt herself in danger of her
father’s violence. She knew it was that that had given her the palpitations. When
they were growing up he had never gone for her like he used to go for Harry and
Ernest, because she was a girl; but latterly he had begun to threaten her and
say what he would do to her only for her dead mother’s sake. And now she had
nobody to protect her. Ernest was dead and Harry, who was in the church decorating
business, was nearly always down somewhere in the country. Besides, the
invariable squabble for money on Saturday nights had begun to weary her
unspeakably. She always gave her entire wages—seven shillings—and Harry always
sent up what he could, but the trouble was to get any money from her father. He
said she used to squander the money, that she had no head, that he wasn’t going
to give her his hard-earned money to throw about the streets, and much more,
for he was usually bad of a Saturday night. In the end he would give her the
money and ask her had she any intention of buying Sunday’s dinner. Then she had
to rush out as quickly as she could and do her marketing, holding her black
leather purse tightly in her hand as she elbowed her way through the crowds and
returning home late under her load of provisions. She had hard work to keep the
house together and to see that the two young children who had been left to her
charge went to school regularly and got their meals regularly. It was hard work—a
hard life—but now that she was about to leave it, she did not find it a wholly
undesirable life.
She was about to explore another life with Frank. Frank was
very kind, manly, open-hearted. She was to go away with him by the night-boat
to be his wife and to live with him in Buenos Ayres where he had a home waiting
for her. How well she remembered the first time she had seen him; he was
lodging in a house on the main road where she used to visit. It seemed a few
weeks ago. He was standing at the gate, his peaked cap pushed back on his head
and his hair tumbled forward over a face of bronze. Then they had come to know
each other. He used to meet her outside the Stores every evening and see her
home. He took her to see The Bohemian Girl and she felt elated as she sat in an
unaccustomed part of the theatre with him. He was awfully fond of music and
sang a little. People knew that they were courting and, when he sang about the
lass that loves a sailor, she always felt pleasantly confused. He used to call
her Poppins out of fun. First, it had been an excitement for her to have a
fellow and then she had begun to like him. He had tales of distant countries.
He had started as a deck boy at a pound a month on a ship of the Allan Line
going out to Canada. He told her the names of the ships he had been on and the
names of the different services. He had sailed through the Straits of Magellan
and he told her stories of the terrible Patagonians. He had fallen on his feet
in Buenos Ayres, he said, and had come over to the old country just for a
holiday. Of course, her father had found out the affair and had forbidden her
to have anything to say to him.
“I know these sailor chaps,” he said.
One day he had quarreled with Frank and after that she had
to meet her lover secretly.
The evening deepened in the avenue. The white of two letters
in her lap grew indistinct. One was to Harry; the other was to her father.
Ernest had been her favorite, but she liked Harry too. Her father was becoming
old lately, she noticed; he would miss her. Sometimes he could be very nice.
Not long before, when she had been laid up for a day, he had read her out a
ghost story and made toast for her at the fire. Another day, when their mother
was alive, they had all gone for a picnic to the Hill of Howth. She remembered
her father putting on her mother’s bonnet to make the children laugh.
Her time was running out, but she continued to sit by the
window, leaning her head against the window curtain, inhaling the odor of dusty
cretonne. Down far in the avenue she could hear a street organ playing. She
knew the air. Strange that it should come that very night to remind her of the
promise to her mother, her promise to keep the home together if she could. She
remembered the last night of her mother’s illness; she was again in the close
dark room at the other side of the hall and outside she heard a melancholy air
of Italy. The organ-player had been ordered to go away and given sixpence. She
remembered her father strutting back into the sickroom saying:
“Damned Italians! coming over here!”
As she mused the pitiful vision of her mother’s life laid
its spell on the very quick of her being—that life of commonplace sacrifices
closing in final craziness. She trembled as she heard again her mother’s voice
saying constantly with foolish insistence:
“Derevaun Seraun! Derevaun Seraun!”
She stood up in an impulse of terror. Escape! She must
escape! Frank would save her. He would give her life, perhaps love, too. But
she wanted to live. Why should she be unhappy? She had a right to happiness.
Frank would take her in his arms, fold her in his arms. He would save her.
She stood among the swaying crowd in the station at the
North Wall. He held her hand and she knew that he was speaking to her, saying
something about the passage repeatedly. The station was full of soldiers with
brown baggage's. Through the wide doors of the sheds she caught a glimpse of
the black mass of the boat, lying in beside the quay wall, with illumined
portholes. She answered nothing. She felt her cheek pale and cold and, out of a
maze of distress, she prayed to God to direct her, to show her what was her
duty. The boat blew a long mournful whistle into the mist. If she went,
tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres.
Their passage had been booked. Could she still draw back after all he had done
for her? Her distress awoke a nausea in her body, and she kept moving her lips
in silent fervent prayer.
A bell clanged upon her heart. She felt him seize her hand:
“Come!”
All the seas of the world tumbled about her heart. He was
drawing her into them: he would drown her. She gripped with both hands at the
iron railing.
“Come!”
No! No! No! It was impossible. Her hands clutched the iron
in frenzy. Amid the seas she sent a cry of anguish!
“Eveline! Envy!”
He rushed beyond the barrier and called to her to follow. He
was shouted at to go on, but he still called to her. She set her white face to
him, passive, like a helpless animal. Her eyes gave him no sign of love or
farewell or recognition.
AFTER THE RACE
The cars came scudding in towards Dublin, running evenly
like pellets in the groove of the Naas Road. At the crest of the hill at Inchicore
sightseers had gathered in clumps to watch the cars careering homeward and
through this channel of poverty and inaction the Continent sped its wealth and
industry. Now and again the clumps of people raised the cheer of the gratefully
oppressed. Their sympathy, however, was for the blue cars—the cars of their
friends, the French.
The French, moreover, were virtual victors. Their team had
finished solidly; they had been placed second and third and the driver of the
winning German car was reported a Belgian. Each blue car, therefore, received a
double measure of welcome as it topped the crest of the hill and each cheer of
welcome was acknowledged with smiles and nods by those in the car. In one of
these trimly built cars was a party of four young men whose spirits seemed to
be at present well above the level of successful Gallicism: in fact, these four
young men were almost hilarious. They were Charles Ségou in, the owner of the
car; André Rivière, a young electrician of Canadian birth; a huge Hungarian named
Villon and a neatly groomed young man named Doyle. Ségou in was in good humor
because he had unexpectedly received some orders in advance (he was about to
start a motor establishment in Paris) and Rivière was in good humor because he
was to be appointed manager of the establishment; these two young men (who were
cousins) were also in good humor because of the success of the French cars. Villon
was in good humor because he had had a very satisfactory luncheon; and besides
he was an optimist by nature. The fourth member of the party, however, was too
excited to be genuinely happy.
He was about twenty-six years of age, with a soft, light
brown moustache and rather innocent-looking grey eyes. His father, who had
begun life as an advanced Nationalist, had modified his views early. He had
made his money as a butcher in Kingstown and by opening shops in Dublin and in
the suburbs, he had made his money many times over. He had also been fortunate
enough to secure some of the police contracts and in the end, he had become
rich enough to be alluded to in the Dublin newspapers as a merchant prince. He
had sent his son to England to be educated in a big Catholic college and had
afterwards sent him to Dublin University to study law. Jimmy did not study very
earnestly and took to bad courses for a while. He had money and he was popular;
and he divided his time curiously between musical and motoring circles. Then he
had been sent for a term to Cambridge to see a little life. His father,
remonstrative, but covertly proud of the excess, had paid his bills and brought
him home. It was at Cambridge that he had met Ségou in. They were not much more
than acquaintances yet, but Jimmy found great pleasure in the society of one
who had seen so much of the world and was reputed to own some of the biggest
hotels in France. Such a person (as his father agreed) was well worth knowing,
even if he had not been the charming companion he was. Villon was entertaining
also—a brilliant pianist—but, unfortunately, very poor.
The car ran on merrily with its cargo of hilarious youth.
The two cousins sat on the front seat; Jimmy and his Hungarian friend sat
behind. Decidedly Villon was in excellent spirits; he kept up a deep bass hum
of melody for miles of the road. The Frenchmen flung their laughter and light
words over their shoulders and often Jimmy had to strain forward to catch the
quick phrase. This was not altogether pleasant for him, as he had nearly always
to make a deft guess at the meaning and shout back a suitable answer in the face
of a high wind. Besides Villon's humming would confuse anybody; the noise of
the car, too.
Rapid motion through space elates one; so, does notoriety; so,
does the possession of money. These were three good reasons for Jimmy’s
excitement. He had been seen by many of his friends that day in the company of
these Continentals. At the control Ségou in had presented him to one of the
French competitors and, in answer to his confused murmur of compliment, the
swarthy face of the driver had disclosed a line of shining white teeth. It was
pleasant after that honor to return to the profane world of spectators amid
nudges and significant looks. Then as to money—he really had a great sum under
his control. Ségou in, perhaps, would not think it a great sum but Jimmy who, despite
temporary errors, was at heart the inheritor of solid instincts knew well with
what difficulty it had been got together. This knowledge had previously kept
his bills within the limits of reasonable recklessness and, if he had been so
conscious of the labor latent in money when there had been question merely of
some freak of the higher intelligence, how much more so now when he was about
to stake the greater part of his substance! It was a serious thing for him.
Of course, the investment was a good one and Ségou in had
managed to give the impression that it was by a favor of friendship the mite of
Irish money was to be included in the capital of the concern. Jimmy had a
respect for his father’s shrewdness in business matters and in this case, it
had been his father who had first suggested the investment; money to be made in
the motor business, pots of money. Moreover, Ségou in had the unmistakable air
of wealth. Jimmy set out to translate into days’ work that lordly car in which
he sat. How smoothly it ran. In what style they had come careering along the
country roads! The journey laid a magical finger on the genuine pulse of life
and gallantly the machinery of human nerves strove to answer the bounding
courses of the swift blue animal.
They drove down Dame Street. The street was busy with
unusual traffic, loud with the horns of motorists and the gongs of impatient
tram-drivers. Near the Bank Ségou in drew up and Jimmy and his friend alighted.
A little knot of people collected on the footpath to pay homage to the snorting
motor. The party was to dine together that evening in Seguin's hotel and,
meanwhile, Jimmy and his friend, who was staying with him, were to go home to
dress. The car steered out slowly for Grafton Street while the two young men
pushed their way through the knot of gazers. They walked northward with a
curious feeling of disappointment in the exercise, while the city hung its pale
globes of light above them in a haze of summer evening.
In Jimmy’s house this dinner had been pronounced an
occasion. A certain pride mingled with his parents’ trepidation, a certain eagerness,
also, to play fast and loose for the names of great foreign cities have at
least this virtue. Jimmy, too, looked very well when he was dressed and, as he
stood in the hall giving a last equation to the bows of his dress tie, his
father may have felt even commercially satisfied at having secured for his son
qualities often unpurchaseable. His father, therefore, was unusually friendly
with Villon and his manner expressed a real respect for foreign
accomplishments; but this subtlety of his host was probably lost upon the
Hungarian, who was beginning to have a sharp desire for his dinner.
The dinner was excellent, exquisite. Ségou in, Jimmy
decided, had a very refined taste. The party was increased by a young
Englishman named Routh whom Jimmy had seen with Ségou in at Cambridge. The
young men supped in a snug room lit by electric candle-lamps. They talked
volubly and with little reserve. Jimmy, whose imagination was kindling,
conceived the lively youth of the Frenchmen twined elegantly upon the firm framework
of the Englishman’s manner. A graceful image of his, he thought, and a just
one. He admired the dexterity with which their host directed the conversation.
The five young men had various tastes and their tongues had been loosened. Villon,
with immense respect, began to discover to the mildly surprised Englishman the
beauties of the English madrigal, deploring the loss of old instruments.
Rivière, not wholly ingenuously, undertook to explain to Jimmy the triumph of
the French mechanicals. The resonant voice of the Hungarian was about to
prevail in ridicule of the spurious lutes of the romantic painters when Ségou
in shepherded his party into politics. Here was congenial ground for all.
Jimmy, under generous influences, felt the buried zeal of his father wake to
life within him: he aroused the torpid Routh at last. The room grew doubly hot
and Seguin's task grew harder each moment: there was even danger of personal
spite. The alert host at an opportunity lifted his glass to Humanity and, when
the toast had been drunk, he threw open a window significantly.
That night the city wore the mask of a capital. The five
young men strolled along Stephen’s Green in a faint cloud of aromatic smoke.
They talked loudly and gaily, and their cloaks dangled from their shoulders.
The people made way for them. At the corner of Grafton Street, a short fat man
was putting two handsome ladies on a car in charge of another fat man. The car
drove off and the short fat man caught sight of the party.
“André.”
“It’s Farley!”
A torrent of talk followed. Farley was an American. No one
knew very well what the talk was about. Villon and Rivière were the noisiest,
but all the men were excited. They got up on a car, squeezing themselves
together amid much laughter. They drove by the crowd, blended now into soft colors,
to a music of merry bells. They took the train at Westland Row and in a few
seconds, as it seemed to Jimmy, they were walking out of Kingstown Station. The
ticket-collector saluted Jimmy; he was an old man:
“Fine night, sir!”
It was a serene summer night; the harbor lay like a darkened
mirror at their feet. They proceeded towards it with linked arms, singing Cadet
Roussel in chorus, stamping their feet at every:
“Ho! Ho! Hoehn, vraiment!”
They got into a rowboat at the slip and made out for the
American’s yacht. There was to be supper, music, cards. Villon said with
conviction:
“It is delightful!”
There was a yacht piano in the cabin. Villon played a waltz
for Farley and Rivière, Farley acting as cavalier and Rivière as lady. Then an
impromptu square dance, the men devising original figures. What merriment!
Jimmy took his part with a will; this was seeing life, at least. Then Farley
got out of breath and cried “Stop!” A man brought in a light supper, and the
young men sat down to it for form’s sake. They drank, however: it was Bohemian.
They drank Ireland, England, France, Hungary, the United States of America.
Jimmy made a speech, a long speech, Villon saying: “Hear! hear!” whenever there
was a pause. There was a great clapping of hands when he sat down. It must have
been a good speech. Farley clapped him on the back and laughed loudly. What
jovial fellows! What good company they were!
Cards! cards! The table was cleared. Villon returned quietly
to his piano and played voluntaries for them. The other men played game after
game, flinging themselves boldly into the adventure. They drank the health of
the Queen of Hearts and of the Queen of Diamonds. Jimmy felt obscurely the lack
of an audience: the wit was flashing. Play ran very high and paper began to
pass. Jimmy did not know exactly who was winning but he knew that he was
losing. But it was his own fault for he frequently mistook his cards and the
other men had to calculate his I.O.U. ‘s for him. They were devils of fellows,
but he wished they would stop it was getting late. Someone gave the toast of
the yacht The Belle of Newport and then someone proposed one great game for a
finish.
The piano had stopped; Villon must have gone up on deck. It
was a terrible game. They stopped just before the end of it to drink for luck.
Jimmy understood that the game lay between Routh and Ségou in. What excitement!
Jimmy was excited too; he would lose, of course. How much had he written away?
The men rose to their feet to play the last tricks, talking and gesticulating.
Routh won. The cabin shook with the young men’s cheering and the cards were
bundled together. They began then to gather in what they had won. Farley and
Jimmy were the heaviest losers.
He knew that he would regret in the morning but at present
he was glad of the rest, glad of the dark stupor that would cover up his folly.
He leaned his elbows on the table and rested his head between his hands,
counting the beats of his temples. The cabin door opened, and he saw the
Hungarian standing in a shaft of grey light:
“Daybreak, gentlemen!”
TWO GALLANTS
The grey warm evening of August had descended upon the city
and a mild warm air, a memory of summer, circulated in the streets. The
streets, shuttered for the repose of Sunday, swarmed with a gaily colored
crowd. Like illumined pearls the lamps shone from the summits of their tall
poles upon the living texture below which, changing shape and hue unceasingly,
sent up into the warm grey evening air an unchanging unceasing murmur.
Two young men came down the hill of Rutland Square. One of
them was just bringing a long monologue to a close. The other, who walked on
the verge of the path and was at times obliged to step on to the road, owing to
his companion’s rudeness, wore an amused listening face. He was squat and
ruddy. A yachting cap was shoved far back from his forehead and the narrative
to which he listened made constant waves of expression break forth over his
face from the corners of his nose and eyes and mouth. Little jets of wheezing
laughter followed one another out of his convulsed body. His eyes, twinkling
with cunning enjoyment, glanced at every moment towards his companion’s face.
Once or twice he rearranged the light waterproof which he had slung over one
shoulder in toreador fashion. His breeches, his white rubber shoes and his jauntily
slung waterproof expressed youth. But his figure fell into rotundity at the
waist, his hair was scant and grey and his face, when the waves of expression
had passed over it, had a ravaged look.
When he was quite sure that the narrative had ended, he laughed
noiselessly for fully half a minute. Then he said:
“Well!... That takes the biscuit!”
His voice seemed winnowed of vigor; and to enforce his words
he added with humor:
“That takes the solitary, unique, and, if I may so call it,
recherché biscuit!”
He became serious and silent when he had said this. His
tongue was tired for he had been talking all the afternoon in a public house in
Dorset Street. Most people considered Linehan a leech but, despite this
reputation, his adroitness and eloquence had always prevented his friends from
forming any general policy against him. He had a brave manner of coming up to a
party of them in a bar and of holding himself nimbly at the borders of the
company until he was included in a round. He was a sporting vagrant armed with
a vast stock of stories, limericks and riddles. He was insensitive to all kinds
of discourtesy. No one knew how he achieved the stern task of living, but his
name was vaguely associated with racing tissues.
“And where did you pick her up, Corley?” he asked.
Corley ran his tongue swiftly along his upper lip.
“One night, man,” he said, “I was going along Dame Street
and I spotted a fine tart under Waterhouse’s clock and said good-night, you
know. So, we went for a walk round by the canal and she told me she was a slavery
in a house in Baggot Street. I put my arm round her and squeezed her a bit that
night. Then next Sunday, man, I met her by appointment. We went out to
Donnybrook and I brought her into a field there. She told me she used to go
with a dairyman.... It was fine, man. Cigarettes every night she’d bring me and
paying the tram out and back. And one night she brought me two bloody fine cigars
O, the real cheese, you know, that the old fellow used to smoke.... I was
afraid, man, she’d get in the family way. But she’s up to the dodge.”
“Maybe she thinks you’ll marry her,” said Linehan.
“I told her I was out of a job,” said Corley. “I told her I
was in Pimm's. She doesn’t know my name. I was too hairy to tell her that. But
she thinks I’m a bit of class, you know.”
Linehan laughed again, noiselessly.
“Of all the good ones ever I heard,” he said, “that
emphatically takes the biscuit.”
Corley’s stride acknowledged the compliment. The swing of
his burly body made his friend execute a few light skips from the path to the
roadway and back again. Corley was the son of an inspector of police and he had
inherited his father’s frame and gait. He walked with his hands by his sides,
holding himself erect and swaying his head from side to side. His head was large,
globular and oily; it sweated in all weathers; and his large round hat, set upon
it sideways, looked like a bulb which had grown out of another. He always
stared straight before him as if he were on parade and, when he wished to gaze
after someone in the street, it was necessary for him to move his body from the
hips. At present he was about town. Whenever any job was vacant a friend was
always ready to give him the hard word. He was often to be seen walking with
policemen in plain clothes, talking earnestly. He knew the inner side of all
affairs and was fond of delivering final judgments. He spoke without listening
to the speech of his companions. His conversation was mainly about himself:
what he had said to such a person and what such a person had said to him and
what he had said to settle the matter. When he reported these dialogues, he
aspirated the first letter of his name after the manner of Florentines.
Linehan offered his friend a cigarette. As the two young men
walked on through the crowd Corley occasionally turned to smile at some of the
passing girls but Linehan's gaze was fixed on the large faint moon circled with
a double halo. He watched earnestly the passing of the grey web of twilight
across its face. At length he said:
“Well ... tell me, Corley, I suppose you’ll be able to pull
it off all right, eh?”
Corley closed one eye expressively as an answer.
“Is she game for that?” asked Linehan dubiously. “You can
never know women.”
“She’s all right,” said Corley. “I know the way to get
around her, man. She’s a bit gone on me.”
“You’re what I call a gay Lothario,” said Linehan. “And the
proper kind of a Lothario, too!”
A shade of mockery relieved the servility of his manner. To
save himself he had the habit of leaving his flattery open to the interpretation
of raillery. But Corley had not a subtle mind.
“There’s nothing to touch a good slavery,” he affirmed.
“Take my tip for it.”
“By one who has tried them all,” said Linehan.
“First I used to go with girls, you know,” said Corley,
unbosoming; “girls off the South Circular. I used to take them out, man, on the
tram somewhere and pay the tram or take them to a band or a play at the theatre
or buy them chocolate and sweets or something that way. I used to spend money
on them right enough,” he added, in a convincing tone, as if he was conscious
of being disbelieved.
But Linehan could well believe it; he nodded gravely.
“I know that game,” he said, “and it’s a mug’s game.”
“And damn the thing I ever got out of it,” said Corley.
“Ditto here,” said Linehan.
“Only off of one of them,” said Corley.
He moistened his upper lip by running his tongue along it.
The recollection brightened his eyes. He too gazed at the pale disc of the
moon, now nearly veiled, and seemed to meditate.
“She was ... a bit of all right,” he said regretfully.
He was silent again. Then he added:
“She’s on the turf now. I saw her driving down Earl Street
one night with two fellows with her on a car.”
“I suppose that’s your doing,” said Linehan.
“There were others at her before me,” said Corley
philosophically.
This time Linehan was inclined to disbelieve. He shook his
head to and fro and smiled.
“You know you can’t kid me, Corley,” he said.
“Honest to God!” said Corley. “Didn’t she tell me herself?”
Linehan made a tragic gesture.
“Base betrayer!” he said.
As they passed along the railings of Trinity College, Linehan
skipped out into the road and peered up at the clock.
“Twenty after,” he said.
“Time enough,” said Corley. “She’ll be there all right. I
always let her wait a bit.”
Linehan laughed quietly.
“Ecod! Corley, you know how to take them,” he said.
“I’m up to all their little tricks,” Corley confessed.
“But tell me,” said Linehan again, “are you sure you can
bring it off all right? You know it’s a ticklish job. They’re damn close on
that point. Eh?... What?”
His bright, small eyes searched his companion’s face for
reassurance. Corley swung his head to and fro as if to toss aside an insistent
insect, and his brows gathered.
“I’ll pull it off,” he said. “Leave it to me, can’t you?”
Linehan said no more. He did not wish to ruffle his friend’s
temper, to be sent to the devil and told that his advice was not wanted. A
little tact was necessary. But Corley’s brow was soon smooth again. His
thoughts were running another way.
“She’s a fine decent tart,” he said, with appreciation;
“that’s what she is.”
They walked along Nassau Street and then turned into Kildare
Street. Not far from the porch of the club a harpist stood in the roadway,
playing to a little ring of listeners. He plucked at the wires heedlessly,
glancing quickly from time to time at the face of each new-comer and from time
to time, wearily also, at the sky. His harp, too, heedless that her coverings
had fallen about her knees, seemed weary alike of the eyes of strangers and of
her master’s hands. One hand played in the bass the melody of Silent, O Moyle,
while the other hand careered in the treble after each group of notes. The
notes of the air sounded deep and full.
The two young men walked up the street without speaking, the
mournful music following them. When they reached Stephen’s Green, they crossed
the road. Here the noise of trams, the lights and the crowd released them from
their silence.
“There she is!” said Corley.
At the corner of Hume Street, a young woman was standing.
She wore a blue dress and a white sailor hat. She stood on the curbstone,
swinging a sunshade in one hand. Linehan grew lively.
“Let’s have a look at her, Corley,” he said.
Corley glanced sideways at his friend and an unpleasant grin
appeared on his face.
“Are you trying to get inside me?” he asked.
“Damn it!” said Linehan boldly, “I don’t want an
introduction. All I want is to have a look at her. I’m not going to eat her.”
“O.... A look at her?” said Corley, more amiably. “Well ...
I’ll tell you what. I’ll go over and talk to her and you can pass by.”
“Right!” said Linehan.
Corley had already thrown one leg over the chains when Linehan
called out:
“And after? Where will we meet?”
“Half ten,” answered Corley, bringing over his other leg.
“Where?”
“Corner of Merrion Street. We’ll be coming back.”
“Work it all right now,” said Linehan in farewell.
Corley did not answer. He sauntered across the road swaying
his head from side to side. His bulk, his easy pace, and the solid sound of his
boots had something of the conqueror in them. He approached the young woman
and, without saluting, began at once to converse with her. She swung her
umbrella more quickly and executed half turns on her heels. Once or twice when
he spoke to her at close quarters she laughed and bent her head.
Linehan observed them for a few minutes. Then he walked
rapidly along beside the chains at some distance and crossed the road
obliquely. As he approached Hume Street corner, he found the air heavily
scented and his eyes made a swift anxious scrutiny of the young woman’s
appearance. She had her Sunday finery on. Her blue serge skirt was held at the
waist by a belt of black leather. The great silver buckle of her belt seemed to
depress the center of her body, catching the light stuff of her white blouse
like a clip. She wore a short black jacket with mother-of-pearl buttons and a
ragged black boa. The ends of her tulle collarette had been carefully
disordered and a big bunch of red flowers was pinned in her bosom, stems
upwards. Linehan's eyes noted approvingly her stout short muscular body. Frank
rude health glowed in her face, on her fat red cheeks and in her unabashed blue
eyes. Her features were blunt. She had broad nostrils, a straggling mouth which
lay open in a contented leer, and two projecting front teeth. As he passed Linehan
took off his cap and, after about ten seconds, Corley returned a salute to the
air. This he did by raising his hand vaguely and pensively changing the angle
of position of his hat.
Linehan walked as far as the Shelbourne Hotel where he
halted and waited. After waiting for a little time, he saw them coming towards
him and, when they turned to the right, he followed them, stepping lightly in
his white shoes, down one side of Merrion Square. As he walked on slowly,
timing his pace to theirs, he watched Corley’s head which turned at every
moment towards the young woman’s face like a big ball revolving on a pivot. He
kept the pair in view until he had seen them climbing the stairs of the Donnybrook
tram; then he turned about and went back the way he had come.
Now that he was alone his face looked older. His gaiety
seemed to forsake him and, as he came by the railings of the Duke’s Lawn, he
allowed his hand to run along them. The air which the harpist had played began
to control his movements. His softly padded feet played the melody while his
fingers swept a scale of variations idly along the railings after each group of
notes.
He walked listlessly round Stephen’s Green and then down
Grafton Street. Though his eyes took note of many elements of the crowd through
which he passed they did so morosely. He found trivial all that was meant to
charm him and did not answer the glances which invited him to be bold. He knew
that he would have to speak a great deal, to invent and to amuse, and his brain
and throat were too dry for such a task. The problem of how he could pass the
hours till he met Corley again troubled him a little. He could think of no way
of passing them but to keep on walking. He turned to the left when he came to
the corner of Rutland Square and felt more at ease in the dark quiet street,
the somber look of which suited his mood. He paused at last before the window
of a poor-looking shop over which the words Refreshment Bar were printed in
white letters. On the glass of the window were two flying inscriptions: Ginger
Beer and Ginger Ale. A cut ham was exposed on a great blue dish while near it
on a plate lay a segment of very light plum-pudding. He eyed this food
earnestly for some time and then, after glancing warily up and down the street,
went into the shop quickly.
He was hungry for, except some biscuits which he had asked
two grudging curates to bring him, he had eaten nothing since breakfast-time.
He sat down at an uncovered wooden table opposite two work-girls and a mechanic.
A slatternly girl waited on him.
“How much is a plate of peas?” he asked.
“Three halfpence, sir,” said the girl.
“Bring me a plate of peas,” he said, “and a bottle of ginger
beer.”
He spoke roughly in order to belie his air of gentility for
his entry had been followed by a pause of talk. His face was heated. To appear natural,
he pushed his cap back on his head and planted his elbows on the table. The
mechanic and the two work-girls examined him point by point before resuming
their conversation in a subdued voice. The girl brought him a plate of grocer’s
hot peas, seasoned with pepper and vinegar, a fork and his ginger beer. He ate
his food greedily and found it so good that he made a note of the shop
mentally. When he had eaten all the peas, he sipped his ginger beer and sat for
some time thinking of Corley’s adventure. In his imagination he beheld the pair
of lovers walking along some dark road; he heard Corley’s voice in deep
energetic gallantries and saw again the leer of the young woman’s mouth. This vision
made him feel keenly his own poverty of purse and spirit. He was tired of
knocking about, of pulling the devil by the tail, of shifts and intrigues. He
would be thirty-one in November. Would he never get a good job? Would he never
have a home of his own? He thought how pleasant it would be to have a warm fire
to sit by and a good dinner to sit down to. He had walked the streets long
enough with friends and with girls. He knew what those friends were worth: he
knew the girls too. Experience had embittered his heart against the world. But
all hope had not left him. He felt better after having eaten than he had felt
before, less weary of his life, less vanquished in spirit. He might yet be able
to settle down in some snug corner and live happily if he could only come
across some good simple-minded girl with a little of the ready.
He paid two pence halfpenny to the slatternly girl and went
out of the shop to begin his wandering again. He went into Capel Street and walked
along towards the City Hall. Then he turned into Dame Street. At the corner of
George’s Street, he met two friends of his and stopped to converse with them.
He was glad that he could rest from all his walking. His friends asked him had
he seen Corley and what was the latest. He replied that he had spent the day
with Corley. His friends talked very little. They looked vacantly after some
figures in the crowd and sometimes made a critical remark. One said that he had
seen Mac an hour before in Westmoreland Street. At this Linehan said that he had
been with Mac the night before in Egan’s. The young man who had seen Mac in
Westmoreland Street asked was it true that Mac had won a bit over a billiard
match. Linehan did not know he said that Holohan had stood them drinks in
Egan’s.
He left his friends at a quarter to ten and went up George’s
Street. He turned to the left at the City Markets and walked on into Grafton
Street. The crowd of girls and young men had thinned and on his way up the
street he heard many groups and couples bidding one another good night. He went
as far as the clock of the College of Surgeons: it was on the stroke of ten. He
set off briskly along the northern side of the Green hurrying for fear Corley
should return too soon. When he reached the corner of Merrion Street he took his
stand in the shadow of a lamp and brought out one of the cigarettes which he
had reserved and lit it. He leaned against the lamppost and kept his gaze fixed
on the part from which he expected to see Corley and the young woman return.
His mind became active again. He wondered had Corley managed
it successfully. He wondered if he had asked her yet or if he would leave it to
the last. He suffered all the pangs and thrills of his friend’s situation as
well as those of his own. But the memory of Corley’s slowly revolving head
calmed him somewhat: he was sure Corley would pull it off all right. All at
once the idea struck him that perhaps Corley had seen her home by another way
and given him the slip. His eyes searched the street: there was no sign of
them. Yet it was surely half-an-hour since he had seen the clock of the College
of Surgeons. Would Corley do a thing like that? He lit his last cigarette and
began to smoke it nervously. He strained his eyes as each tram stopped at the
far corner of the square. They must have gone home by another way. The paper of
his cigarette broke and he flung it into the road with a curse.
Suddenly he saw them coming towards him. He started with
delight and, keeping close to his lamppost, tried to read the result in their
walk. They were walking quickly, the young woman taking quick short steps,
while Corley kept beside her with his long stride. They did not seem to be
speaking. An intimation of the result pricked him like the point of a sharp
instrument. He knew Corley would fail; he knew it was no go.
They turned down Baggot Street and he followed them at once,
taking the other footpath. When they stopped, he stopped too? They talked for a
few moments and then the young woman went down the steps into the area of a
house. Corley remained standing at the edge of the path, a little distance from
the front steps. Some minutes passed. Then the hall-door was opened slowly and
cautiously. A woman came running down the front steps and coughed. Corley
turned and went towards her. His broad figure hid hers from view for a few
seconds and then she reappeared running up the steps. The door closed on her
and Corley began to walk swiftly towards Stephen’s Green.
Linehan hurried on in the same direction. Some drops of
light rain fell. He took them as a warning and, glancing back towards the house
which the young woman had entered to see that he was not observed, he ran
eagerly across the road. Anxiety and his swift run made him pant. He called
out:
“Hallo, Corley!”
Corley turned his head to see who had called him, and then
continued walking as before. Linehan ran after him, settling the waterproof on
his shoulders with one hand.
“Hallo, Corley!” he cried again.
He came level with his friend and looked keenly in his face.
He could see nothing there.
“Well?” he said. “Did it come off?”
They had reached the corner of Ely Place. Still without
answering, Corley swerved to the left and went up the side street. His features
were composed in stern calm. Linehan kept up with his friend, breathing
uneasily. He was baffled and a note of menace pierced through his voice.
“Can’t you tell us?” he said. “Did you try her?”
Corley halted at the first lamp and stared grimly before
him. Then with a grave gesture he extended a hand towards the light and,
smiling, opened it slowly to the gaze of his disciple. A small gold coin shone
in the palm.
THE BOARDING HOUSE
Mrs. Mooney was a butcher’s daughter. She was a woman who
was quite able to keep things to herself: a determined woman. She had married
her father’s foreman and opened a butcher’s shop near Spring Gardens. But as
soon as his father-in-law was dead Mr. Mooney began to go to the devil. He
drank, plundered the till, ran headlong into debt. It was no use making him
take the pledge: he was sure to break out again a few days after. By fighting
his wife in the presence of customers and by buying bad meat he ruined his
business. One night he went for his wife with the cleaver and she had to sleep
in a neighbor's house.
After that they lived apart. She went to the priest and got
a separation from him with care of the children. She would give him neither
money nor food nor houseroom; and so, he was obliged to enlist himself as a
sheriff’s man. He was a shabby stooped little drunkard with a white face and a
white moustache and white eyebrows, penciled above his little eyes, which were
pink-veined and raw; and all day long he sat in the bailiff’s room, waiting to
be put on a job. Mrs. Mooney, who had taken what remained of her money out of
the butcher business and set up a boarding house in Hardwicke Street, was a big
imposing woman. Her house had a floating population made up of tourists from
Liverpool and the Isle of Man and, occasionally, artistes from the music-halls.
Its resident population was made up of clerks from the city. She governed her
house cunningly and firmly, knew when to give credit, when to be stern and when
to let things pass. All the resident young men spoke of her as The Madam.
Mrs. Mooney’s young men paid fifteen shillings a week for
board and lodgings (beer or stout at dinner excluded). They shared tastes and
occupations and for this reason they were very chummy with one another. They
discussed with one another the chances of favorites and outsiders. Jack Mooney,
the Madam’s son, who was clerk to a commission agent in Fleet Street, had the
reputation of being a hard case. He was fond of using soldiers’ obscenities:
usually he came home in the small hours. When he met his friends, he had always
a good one to tell them and he was always sure to be on to a good thing—that is
to say, a likely horse or a likely artiste. He was also handy with the mits and
sang comic songs. On Sunday nights there would often be a reunion in Mrs.
Mooney’s front drawing-room. The music-hall artistes would oblige; and Sheridan
played waltzes and polkas and vamped accompaniments. Polly Mooney, the Madam’s
daughter, would also sing. She sang:
I’m a ... naughty
girl.
You needn’t sham:
You know I am.
Polly was a slim girl of nineteen; she had light soft hair
and a small full mouth. Her eyes, which were grey with a shade of green through
them, had a habit of glancing upwards when she spoke with anyone, which made
her look like a little perverse Madonna. Mrs. Mooney had first sent her
daughter to be a typist in a corn-factor’s office but, as a disreputable
sheriff’s man used to come every other day to the office, asking to be allowed
to say a word to his daughter, she had taken her daughter home again and set
her to do housework. As Polly was very lively the intention was to give her the
run of the young men. Besides, young men like to feel that there is a young
woman not very far away. Polly, of course, flirted with the young men but Mrs.
Mooney, who was a shrewd judge, knew that the young men were only passing the
time away: none of them meant business. Things went on so for a long time and Mrs.
Mooney began to think of sending Polly back to typewriting when she noticed
that something was going on between Polly and one of the young men. She watched
the pair and kept her own counsel.
Polly knew that she was being watched, but still her
mother’s persistent silence could not be misunderstood. There had been no open
complicity between mother and daughter, no open understanding but, though people
in the house began to talk of the affair, still Mrs. Mooney did not intervene.
Polly began to grow a little strange in her manner and the young man was
evidently perturbed. At last, when she judged it to be the right moment, Mrs.
Mooney intervened. She dealt with moral problems as a cleaver deals with meat:
and in this case she had made up her mind.
It was a bright Sunday morning of early summer, promising
heat, but with a fresh breeze blowing. All the windows of the boarding house
were open, and the lace curtains ballooned gently towards the street beneath
the raised sashes. The belfry of George’s Church sent out constant peals and
worshippers, singly or in groups, traversed the little circus before the
church, revealing their purpose by their self-contained demeanor no less than
by the little volumes in their gloved hands. Breakfast was over in the boarding
house and the table of the breakfast-room was covered with plates on which lay
yellow streaks of eggs with morsels of bacon-fat and bacon-rind. Mrs. Mooney
sat in the straw armchair and watched the servant Mary remove the breakfast
things. She made Mary collect the crusts and pieces of broken bread to help to
make Tuesday’s bread-pudding. When the table was cleared, the broken bread
collected, the sugar and butter safe under lock and key, she began to reconstruct
the interview which she had had the night before with Polly. Things were as she
had suspected: she had been franking in her questions and Polly had been frank
in her answers. Both had been somewhat awkward, of course. She had been made
awkward by her not wishing to receive the news in too cavalier a fashion or to
seem to have connived and Polly had been made awkward not merely because
allusions of that kind always made her awkward but also because she did not
wish it to be thought that in her wise innocence she had divined the intention
behind her mother’s tolerance.
Mrs. Mooney glanced instinctively at the little gilt clock
on the mantelpiece as soon as she had become aware through her reverie that the
bells of George’s Church had stopped ringing. It was seventeen minutes past
eleven: she would have lots of time to have the matter out with Mr. Doran and
then catch short twelve at Marlborough Street. She was sure she would win. To
begin with she had all the weight of social opinion on her side: she was an
outraged mother. She had allowed him to live beneath her roof, if he was a man
of honor, and he had simply abused her hospitality. He was thirty-four or
thirty-five years of age, so that youth could not be pleaded as his excuse; nor
could ignorance be his excuse since he was a man who had seen something of the
world. He had simply taken advantage of Polly’s youth and inexperience: that
was evident. The question was: What reparation would he make?
There must be reparation made in such cases. It is all very
well for the man: he can go his ways as if nothing had happened, having had his
moment of pleasure, but the girl must bear the brunt. Some mothers would be
content to patch up such an affair for a sum of money; she had known cases of
it. But she would not do so. For her only one reparation could make up for the
loss of her daughter’s honor: marriage.
She counted all her cards again before sending Mary up to Mr.
Doran’s room to say that she wished to speak with him. She felt sure she would
win. He was a serious young man, not rakish or loud voiced like the others. If
it had been Mr. Sheridan or Mr. Meade or Bantam Lyons, her task would have been
much harder. She did not think he would face publicity. All the lodgers in the
house knew something of the affair; details had been invented by some. Besides,
he had been employed for thirteen years in a great Catholic wine-merchant’s
office and publicity would mean for him, perhaps, the loss of his job. Whereas
if he agreed all might be well. She knew he had a good screw for one thing, and
she suspected he had a bit of stuff put by.
Nearly the half-hour! She stood up and surveyed herself in
the pier-glass. The decisive expression of her great florid face satisfied her,
and she thought of some mothers she knew who could not get their daughters off
their hands.
Mr. Doran was very anxious indeed this Sunday morning. He
had made two attempts to shave but his hand had been so unsteady that he had been
obliged to desist. Three days’ reddish beard fringed his jaws and every two or
three minutes a mist gathered on his glasses so that he had to take them off
and polish them with his pocket-handkerchief. The recollection of his
confession of the night before was a cause of acute pain to him; the priest had
drawn out every ridiculous detail of the affair and in the end had so magnified
his sin that he was almost thankful at being afforded a loophole of reparation.
The harm was done. What could he do now but marry her or run away? He could not
brazen it out. The affair would be sure to be talked of and his employer would
be certain to hear of it. Dublin is such a small city: everyone knows everyone
else’s business. He felt his heart leap warmly in his throat as he heard in his
excited imagination old Mr. Leonard calling out in his rasping voice: “Send Mr.
Doran here, please.”
All his long years of service gone for nothing! All his
industry and diligence thrown away! As a young man he had sown his wild oats, of
course; he had boasted of his free-thinking and denied the existence of God to
his companions in public-houses. But that was all passed and done with ...
nearly. He still bought a copy of Reynolds’s Newspaper every week, but he
attended to his religious duties and for nine-tenths of the year lived a
regular life. He had money enough to settle down on; it was not that. But the
family would look down on her. First, there was her disreputable father and
then her mother’s boarding house was beginning to get a certain fame. He had a
notion that he was being had. He could imagine his friends talking of the
affair and laughing. She was a little vulgar; sometimes she said, “I see” and
“If I have known.” But what would grammar matter if he really loved her? He could
not make up his mind whether to like her or despise her for what she had done. Of
course, he had done it too. His instinct urged him to remain free, not to
marry. Once you are married you are done for, it said.
While he was sitting helplessly on the side of the bed in
shirt and trousers she tapped lightly at his door and entered. She told him
all, that she had made a clean breast of it to her mother and that her mother
would speak with him that morning. She cried and threw her arms round his neck,
saying:
“O Bob! Bob! What am I to do? What am I to do at all?”
She would put an end to herself, she said.
He comforted her feebly, telling her not to cry, that it
would be all right, never fear. He felt against his shirt the agitation of her
bosom.
It was not altogether his fault that it had happened. He
remembered well, with the curious patient memory of the celibate, the first
casual caresses her dress, her breath, her fingers had given him. Then late one
night as he was undressing for bed she had tapped at his door, timidly. She
wanted to relight her candle at his for hers had been blown out by a gust. It
was her bath night. She wore a loose open combing-jacket of printed flannel.
Her white instep shone in the opening of her furry slippers and the blood glowed
warmly behind her perfumed skin. From her hands and wrists too as she lit and
steadied her candle a faint perfume arose.
On nights when he came in very late it was, she who warmed
up his dinner. He scarcely knew what he was eating, feeling her beside him
alone, at night, in the sleeping house. And her thoughtfulness! If the night
was anyway cold or wet or windy there was sure to be a little tumbler of punch
ready for him. Perhaps they could be happy together....
They used to go upstairs together on tiptoe, each with a candle,
and on the third landing exchange reluctant good nights. They used to kiss. He
remembered well her eyes, the touch of her hand and his delirium....
But delirium passes. He echoed her phrase, applying it to
himself: “What am I to do?” The instinct of the celibate warned him to hold
back. But the sin was there; even his sense of honor told him that reparation
must be made for such a sin.
While he was sitting with her on the side of the bed Mary
came to the door and said that the missus wanted to see him in the parlor. He
stood up to put on his coat and waistcoat, more helpless than ever. When he was
dressed, he went over to her to comfort her. It would be all right, never fear.
He left her crying on the bed and moaning softly: “O my God!”
Going down the stairs his glasses became so dimmed with
moisture that he had to take them off and polish them. He longed to ascend
through the roof and fly away to another country where he would never hear
again of his trouble, and yet a force pushed him downstairs step by step. The
implacable faces of his employer and of the Madam stared upon his discomfiture.
On the last flight of stairs, he passed Jack Mooney who was coming up from the
pantry nursing two bottles of Bass. They saluted coldly; and the lover’s eyes
rested for a second or two on a thick bulldog face and a pair of thick short
arms. When he reached the foot of the staircase he glanced up and saw Jack
regarding him from the door of the return-room.
Suddenly he remembered the night when one of the music-hall
artistes, a little blond Londoner, had made a rather free allusion to Polly.
The reunion had been almost broken up on account of Jack’s violence. Everyone
tried to quiet him. The music-hall artiste, a little paler than usual, kept smiling
and saying that there was no harm meant: but Jack kept shouting at him that if any
fellow tried that sort of a game on with his sister he’d bloody well put his
teeth down his throat, so he would.
Polly sat for a little time on the side of the bed, crying.
Then she dried her eyes and went over to the looking glass. She dipped the end of
the towel in the water-jug and refreshed her eyes with the cool water. She
looked at herself in profile and readjusted a hairpin above her ear. Then she
went back to the bed again and sat at the foot. She regarded the pillows for a
long time and the sight of them awakened in her mind secret amiable memories.
She rested the nape of her neck against the cool iron bedrail and fell into a reverie.
There was no longer any perturbation visible on her face.
She waited on patiently, almost cheerfully, without alarm,
her memories gradually giving place to hopes and visions of the future. Her
hopes and visions were so intricate that she no longer saw the white pillows on
which her gaze was fixed or remembered that she was waiting for anything.
At last she heard her mother calling. She started to her
feet and ran to the banisters.
“Polly! Polly!”
“Yes, mamma?”
“Come down, dear. Mr. Doran wants to speak to you.”
Then she remembered what she had been waiting for.
A LITTLE CLOUD
Eight years before he had seen his friend off at the North
Wall and wished him god speed. Gallaher had got on. You could tell that at once
by his travelled air, his well-cut tweed suit, and fearless accent. Few fellows
had talents like his and fewer still could remain unspoiled by such success.
Gallaher’s heart was in the right place and he had deserved to win. It was
something to have a friend like that.
Little Chandler’s thoughts ever since lunchtime had been of
his meeting with Gallaher, of Gallaher’s invitation and of the great city
London where Gallaher lived. He was called Little Chandler because, though he
was but slightly under the average stature, he gave one the idea of being a
little man. His hands were white and small, his frame was fragile, his voice
was quiet, and his manners were refined. He took the greatest care of his fair
silken hair and moustache and used perfume discreetly on his handkerchief. The
half-moons of his nails were perfect and when he smiled you caught a glimpse of
a row of childish white teeth.
As he sat at his desk in the King’s Inns, he thought what
changes those eight years had brought. The friend whom he had known under a
shabby and necessitous guise had become a brilliant figure on the London Press.
He turned often from his tiresome writing to gaze out of the office window. The
glow of a late autumn sunset covered the grass plots and walks. It cast a
shower of kindly golden dust on the untidy nurses and decrepit old men who
drowsed on the benches; it flickered upon all the moving figures—on the
children who ran screaming along the gravel paths and on everyone who passed
through the gardens. He watched the scene and thought of life; and (as always
happened when he thought of life) he became sad. A gentle melancholy took
possession of him. He felt how useless it was to struggle against fortune, this
being the burden of wisdom which the ages had bequeathed to him.
He remembered the books of poetry upon his shelves at home.
He had bought them in his bachelor days and many an evening, as he sat in the
little room off the hall, he had been tempted to take one down from the
bookshelf and read out something to his wife. But shyness had always held him
back; and so, the books had remained on their shelves. At times he repeated
lines to himself and this consoled him.
When his hour had struck, he stood up and took leave of his
desk and of his fellow-clerks punctiliously. He emerged from under the feudal
arch of the King’s Inns, a neat modest figure, and walked swiftly down
Henrietta Street. The golden sunset was waning, and the air had grown sharp. A
horde of grimy children populated the street. They stood or ran in the roadway
or crawled up the steps before the gaping doors or squatted like mice upon the
thresholds. Little Chandler gave them no thought. He picked his way deftly
through all that minute vermin-like life and under the shadow of the gaunt
spectral mansions in which the old nobility of Dublin had roistered. No memory
of the past touched him, for his mind was full of a present joy.
He had never been in Corliss's, but he knew the value of the
name. He knew that people went there after the theatre to eat oysters and drink
liqueurs; and he had heard that the waiters there spoke French and German. Walking
swiftly by at night he had seen cabs drawn up before the door and richly
dressed ladies, escorted by cavaliers, alight and enter quickly. They wore
noisy dresses and many wraps. Their faces were powdered, and they caught up
their dresses, when they touched earth, like alarmed Atalante's. He had always
passed without turning his head to look. It was his habit to walk swiftly in
the street even by day and whenever he found himself in the city late at night,
he hurried on his way apprehensively and excitedly. Sometimes, however, he
courted the causes of his fear. He chose the darkest and narrowest streets and,
as he walked boldly forward, the silence that was spread about his footsteps
troubled him, the wandering silent figures troubled him; and at times a sound
of low fugitive laughter made him tremble like a leaf.
He turned to the right towards Capel Street. Ignatius
Gallaher on the London Press! Who would have thought it possible eight years
before? Still, now that he reviewed the past, Little Chandler could remember
many signs of future greatness in his friend. People used to say that Ignatius
Gallaher was wild. Of course, he did mix with a rakish set of fellows at that
time, drank freely and borrowed money on all sides. In the end he had got mixed
up in some shady affair, some money transaction: at least, that was one version
of his flight. But nobody denied him talent. There was always a certain ...
something in Ignatius Gallaher that impressed you despite yourself. Even when
he was out at elbows and at his wits’ end for money, he kept up a bold face.
Little Chandler remembered (and the remembrance brought a slight flush of pride
to his cheek) one of Ignatius Gallaher’s sayings when he was in a tight corner:
“Half time now, boys,” he used to say light-heartedly.
“Where’s my considering cap?”
That was Ignatius Gallaher all out; and, damn it, you
couldn’t but admire him for it.
Little Chandler quickened his pace. For the first time in
his life he felt himself superior to the people he passed. For the first time
his soul revolted against the dull inelegance of Capel Street. There was no
doubt about it: if you wanted to succeed you had to go away. You could do
nothing in Dublin. As he crossed Grattan Bridge, he looked down the river
towards the lower quays and pitied the poor stunted houses. They seemed to him
a band of tramps, huddled together along the riverbanks, their old coats
covered with dust and soot, stupefied by the panorama of sunset and waiting for
the first chill of night bid them arise, shake themselves and begone. He
wondered whether he could write a poem to express his idea. Perhaps Gallaher
might be able to get it into some London paper for him. Could he write
something original? He was not sure what idea he wished to express but the
thought that a poetic moment had touched him took life within him like an
infant hope. He stepped onward bravely.
Every step brought him nearer to London, farther from his
own sober inartistic life. A light began to tremble on the horizon of his mind.
He was not so old—thirty-two. His temperament might be said to be just at the
point of maturity. There were so many different moods and impressions that he
wished to express in verse. He felt them within him. He tried to weigh his soul
to see if it was a poet’s soul. Melancholy was the dominant note of his
temperament, he thought, but it was a melancholy tempered by recurrences of
faith and resignation and simple joy. If he could give expression to it in a
book of poems perhaps men would listen. He would never be popular: he saw that.
He could not sway the crowd, but he might appeal to a little circle of kindred
minds. The English critics, perhaps, would recognize him as one of the Celtic schools
by reason of the melancholy tone of his poems; besides that, he would put in allusions.
He began to invent sentences and phrases from the notice which his book would
get. “Mr. Chandler has the gift of easy and graceful verse.” ... “A wistful
sadness pervades these poems.” ... “The Celtic note.” It was a pity his name
was not more Irish-looking. Perhaps it would be better to insert his mother’s
name before the surname: Thomas Malone Chandler, or better still: T. Malone
Chandler. He would speak to Gallaher about it.
He pursued his reverie so ardently that he passed his street
and had to turn back. As he came near Corliss's his former agitation began to
overmaster him and he halted before the door in indecision. Finally, he opened
the door and entered.
The light and noise of the bar held him at the doorways for
a few moments. He looked about him, but his sight was confused by the shining
of many red and green wineglasses the bar seemed to him to be full of people
and he felt that the people were observing him curiously. He glanced quickly to
right and left (frowning slightly to make his errand appear serious), but when
his sight cleared a little he saw that nobody had turned to look at him: and
there, sure enough, was Ignatius Gallaher leaning with his back against the
counter and his feet planted far apart.
“Hallo, Tommy, old hero, here you are! What is it to be?
What will you have? I’m taking whisky: better stuff than we get across the
water. Soda? Lithia? No mineral? I’m the same. Spoils the flavor.... Here,
garçon, bring us two halves of malt whisky, like a good fellow.... Well, and
how have you been pulling along since I saw you last? Dear God, how old we’re
getting! Do you see any signs of aging in me—eh, what? A little grey and thin
on the top—what?”
Ignatius Gallaher took off his hat and displayed a large
closely cropped head. His face was heavy, pale and clean-shaven. His eyes,
which were of bluish slate-color, relieved his unhealthy pallor and shone out
plainly above the vivid orange tie he wore. Between these rival features the
lips appeared very long and shapeless and colorless. He bent his head and felt
with two sympathetic fingers the thin hair at the crown. Little Chandler shook
his head as a denial. Ignatius Gallaher put on his hat again.
“It pulls you down,” he said. “Press life. Always hurry and
scurry, looking for copy and sometimes not finding it: and then, always to have
something new in your stuff. Damn proofs and printers, I say, for a few days.
I’m deuced glad, I can tell you, to get back to the old country. Does a fellow
good, a bit of a holiday? I feel a ton better since I landed again in dear
dirty Dublin.... Here you are, Tommy. Water? Say when.”
Little Chandler allowed his whisky to be very much diluted.
“You don’t know what’s good for you, my boy,” said Ignatius Gallaher.
“I drink mine neat.”
“I drink very little as a rule,” said Little Chandler
modestly. “An odd half-one or so when I meet any of the old crowd: that’s all.”
“Ah, well,” said Ignatius Gallaher, cheerfully, “here’s to
us and to old times and old acquaintance.”
They clinked glasses and drank the toast.
“I met some of the old gang today,” said Ignatius Gallaher.
“O’Hara seems to be in a bad way. What’s he doing?”
“Nothing,” said Little Chandler. “He’s gone to the dogs.”
“But Hogan has a good sit, hasn’t he?”
“Yes; he’s in the Land Commission.”
“I met him one night in London and he seemed to be very
flush.... Poor O’Hara! Booze, I suppose?”
“Other things, too,” said Little Chandler shortly.
Ignatius Gallaher laughed.
“Tommy,” he said, “I see you haven’t changed an atom. You’re
the very same serious person that used to lecture me on Sunday mornings when I
had a sore head and a fur on my tongue. You’d want to knock about a bit in the
world. Have you never been anywhere even for a trip?”
“I’ve been to the Isle of Man,” said Little Chandler.
Ignatius Gallaher laughed.
“The Isle of Man!” he said. “Go to London or Paris: Paris,
for choice. That’d do you good.”
“Have you seen Paris?”
“I should think I have! I’ve knocked about there a little.”
“And is it really so beautiful as they say?” asked Little
Chandler.
He sipped a little of his drink while Ignatius Gallaher
finished his boldly.
“Beautiful?” said Ignatius Gallaher, pausing on the word and
on the flavor of his drink. “It’s not so beautiful, you know. Of course, it is
beautiful.... But it’s the life of Paris; that’s the thing. Ah, there’s no city
like Paris for gaiety, movement, excitement....”
Little Chandler finished his whisky and, after some trouble,
succeeded in catching the barman’s eye. He ordered the same again.
“I’ve been to the Moulin Rouge,” Ignatius Gallaher continued
when the barman had removed their glasses, “and I’ve been to all the Bohemian
cafés. Hot stuff! Not for a pious chap like you, Tommy.”
Little Chandler said nothing until the barman returned with
two glasses: then he touched his friend’s glass lightly and reciprocated the
former toast. He was beginning to feel somewhat disillusioned. Gallaher’s
accent and way of expressing himself did not please him. There was something
vulgar in his friend which he had not observed before. But perhaps it was only
the result of living in London amid the bustle and competition of the Press.
The old personal charm was still there under this new gaudy manner. And, after
all, Gallaher had lived, he had seen the world. Little Chandler looked at his
friend enviously.
“Everything in Paris is gay,” said Ignatius Gallaher. “They
believe in enjoying life—and don’t you think they’re right? If you want to
enjoy yourself properly you must go to Paris. And, mind you, they’ve a great
feeling for the Irish there. When they heard I was from Ireland they were ready
to eat me, man.”
Little Chandler took four or five sips from his glass.
“Tell me,” he said, “is it true that Paris is so ... immoral
as they say?”
Ignatius Gallaher made a catholic gesture with his right
arm.
“Every place is immoral,” he said. “Of course, you do find
spicy bits in Paris. Go to one of the students’ balls, for instance. That’s
lively, if you like, when the cocottes begin to let themselves loose. You know
what they are, I suppose?”
“I’ve heard of them,” said Little Chandler.
Ignatius Gallaher drank off his whisky and shook his head.
“Ah,” he said, “you may say what you like. There’s no woman
like the Parisienne—for style, for go.”
“Then it is an immoral city,” said Little Chandler, with
timid insistence— “I mean, compared with London or Dublin?”
“London!” said Ignatius Gallaher. “It’s six of one and
half-a-dozen of the other. You ask Hogan, my boy. I showed him a bit about
London when he was over there. He’d open your eye.... I say, Tommy, don’t make
punch of that whisky: liquor up.”
“No, really....”
“O, come on, another one won’t do you any harm. What is it?
The same again, I suppose?”
“Well ... all right.”
“François, the same again.... Will you smoke, Tommy?”
Ignatius Gallaher produced his cigar-case. The two friends
lit their cigars and puffed at them in silence until their drinks were served.
“I’ll tell you my opinion,” said Ignatius Gallaher, emerging
after some time from the clouds of smoke in which he had taken refuge, “it’s a
rum world. Talk of immorality! I’ve heard of cases—what am I saying? —I’ve
known them: cases of ... immorality....”
Ignatius Gallaher puffed thoughtfully at his cigar and then,
in a calm historian’s tone, he proceeded to sketch for his friend some pictures
of the corruption which was rife abroad. He summarized the vices of many
capitals and seemed inclined to award the palm to Berlin. Some things he could
not vouch for (his friends had told him), but of others he had had personal
experience. He spared neither rank nor caste. He revealed many of the secrets
of religious houses on the Continent and described some of the practices which
were fashionable in high society and ended by telling, with details, a story
about an English duchess—a story which he knew to be true. Little Chandler was
astonished.
“Ah, well,” said Ignatius Gallaher, “here we are in old
jog-along Dublin where nothing is known of such things.”
“How dull you must find it,” said Little Chandler, “after
all the other places you’ve seen!”
“Well,” said Ignatius Gallaher, “it’s a relaxation to come
over here, you know. And, after all, it’s the old country, as they say, isn’t
it? You can’t help having a certain feeling for it. That’s human nature.... But
tell me something about yourself. Hogan told me you had ... tasted the joys of
connubial bliss. Two years ago, wasn’t it?”
Little Chandler blushed and smiled.
“Yes,” he said. “I was married last May twelve months.”
“I hope it’s not too late in the day to offer my best
wishes,” said Ignatius Gallaher. “I didn’t know your address, or I’d have done
so at the time.”
He extended his hand, which Little Chandler took.
“Well, Tommy,” he said, “I wish you and yours every joy in
life, old chap, and tons of money, and may you never die till I shoot you. And
that’s the wish of a sincere friend, an old friend. You know that?”
“I know that,” said Little Chandler.
“Any youngsters?” said Ignatius Gallaher.
Little Chandler blushed again.
“We have one child,” he said.
“Son or daughter?”
“A little boy.”
Ignatius Gallaher slapped his friend sonorously on the back.
“Bravo,” he said, “I wouldn’t doubt you, Tommy.”
Little Chandler smiled, looked confusedly at his glass and
bit his lower lip with three childishly white front teeth.
“I hope you’ll spend an evening with us,” he said, “before
you go back. My wife will be delighted to meet you. We can have a little music
and——”
“Thanks awfully, old chap,” said Ignatius Gallaher, “I’m
sorry we didn’t meet earlier. But I must leave tomorrow night.”
“Tonight, perhaps...?”
“I’m awfully sorry, old man. You see I’m over here with
another fellow, clever young chap he is too, and we arranged to go to a little
card-party. Only for that....”
“O, in that case....”
“But who knows?” said Ignatius Gallaher considerately. “Next
year I may take a little skip over here now that I’ve broken the ice. It’s only
a pleasure deferred.”
“Very well,” said Little Chandler, “the next time you come
we must have an evening together. That’s agreed now, isn’t it?”
“Yes, that’s agreed,” said Ignatius Gallaher. “Next year if
I come, parole d’honneur.”
“And to clinch the bargain,” said Little Chandler, “we’ll
just have one more now.”
Ignatius Gallaher took out a large gold watch and looked at
it.
“Is it to be the last?” he said. “Because you know, I have
an a.p.”
“O, yes, positively,” said Little Chandler.
“Very well, then,” said Ignatius Gallaher, “let us have another
one as a deoc an dory—that’s good vernacular for a small whisky, I believe.”
Little Chandler ordered the drinks. The blush which had
risen to his face a few moments before was establishing itself. A trifle made
him blush at any time: and now he felt warm and excited. Three small whiskies
had gone to his head and Gallaher’s strong cigar had confused his mind, for he
was a delicate and abstinent person. The adventure of meeting Gallaher after
eight years, of finding himself with Gallaher in Corliss's surrounded by lights
and noise, of listening to Gallaher’s stories and of sharing for a brief space
Gallaher’s vagrant and triumphant life, upset the equipoise of his sensitive
nature. He felt acutely the contrast between his own life and his friend’s, and
it seemed to him unjust. Gallaher was his inferior in birth and education. He
was sure that he could do something better than his friend had ever done, or
could ever do, something higher than mere tawdry journalism if he only got the
chance. What was it that stood in his way? His unfortunate timidity! He wished
to vindicate himself in some way, to assert his manhood. He saw behind
Gallaher’s refusal of his invitation. Gallaher was only patronizing him by his
friendliness just as he was patronizing Ireland by his visit.
The barman brought their drinks. Little Chandler pushed one
glass towards his friend and took up the other boldly.
“Who knows?” he said, as they lifted their glasses. “When
you come next year, I may have the pleasure of wishing long life and happiness
to Mr. and Mrs. Ignatius Gallaher.”
Ignatius Gallaher in the act of drinking closed one eye
expressively over the rim of his glass. When he had drunk, he smacked his lips
decisively, set down his glass and said:
“No blooming fear of that, my boy. I’m going to have my
fling first and see a bit of life and the world before I put my head in the
sack—if I ever do.”
“Someday you will,” said Little Chandler calmly.
Ignatius Gallaher turned his orange tie and slate-blue eyes
full upon his friend.
“You think so?” he said.
“You’ll put your head in the sack,” repeated Little Chandler
stoutly, “like everyone else if you can find the girl.”
He had slightly emphasized his tone and he was aware that he
had betrayed himself; but though the color had heightened in his cheek, he did
not flinch from his friend’s gaze. Ignatius Gallaher watched him for a few
moments and then said:
“If ever it occurs, you may bet your bottom dollar there’ll
be no mooning and spooning about it. I mean to marry money. She’ll have a good
fat account at the bank, or she won’t do for me.”
Little Chandler shook his head.
“Why, man alive,” said Ignatius Gallaher, vehemently, “do
you know what it is? I’ve only to say the word and tomorrow I can have the
woman and the cash. You don’t believe it? Well, I know it. There are
hundreds—what am I saying? —thousands of rich Germans and Jews, rotten with
money, that’d only be too glad.... You wait a while my boy. See if I don’t play
my cards properly. When I go about a thing, I mean business, I tell you. You
just wait.”
He tossed his glass to his mouth, finished his drink and
laughed loudly. Then he looked thoughtfully before him and said in a calmer
tone:
“But I’m in no hurry. They can wait. I don’t fancy tying myself
up to one woman, you know.”
He imitated with his mouth the act of tasting and made a wry
face.
“Must get a bit stale, I should think,” he said.
Little Chandler sat in the room off the hall, holding a
child in his arms. To save money they kept no servant, but Annie’s young sister
Monica came for an hour or so in the morning and an hour or so in the evening
to help. But Monica had gone home long ago. It was a quarter to nine. Little
Chandler had come home late for tea and, moreover, he had forgotten to bring
Annie home the parcel of coffee from Bewley’s. Of course, she was in a bad humor
and gave him short answers. She said she would do without any tea but when it
came near the time at which the shop at the corner closed, she decided to go
out herself for a quarter of a pound of tea and two pounds of sugar. She put
the sleeping child deftly in his arms and said:
“Here. Don’t waken him.”
A little lamp with a white china shade stood upon the table
and its light fell over a photograph which was enclosed in a frame of crumpled
horn. It was Annie’s photograph. Little Chandler looked at it, pausing at the
thin tight lips. She wore the pale blue summer blouse which he had brought her
home as a present one Saturday. It had cost him ten and eleven pence; but what
an agony of nervousness it had cost him! How he had suffered that day, waiting
at the shop door until the shop was empty, standing at the counter and trying
to appear at his ease while the girl piled ladies’ blouses before him, paying
at the desk and forgetting to take up the odd penny of his change, being called
back by the cashier, and finally, striving to hide his blushes as he left the
shop by examining the parcel to see if it was securely tied. When he brought
the blouse home Annie kissed him and said it was very pretty and stylish; but
when she heard the price she threw the blouse on the table and said it was a
regular swindle to charge ten and eleven pence for it. At first, she wanted to
take it back but when she tried it on, she was delighted with it, especially
with the make of the sleeves, and kissed him and said he was very good to think
of her.
Hm!...
He looked coldly into the eyes of the photograph and they
answered coldly. Certainly, they were pretty and the face itself was pretty. But
he found something mean in it. Why was it so unconscious and ladylike? The
composure of the eyes irritated him. They repelled him and defied him: there
was no passion in them, no rapture. He thought of what Gallaher had said about
rich Jewesses. Those dark Oriental eyes, he thought, how full they are of
passion, of voluptuous longing!... Why had he married the eyes in the
photograph?
He caught himself up at the question and glanced nervously
round the room. He found something mean in the pretty furniture which he had
bought for his house on the hire system. Annie had chosen it herself and it
reminded him of her. It too was prim and pretty. A dull resentment against his
life awoke within him. Could he not escape from his little house? Was it too
late for him to try to live bravely like Gallaher? Could he go to London? There
was the furniture still to be paid for. If he could only write a book and get
it published, that might open the way for him.
A volume of Byron’s poems lay before him on the table. He
opened it cautiously with his left hand lest he should waken the child and
began to read the first poem in the book:
Hushed are the winds and still the evening gloom,
Notelet a Zephyr
wanders through the grove,
Whilst I return to view my Margaret’s tomb
And scatter flowers
on the dust I love.
He paused. He felt the rhythm of the verse about him in the
room. How melancholy it was! Could he, too, write like that, express the
melancholy of his soul in verse? There were so many things he wanted to describe:
his sensation of a few hours before on Grattan Bridge, for example. If he could
get back again into that mood....
The child awoke and began to cry. He turned from the page
and tried to hush it: but it would not be hushed. He began to rock it to and
fro in his arms, but its wailing cry grew keener. He rocked it faster while his
eyes began to read the second stanza:
Within this narrow cell reclines her clay,
That clay where
once....
It was useless. He couldn’t read. He couldn’t do anything.
The wailing of the child pierced the drum of his ear. It was useless, useless!
He was a prisoner for life. His arms trembled with anger and suddenly bending
to the child’s face he shouted:
“Stop!”
The child stopped for an instant, had a spasm of fright and
began to scream. He jumped up from his chair and walked hastily up and down the
room with the child in his arms. It began to sob piteously, losing its breath
for four or five seconds, and then bursting out anew. The thin walls of the
room echoed the sound. He tried to soothe it, but it sobbed more convulsively.
He looked at the contracted and quivering face of the child and began to be
alarmed. He counted seven sobs without a break between them and caught the
child to his breast in fright. If it died!...
The door was burst open and a young woman ran in, panting.
“What is it? What is it?” she cried.
The child, hearing its mother’s voice, broke out into a
paroxysm of sobbing.
“It’s nothing, Annie ... it’s nothing.... He began to
cry....”
She flung her parcels on the floor and snatched the child
from him.
“What have you done to him?” she cried, glaring into his
face.
Little Chandler sustained for one moment the gaze of her
eyes and his heart closed together as he met the hatred in them. He began to
stammer:
“It’s nothing.... He ... he began to cry.... I couldn’t ...
I didn’t do anything.... What?”
Giving no heed to him she began to walk up and down the
room, clasping the child tightly in her arms and murmuring:
“My little man! My little Mannie! Was ’our frightened,
love?... There now, love! There now!... Lambeau! Mamma’s little lamb of the
world!... There now!”
Little Chandler felt his cheeks suffused with shame and he
stood back out of the lamplight. He listened while the paroxysm of the child’s
sobbing grew less and less; and tears of remorse started to his eyes.
COUNTERPARTS
The bell rang furiously and, when Miss Parker went to the
tube, a furious voice called out in a piercing North of Ireland accent:
“Send Farrington here!”
Miss Parker returned to her machine, saying to a man who was
writing at a desk:
“Mr. Alleyne wants you upstairs.”
The man muttered “Blast him!” under his breath and pushed
back his chair to stand up. When he stood up, he was tall and of great bulk. He
had a hanging face, dark wine-colored, with fair eyebrows and moustache: his
eyes bulged forward slightly and the whites of them were dirty. He lifted the
counter and, passing by the clients, went out of the office with a heavy step.
He went heavily upstairs until he came to the second
landing, where a door bore a brass plate with the inscription Mr. Alleyne. Here
he halted, puffing with labor and vexation, and knocked. The shrill voice
cried:
“Come in!”
The man entered Mr. Alleyne’s room. Simultaneously Mr.
Alleyne, a little man wearing gold-rimmed glasses on a clean-shaven face, shot
his head up over a pile of documents. The head itself was so pink and hairless
it seemed like a large egg reposing on the papers. Mr. Alleyne did not lose a
moment:
“Farrington? What is the meaning of this? Why have I always
to complain of you? May I ask you why you haven’t made a copy of that contract
between Bodley and Kirwan? I told you it must be ready by four o’clock.”
“But Mr. Shelley said, sir——”
“Mr. Shelley said, sir.... Kindly attend to what I say and
not to what Mr. Shelley says, sir. You have always some excuse or another for
shirking work. Let me tell you that if the contract is not copied before this evening,
I’ll lay the matter before Mr. Crosbie.... Do you hear me now?”
“Yes, sir.”
“Do you hear me now?... Ay and another little matter! I might
as well be talking to the wall as talking to you. Understand once for all that
you get a half an hour for your lunch and not an hour and a half. How many
courses do you want, I’d like to know...? Do you mind me, now?”
“Yes, sir.”
Mr. Alleyne bent his head again upon his pile of papers. The
man stared fixedly at the polished skull which directed the affairs of Crosbie
& Alleyne, gauging its fragility. A spasm of rage gripped his throat for a
few moments and then passed, leaving after it a sharp sensation of thirst. The
man recognized the sensation and felt that he must have a good night’s
drinking. The middle of the month was passed and, if he could get the copy done
in time, Mr. Alleyne might give him an order on the cashier. He stood still,
gazing fixedly at the head upon the pile of papers. Suddenly Mr. Alleyne began
to upset all the papers, searching for something. Then, as if he had been
unaware of the man’s presence till that moment, he shot up his head again,
saying:
“Eh? Are you going to stand there all day? Upon my word,
Farrington, you take things easy!”
“I was waiting to see....”
“Very good, you needn’t wait to see. Go downstairs and do
your work.”
The man walked heavily towards the door and, as he went out
of the room, he heard Mr. Alleyne cry after him that if the contract was not
copied by evening Mr. Crosbie would hear of the matter.
He returned to his desk in the lower office and counted the
sheets which remained to be copied. He took up his pen and dipped it in the ink,
but he continued to stare stupidly at the last words he had written: In no case
shall the said Bernard Bodley be.... The evening was falling, and, in a few minutes,
they would be lighting the gas: then he could write. He felt that he must slake
the thirst in his throat. He stood up from his desk and, lifting the counter as
before, passed out of the office. As he was passing out the chief clerk looked
at him inquiringly.
“It’s all right, Mr. Shelley,” said the man, pointing with
his finger to indicate the objective of his journey.
The chief clerk glanced at the hat-rack but, seeing the row
complete, offered no remark. As soon as he was on the landing the man pulled a
shepherd’s plaid cap out of his pocket, put it on his head and ran quickly down
the rickety stairs. From the street door he walked on furtively on the inner
side of the path towards the corner and all at once dived into a doorway. He
was now safe in the dark snug of O’Neill’s shop, and filling up the little
window that investigated the bar with his inflamed face, the color of dark wine
or dark meat, he called out:
“Here, Pat, give us a g.p., like a good fellow.”
The curate brought him a glass of plain porter. The man
drank it at a gulp and asked for a caraway seed. He put his penny on the counter
and, leaving the curate to grope for it in the gloom, retreated out of the snug
as furtively as he had entered it.
Darkness, accompanied by a thick fog, was gaining upon the
dusk of February and the lamps in Eustace Street had been lit. The man went up
by the houses until he reached the door of the office, wondering whether he
could finish his copy in time. On the stairs a moist pungent odor of perfumes
saluted his nose: evidently Miss Delacour had come while he was out in
O’Neill’s. He crammed his cap back again into his pocket and re-entered the
office, assuming an air of absent-mindedness.
“Mr. Alleyne has been calling for you,” said the chief clerk
severely. “Where were you?”
The man glanced at the two clients who were standing at the
counter as if to intimate that their presence prevented him from answering. As
the clients were both male the chief clerk allowed himself a laugh.
“I know that game,” he said. “Five times in one day is a
little bit.... Well, you better look sharp and get a copy of our correspondence
in the Delacour case for Mr. Alleyne.”
This address in the presence of the public, his run upstairs
and the porter he had gulped down so hastily confused the man and, as he sat
down at his desk to get what was required, he realized how hopeless was the
task of finishing his copy of the contract before half past five. The dark damp
night was coming, and he longed to spend it in the bars, drinking with his
friends amid the glare of gas and the clatter of glasses. He got out the
Delacour correspondence and passed out of the office. He hoped Mr. Alleyne
would not discover that the last two letters were missing.
The moist pungent perfume lay all the way up to Mr.
Alleyne’s room. Miss Delacour was a middle-aged woman of Jewish appearance. Mr.
Alleyne was said to be sweet on her or on her money. She came to the office
often and stayed a long time when she came. She was sitting beside his desk now
in an aroma of perfumes, smoothing the handle of her umbrella and nodding the
great black feather in her hat. Mr. Alleyne had swiveled his chair round to
face her and thrown his right foot jauntily upon his left knee. The man put the
correspondence on the desk and bowed respectfully but neither Mr. Alleyne nor
Miss Delacour took any notice of his bow. Mr. Alleyne tapped a finger on the
correspondence and then flicked it towards him as if to say: “That’s all right:
you can go.”
The man returned to the lower office and sat down again at
his desk. He stared intently at the incomplete phrase: In no case shall the said
Bernard Bodley be ... and thought how strange it was that the last three words
began with the same letter. The chief clerk began to hurry Miss Parker, saying
she would never have the letters typed in time for post. The man listened to
the clicking of the machine for a few minutes and then set to work to finish
his copy. But his head was not clear, and his mind wandered away to the glare
and rattle of the public-house. It was a night for hot punches. He struggled on
with his copy, but when the clock struck five, he had still fourteen pages to
write. Blast it! He couldn’t finish it in time. He longed to execrate aloud, to
bring his fist down on something violently. He was so enraged that he wrote
Bernard instead of Bernard Bodley and had to begin again on a clean sheet.
He felt strong enough to clear out the whole office
singlehanded. His body ached to do something, to rush out and revel in
violence. All the indignities of his life enraged him.... Could he ask the
cashier privately for an advance? No, the cashier was no good, no damn good: he
wouldn’t give an advance.... He knew where he would meet the boys: Leonard and O’Halloran
and Nosey Flynn. The barometer of his emotional nature was set for a spell of
riot.
His imagination had so abstracted him that his name was
called twice before he answered. Mr. Alleyne and Miss Delacour were standing
outside the counter and all the clerks had turn around in anticipation of
something. The man got up from his desk. Mr. Alleyne began a tirade of abuse,
saying that two letters were missing. The man answered that he knew nothing
about them, that he had made a faithful copy. The tirade continued: it was so
bitter and violent that the man could hardly restrain his fist from descending
upon the head of the manikin before him:
“I know nothing about any other two letters,” he said stupidly.
“You—know—nothing. Of course, you know nothing,” said Mr.
Alleyne. “Tell me,” he added, glancing first for approval to the lady beside
him, “do you take me for a fool? Do you think me an utter fool?”
The man glanced from the lady’s face to the little
egg-shaped head and back again; and, almost before he was aware of it, his
tongue had found a felicitous moment:
“I don’t think, sir,” he said, “that that’s a fair question
to put to me.”
There was a pause in the very breathing of the clerks.
Everyone was astounded (the author of the witticism no less than his neighbors)
and Miss Delacour, who was a stout amiable person, began to smile broadly. Mr.
Alleyne flushed to the hue of a wild rose and his mouth twitched with a dwarf’s
passion. He shook his fist in the man’s face till it seemed to vibrate like the
knob of some electric machine:
“You impertinent ruffian! You impertinent ruffian! I’ll make
short work of you! Wait till you see! You’ll apologize to me for your
impertinence or you’ll quit the office instanter! You’ll quit this, I’m telling
you, or you’ll apologize to me!”
He stood in a doorway opposite the office watching to see if
the cashier would come out alone. All the clerks passed out and finally the
cashier came out with the chief clerk. It was no use trying to say a word to
him when he was with the chief clerk. The man felt that his position was bad
enough. He had been obliged to offer an abject apology to Mr. Alleyne for his impertinence,
but he knew what a hornet’s nest the office would be for him. He could remember
the way in which Mr. Alleyne had hounded little Peake out of the office in
order to make room for his own nephew. He felt savage and thirsty and
revengeful, annoyed with himself and with everyone else. Mr. Alleyne would
never give him an hour’s rest; his life would be a hell to him. He had made a
proper fool of himself this time. Could he not keep his tongue in his cheek?
But they had never pulled together from the first, he and Mr. Alleyne, ever
since the day Mr. Alleyne had overheard him mimicking his North of Ireland
accent to amuse Higgins and Miss Parker: that had been the beginning of it. He
might have tried Higgins for the money, but sure Higgins never had anything for
himself. A man with two establishments to keep up, of course he couldn’t....
He felt his great body again aching for the comfort of the
public-house. The fog had begun to chill him, and he wondered could he touch
Pat in O’Neill’s. He could not touch him for more than a bob—and a bob was no
use. Yet he must get money somewhere or other: he had spent his last penny for
the g.p. and soon it would be too late for getting money anywhere. Suddenly, as
he was fingering his watch-chain, he thought of Terry Kelly’s pawn-office in
Fleet Street. That was the dart! Why didn’t he think of it sooner?
He went through the narrow alley of Temple Bar quickly,
muttering to himself that they could all go to hell because he was going to
have a good night of it. The clerk in Terry Kelly’s said A crown! but the
consignor held out for six shillings; and in the end the six shillings had allowed
him literally. He came out of the pawn-office joyfully, making a little
cylinder, of the coins between his thumb and fingers. In Westmoreland Street
the footpaths were crowded with young men and women returning from business and
ragged urchins ran here and there yelling out the names of the evening
editions. The man passed through the crowd, looking on the spectacle generally
with proud satisfaction and staring masterfully at the office-girls. His head
was full of the noises of tram-gongs and swishing trolleys and his nose already
sniffed the curling fumes of punch. As he walked on, he reconsidered the terms
in which he would narrate the incident to the boys:
“So, I just looked at him—coolly, you know, and looked at
her. Then I looked back at him again taking my time, you know. ‘I don’t think
that that’s a fair question to put to me,’ says I.”
Nosey Flynn was sitting up in his usual corner of Davy
Byrne’s and, when he heard the story, he stood Farrington a half-one, saying it
was as smart a thing as ever he heard. Farrington stood a drink in his turn.
After a while O’Halloran and Paddy Leonard came in and the story was repeated
to them. O’Halloran stood tailors of malt, hot, all round and told the story of
the retort he had made to the chief clerk when he was in Callan’s of Fownes’s
Street; but, as the retort was after the manner of the liberal shepherds in the
eclogues, he had to admit that it was not as clever as Farrington’s retort. At
this Farrington told the boys to polish off that and have another.
Just as they were naming their poisons who should come in
but Higgins! Of course, he had to join in with the others. The men asked him to
give his version of it, and he did so with great vivacity for the sight of five
small hot whiskies was very exhilarating. Everyone roared laughing when he
showed the way in which Mr. Alleyne shook his fist in Farrington’s face. Then
he imitated Farrington, saying, “And here was my nabs, as cool as you please,”
while Farrington looked at the company out of his heavy dirty eyes, smiling and
at times drawing forth stray drops of liquor from his moustache with the aid of
his lower lip.
When that round was over there was a pause. O’Halloran had
money but neither of the other two seemed to have any; so, the whole party left
the shop somewhat regretfully. At the corner of Duke Street Higgins and Nosey
Flynn beveled off to the left while the other three turned back towards the
city. Rain was drizzling down on the cold streets and, when they reached the
Ballast Office, Farrington suggested the Scotch House. The bar was full of men
and loud with the noise of tongues and glasses. The three men pushed past the
whining match-sellers at the door and formed a little party at the corner of the
counter. They began to exchange stories. Leonard introduced them to a young
fellow named Weathers who was performing at the Tivoli as an acrobat and
knockabout artiste. Farrington stood a drink all round. Weathers said he would
take a small Irish and Apollinaris. Farrington, who had definite notions of
what was what, asked the boys would they have an Apollinaris too; but the boys
told Tim to make theirs hot. The talk became theatrical. O’Halloran stood around
and then Farrington stood another round, Weathers protesting that the
hospitality was too Irish. He promised to get them in behind the scenes and
introduce them to some nice girls. O’Halloran said that he and Leonard would
go, but that Farrington wouldn’t go because he was a married man; and Farrington’s
heavy dirty eyes leered at the company in token that he understood he was being
chaffed. Weathers made them all have just one little tincture at his expense
and promised to meet them later at Mulligan’s in Pool beg Street.
When the Scotch House closed, they went around to
Mulligan’s. They went into the parlor at the back and O’Halloran ordered small
hot specials all round. They were all beginning to feel mellow. Farrington was
just standing another round when Weathers came back. Much to Farrington’s relief
he drank a glass of bitter this time. Funds were getting low, but they had
enough to keep them going. Presently two young women with big hats and a young
man in a check suit came in and sat at a table close by. Weathers saluted them
and told the company that they were out of the Tivoli. Farrington’s eyes
wandered at every moment in the direction of one of the young women. There was
something striking in her appearance. An immense scarf of peacock-blue muslin
was wound round her hat and knotted in a great bow under her chin; and she wore
bright yellow gloves, reaching to the elbow. Farrington gazed admiringly at the
plump arm which she moved very often and with much grace; and when, after a
little time, she answered his gaze he admired still more her large dark brown
eyes. The oblique staring expression in them fascinated him. She glanced at him
once or twice and, when the party was leaving the room, she brushed against his
chair and said “O, pardon!” in a London accent. He watched her leave the room
in the hope that she would look back at him, but he was disappointed. He cursed
his want of money and cursed all the rounds he had stood, particularly all the
whiskies and Apollinaris which he had stood to Weathers. If there was one thing
that he hated it was a sponge. He was so angry that he lost count of the
conversation of his friends.
When Paddy Leonard called him, he found that they were
talking about feats of strength. Weathers was showing his biceps muscle to the
company and boasting so much that the other two had called on Farrington to
uphold the national honor. Farrington pulled up his sleeve accordingly and
showed his biceps muscle to the company. The two arms were examined and
compared and finally it was agreed to have a trial of strength. The table was cleared,
and the two men rested their elbows on it, clasping hands. When Paddy Leonard
said “Go!” each was to try to bring down the other’s hand on to the table.
Farrington looked very serious and determined.
The trial began. After about thirty seconds Weathers brought
his opponent’s hand slowly down on to the table. Farrington’s dark wine-colored
face flushed darker still with anger and humiliation at having been defeated by
such a stripling.
“You’re not to put the weight of your body behind it. Play fair,”
he said.
“Who’s not playing fair?” said the other.
“Come on again. The two best out of three.”
The trial began again. The veins stood out on Farrington’s
forehead, and the pallor of Weathers’ complexion changed to peony. Their hands
and arms trembled under the stress. After a long struggle Weathers again
brought his opponent’s hand slowly on to the table. There was a murmur of
applause from the spectators. The curate, who was standing beside the table,
nodded his red head towards the victor and said with stupid familiarity:
“Ah! that’s the knack!”
“What the hell do you know about it?” said Farrington
fiercely, turning on the man. “What do you put in your gab for?”
“Shy, shy!” said O’Halloran, observing the violent
expression of Farrington’s face. “Pony up, boys. We’ll have just one little shaman
more and then we’ll be off.”
A very sullen-faced man stood at the corner of O’Connell
Bridge waiting for the little Sandymount tram to take him home. He was full of smoldering
anger and revengefulness. He felt humiliated and discontented; he did not even
feel drunk; and he had only two pence in his pocket. He cursed everything. He
had done for himself in the office, pawned his watch, spent all his money; and he
had not even got drunk. He began to feel thirsty again and he longed to be back
again in the hot reeking public-house. He had lost his reputation as a strong
man, having been defeated twice by a mere boy. His heart swelled with fury and,
when he thought of the woman in the big hat who had brushed against him and
said Pardon! his fury nearly choked him.
His tram let him down at Shelbourne Road and he steered his
great body along in the shadow of the wall of the barracks. He loathed
returning to his home. When he went in by the side-door he found the kitchen empty
and the kitchen fire nearly out. He bawled upstairs:
“Ada! Ada!”
His wife was a little sharp-faced woman who bullied her
husband when he was sober and was bullied by him when he was drunk. They had
five children. A little boy came running down the stairs.
“Who is that?” said the man, peering through the darkness.
“Me, pa.”
“Who are you? Charlie?”
“No, pa. Tom.”
“Where’s your mother?”
“She’s out at the chapel.”
“That’s right.... Did she think of leaving any dinner for
me?”
“Yes, pa. I——”
“Light the lamp. What do you mean by having the place in
darkness? Are the other children in bed?”
The man sat down heavily on one of the chairs while the
little boy lit the lamp. He began to mimic his son’s flat accent, saying half
to himself: “At the chapel. At the chapel, if you please!” When the lamp was lit,
he banged his fist on the table and shouted:
“What’s for my dinner?”
“I’m going ... to cook it, pa,” said the little boy.
The man jumped up furiously and pointed to the fire.
“On that fire! You let the fire out! By God, I’ll teach you
to do that again!”
He took a step to the door and seized the walking-stick
which was standing behind it.
“I’ll teach you to let the fire out!” he said, rolling up
his sleeve in order to give his arm free play.
The little boy cried “O, pa!” and ran whimpering round the
table, but the man followed him and caught him by the coat. The little boy
looked about him wildly but, seeing no way of escape, fell upon his knees.
“Now, you’ll let the fire out the next time!” said the man
striking at him vigorously with the stick. “Take that, you little whelp!”
The boy uttered a squeal of pain as the stick cut his thigh.
He clasped his hands together in the air and his voice shook with fright.
“O, pa!” he cried. “Don’t beat me, pa! And I’ll ... I’ll say
a Hail Mary for you.... I’ll say a Hail Mary for you, pa, if you don’t beat
me.... I’ll say a Hail Mary....”
CLAY
The matron had given her leave to go out as soon as the
women’s tea was over, and Maria looked forward to her evening out. The kitchen
was spick and span: the cook said you could see yourself in the big copper
boilers. The fire was nice and bright and on one of the side-tables were four
very big barmbracks. These barmbracks seemed uncut; but if you went closer you
would see that they had been cut into long thick even slices and were ready to
be handed round at tea. Maria had cut them herself.
Maria was a very, very small person indeed but she had a
very long nose and a very long chin. She talked a little through her nose,
always soothingly: “Yes, my dear,” and “No, my dear.” She was always sent for
when the women quarreled over their tubs and always succeeded in making peace.
One day the matron had said to her:
“Maria, you are a veritable peace-maker!”
And the sub-matron and two of the Board ladies had heard the
compliment. And Ginger Mooney was always saying what she wouldn’t do to the
dummy who had charge of the irons if it wasn’t for Maria. Everyone was so fond
of Maria.
The women would have their tea at six o’clock and she would
be able to get away before seven. From Ballsbridge to the Pillar, twenty
minutes; from the Pillar to Drumcondra, twenty minutes; and twenty minutes to
buy the things. She would be there before eight. She took out her purse with
the silver clasps and read again the words A Present from Belfast. She was very
fond of that purse because Joe had brought it to her five years before when he
and Alpha had gone to Belfast on a Whit-Monday trip. In the purse were two
half-crowns and some coppers. She would have five shillings clear after paying
tram fare. What a nice evening they would have, all the children singing! Only
she hoped that Joe wouldn’t come in drunk. He was so different when he took any
drink.
Often, he had wanted her to go and live with them; but she
would have felt herself in the way (though Joe’s wife was ever so nice with
her) and she had become accustomed to the life of the laundry. Joe was a good
fellow. She had nursed him and Alpha too; and Joe used often say:
“Mamma is mamma, but Maria is my proper mother.”
After the break-up at home the boys had got her that
position in the Dublin by Lamplight laundry, and she liked it. She used to have
such a bad opinion of Protestants but now she thought they were very nice
people, a little quiet and serious, but still very nice people to live with.
Then she had her plants in the conservatory and she liked looking after them.
She had lovely ferns and wax-plants and, whenever anyone came to visit her, she
always gave the visitor one or two slips from her conservatory. There was one
thing she didn’t like and that was the tracts on the walks; but the matron was
such a nice person to deal with, so genteel.
When the cook told her, everything was ready she went into
the women’s room and began to pull the big bell. In a few minutes the women
began to come in by twos and threes, wiping their steaming hands in their
petticoats and pulling down the sleeves of their blouses over their red
steaming arms. They settled down before their huge mugs which the cook and the
dummy filled up with hot tea, already mixed with milk and sugar in huge tin
cans. Maria superintended the distribution of the barmbrack and saw that every
woman got her four slices. There was a great deal of laughing and joking during
the meal. Lizzie Fleming said Maria was sure to get the ring and, though
Fleming had said that for so many Hallow Eves, Maria had to laugh and say she
didn’t want any ring or man either; and when she laughed her grey-green eyes
sparkled with disappointed shyness and the tip of her nose nearly met the tip
of her chin. Then Ginger Mooney lifted her mug of tea and proposed Maria’s
health while all the other women clattered with their mugs on the table, and
said she was sorry she hadn’t a sup of porter to drink it in. And Maria laughed
again till the tip of her nose nearly met the tip of her chin and till her
minute body nearly shook itself asunder because she knew that Mooney meant well
though, of course, she had the notions of a common woman.
But wasn’t Maria glad when the women had finished their tea
and the cook, and the dummy had begun to clear away the tea-things! She went
into her little bedroom and, remembering that the next morning was a mass
morning, changed the hand of the alarm from seven to six. Then she took off her
working skirt and her house-boots and laid her best skirt out on the bed and
her tiny dress-boots beside the foot of the bed. She changed her blouse too and,
as she stood before the mirror, she thought of how she used to dress for mass
on Sunday morning when she was a young girl; and she looked with quaint
affection at the diminutive body which she had so often adorned. Despite its
years she found it a nice tidy little body.
When she got outside the streets were shining with rain and
she was glad of her old brown waterproof. The tram was full, and she had to sit
on the little stool at the end of the car, facing all the people, with her toes
barely touching the floor. She arranged in her mind all she was going to do and
thought how much better it was to be independent and to have your own money in
your pocket. She hoped they would have a nice evening. She was sure they would,
but she could not help thinking what a pity it Alpha and Joe was were not
speaking. They were always falling out now but when they were boys together,
they used to be the best of friends: but such was life.
She got out of her tram at the Pillar and ferreted her way
quickly among the crowds. She went into Downes’s cake-shop, but the shop was so
full of people that it was a long time before she could get herself attended
to. She bought a dozen of mixed penny cakes, and at last came out of the shop
laden with a big bag. Then she thought what else would she buy: she wanted to
buy something nice. They would be sure to have plenty of apples and nuts. It was
hard to know what to buy and all she could think of was cake. She decided to
buy some plumage but Downes’s plumage had not enough almond icing on top of it,
so she went over to a shop in Henry Street. Here she was a long time in suiting
herself and the stylish young lady behind the counter, who was evidently a
little annoyed by her, asked her was it wedding cake she wanted to buy. That
made Maria blush and smile at the young lady; but the young lady took it all
very seriously and finally cut a thick slice of plumage, parceled it up and
said:
“Two-and-four, please.”
She thought she would have to stand in the Drumcondra tram
because none of the young men seemed to notice her, but an elderly gentleman
made room for her. He was a stout gentleman and he wore a brown hard hat; he
had a square red face and a greyish moustache. Maria thought he was a
colonel-looking gentleman and she reflected how much more polite he was than
the young men who simply stared straight before them. The gentleman began to
chat with her about Hallow Eve and the rainy weather. He supposed the bag was
full of good things for the little ones and said it was only right that the
youngsters should enjoy themselves while they were young. Maria agreed with him
and favored him with demure nods and hems. He was very nice with her, and when
she was getting out at the Canal Bridge she thanked him and bowed, and he bowed
to her and raised his hat and smiled agreeably, and while she was going up
along the terrace, bending her tiny head under the rain, she thought how easy
it was to know a gentleman even when he has a drop taken.
Everybody said: “O, here’s Maria!” when she came to Joe’s
house. Joe was there, having come home from business, and all the children had
their Sunday dresses on. There were two big girls in from next door and games
were going on. Maria gave the bag of cakes to the eldest boy, Alpha, to divide
and Mrs. Donnelly said it was too good of her to bring such a big bag of cakes
and made all the children say:
“Thanks, Maria.”
But Maria said she had brought something special for papa
and mamma, something they would be sure to like, and she began to look for her plumage.
She tried in Downes’s bag and then in the pockets of her waterproof and then on
the hallstand, but nowhere could she find it. Then she asked all the children
had any of them eaten it—by mistake, of course—but the children all said no and
looked as if they did not like to eat cakes if they were to be accused of
stealing. Everybody had a solution for the mystery and Mrs. Donnelly said it was
plain that Maria had left it behind her in the tram. Maria, remembering how
confused the gentleman with the greyish moustache had made her, colored with
shame and vexation and disappointment. At the thought of the failure of her
little surprise and of the two and fourpence she had thrown away for nothing
she nearly cried outright.
But Joe said it didn’t matter and made her sit down by the
fire. He was very nice with her. He told her all that went on in his office,
repeating for her a smart answer which he had made to the manager. Maria did
not understand why Joe laughed so much over the answer he had made but she said
that the manager must have been a very overbearing person to deal with. Joe said
he wasn’t so bad when you knew how to take him, that he was a decent sort so
long as you didn’t rub him the wrong way. Mrs. Donnelly played the piano for
the children and they danced and sang. Then the two next-door girls handed
round the nuts. Nobody could find the nutcrackers and Joe was nearly getting
cross over it and asked how they expected Maria to crack nuts without a
nutcracker. But Maria said she didn’t like nuts and that they weren’t to bother
about her. Then Joe asked would she take a bottle of stout and Mrs. Donnelly
said there was port wine too in the house if she would prefer that. Maria said
she would rather they didn’t ask her to take anything: but Joe insisted.
So, Maria let him have his way and they sat by the fire
talking over old times and Maria thought she would put in a good word for Alpha.
But Joe cried that God might strike him stone dead if ever he spoke a word to
his brother again and Maria said she was sorry she had mentioned the matter. Mrs.
Donnelly told her husband it was a great shame for him to speak that way of his
own flesh and blood, but Joe said that Alpha was no brother of his and there
was nearly being a row on the head of it. But Joe said he would not lose his
temper on account of the night it was and asked his wife to open some more
stout. The two next-door girls had arranged some Hallow Eve games and soon
everything was merry again. Maria was delighted to see the children so merry
and Joe and his wife in such good spirits. The next-door girls put some saucers
on the table and then led the children up to the table, blindfold. One got the
prayer-book and the other three got the water; and when one of the next-door
girls got the ring Mrs. Donnelly shook her finger at the blushing girl as much
as to say: O, I know all about it! They insisted then on blindfolding Maria and
leading her up to the table to see what she would get; and, while they were
putting on the bandage, Maria laughed and laughed again till the tip of her
nose nearly met the tip of her chin.
They led her up to the table amid laughing and joking and
she put her hand out in the air as she was told to do. She moved her hand about
here and there in the air and descended on one of the saucers. She felt a soft
wet substance with her fingers and was surprised that nobody spoke or took off
her bandage. There was a pause for a few seconds; and then a great deal of
scuffling and whispering. Somebody said something about the garden, and at last
Mrs. Donnelly said something very cross to one of the next-door girls and told
her to throw it out at once: that was no play. Maria understood that it was
wrong that time and so she had to do it over again: and this time she got the
prayer-book.
After that Mrs. Donnelly played Miss McCloud’s Reel for the
children and Joe made Maria take a glass of wine. Soon they were all quite merry
again and Mrs. Donnelly said Maria would enter a convent before the year was
out because she had got the prayer-book. Maria had never seen Joe so nice to
her as he was that night, so full of pleasant talk and reminiscences. She said
they were all very good to her.
At last the children grew tired and sleepy and Joe asked
Maria would she not sing some little song before she went, one of the old
songs. Mrs. Donnelly said “Do, please, Maria!” and so Maria had to get up and
stand beside the piano. Mrs. Donnelly bade the children be quiet and listen to
Maria’s song. Then she played the prelude and said “Now, Maria!” and Maria,
blushing very much began to sing in a tiny quavering voice. She sang I Dreamt
that I Dwelt, and when she came to the second verse she sang again:
I dreamt that I dwelt
in marble halls
With vassals and
serfs at my side
And of all who
assembled within those walls
That I was the hope
and the pride.
I had riches too
great to count, could boast
Of a high ancestral
name,
But I also dreamt,
which pleased me most,
That you loved me
still the same.
But no one tried to show her mistake; and when she had ended
her song Joe was very much moved. He said that there was no time like the long
ago and no music for him like poor old Balfe, whatever other people might say;
and his eyes filled up so much with tears that he could not find what he was
looking for and in the end he had to ask his wife to tell him where the
corkscrew was.
A PAINFUL CASE
Mr. James Duffy lived in Chapel Izod because he wished to
live as far as possible from the city of which he was a citizen and because he
found all the other suburbs of Dublin mean, modern and pretentious. He lived in
an old somber house and from his windows he could investigate the disused
distillery or upwards along the shallow river on which Dublin is built. The
lofty walls of his uncarpeted room were free from pictures. He had himself
bought every article of furniture in the room: a black iron bedstead, an iron
washstand, four cane chairs, a clothes-rack, a coalscuttle, a fender and irons
and a square table on which lay a double desk. A bookcase had been made in an
alcove by means of shelves of white wood. The bed was clothed with white
bedclothes and a black and scarlet rug covered the foot. A little hand-mirror
hung above the washstand and during the day a white-shaded lamp stood as the
sole ornament of the mantelpiece. The books on the white wooden shelves were
arranged from below upwards according to bulk. A complete Wordsworth stood at
one end of the lowest shelf and a copy of the Maynooth Catechism, sewn into the
cloth cover of a notebook, stood at one end of the top shelf. Writing materials
were always on the desk. In the desk lay a manuscript translation of
Hauptmann’s Michael Kramer, the stage directions of which were written in
purple ink, and a little sheaf of papers held together by a brass pin. In these
sheets a sentence was inscribed from time to time and, in an ironical moment,
the headline of an advertisement for Bile Beans had been pasted on to the first
sheet. On lifting the lid of the desk, a faint fragrance escaped—the fragrance
of new cedarwood pencils or of a bottle of gum or of an overripe apple which
might have been left there and forgotten.
Mr. Duffy abhorred anything which betokened physical or
mental disorder. A medieval doctor would have called him saturnine. His face,
which carried the entire tale of his years, was of the brown tint of Dublin
streets. On his long and rather large head grew dry black hair and a tawny
moustache did not quite cover an unamiable mouth. His cheekbones also gave his
face a harsh character; but there was no harshness in the eyes which, looking
at the world from under their tawny eyebrows, gave the impression of a man ever
alert to greet a redeeming instinct in others but often disappointed. He lived
at a little distance from his body, regarding his own acts with doubtful
side-glances. He had an odd autobiographical habit which led him to compose in
his mind from time to time a short sentence about himself containing a subject
in the third person and a predicate in the past tense. He never gave alms to
beggars and walked firmly, carrying a stout hazel.
He had been for many years cashier of a private bank in
Baggot Street. Every morning he came in from Chapel Izod by tram. At midday he
went to Dan Burke’s and took his lunch—a bottle of lager beer and a small
trayful of arrowroot biscuits. At four o’clock he was set free. He dined in an
eating-house in George’s Street where he felt himself safe from the society of Dublin’s
gilded youth and where there was a certain plain honesty in the bill of fare.
His evenings were spent either before his landlady’s piano or roaming about the
outskirts of the city. His liking for Mozart’s music brought him sometimes to
an opera or a concert: these were the only dissipations of his life.
He had neither companions nor friends, church nor creed. He
lived his spiritual life without any communion with others, visiting his relatives
at Christmas and escorting them to the cemetery when they died. He performed
these two social duties for old dignity’s sake but conceded nothing further to
the conventions which regulate the civic life. He allowed himself to think that
in certain circumstances he would rob his bank but, as these circumstances never
arose, his life rolled out evenly—an adventure less tale.
One evening he found himself sitting beside two ladies in
the Rotunda. The house, thinly peopled and silent, gave distressing prophecy of
failure. The lady who sat next him looked round at the deserted house once or
twice and then said:
“What a pity there is such a poor house tonight! It’s so
hard on people to have to sing to empty benches.”
He took the remark as an invitation to talk. He was
surprised that she seemed so little awkward. While they talked, he tried to fix
her permanently in his memory. When he learned that the young girl beside her
was her daughter, he judged her to be a year or so younger than himself. Her
face, which must have been handsome, had remained intelligent. It was an oval
face with strongly marked features. The eyes were very dark blue and steady.
Their gaze began with a defiant note but was confused by what seemed a
deliberate swoon of the pupil into the iris, revealing for an instant a
temperament of great sensibility. The pupil reasserted itself quickly, this
half-disclosed nature fell again under the reign of prudence, and her astrakhan
jacket, molding a bosom of a certain fullness, struck the note of defiance more
definitely.
He met her again a few weeks afterwards at a concert in Earls
fort Terrace and seized the moments when her daughter’s attention was diverted to
become intimate. She alluded once or twice to her husband, but her tone was not
such as to make the allusion a warning. Her name was Mrs. Sanicom. Her husband’s
great-great-grandfather had come from Leghorn. Her husband was captain of a
mercantile boat plying between Dublin and Holland; and they had one child.
Meeting her a third time by accident he found courage to
make an appointment. She came. This was the first of many meetings; they met
always in the evening and chose the quietest quarters for their walks together.
Mr. Duffy, however, had a distaste for underhand ways and, finding that they were
compelled to meet stealthily, he forced her to ask him to her house. Captain Sanicom
encouraged his visits, thinking that his daughter’s hand was in question. He
had dismissed his wife so sincerely from his gallery of pleasures that he did
not suspect that anyone else would take an interest in her. As the husband was
often away and the daughter out giving music lessons Mr. Duffy had many
opportunities of enjoying the lady’s society. Neither he nor she had had any
such adventure before, and neither was conscious of any incongruity. Little by
little he entangled his thoughts with hers. He lent her books, provided her
with ideas, shared his intellectual life with her. She listened to all.
Sometimes in return for his theories she gave out some fact
of her own life. With almost maternal solicitude she urged him to let his
nature open to the full: she became his confessor. He told her that for some
time he had assisted at the meetings of an Irish Socialist Party where he had
felt himself a unique figure amidst a score of sober workmen in a garret lit by
an inefficient oil-lamp. When the party had divided into three sections, each
under its own leader and in its own garret, he had discontinued his
attendances. The workmen’s discussions, he said, were too timorous; the
interest they took in the question of wages was inordinate. He felt that they
were hard-featured realists and that they resented an exactitude which was the product
of a leisure not within their reach. No social revolution, he told her, would
be likely to strike Dublin for some centuries.
She asked him why he not wrote out his thoughts. For what,
he asked her, with careful scorn. To compete with phrasemongers, incapable of
thinking consecutively for sixty seconds. To submit himself to the criticisms
of an obtuse middle class which entrusted its morality to policemen and its
fine arts to impresarios?
He went often to her little cottage outside Dublin; often
they spent their evenings alone. Little by little, as their thoughts entangled,
they spoke of subjects less remote. Her companionship was like a warm soil about
an exotic. Many times, she allowed the dark to fall upon them, refraining from
lighting the lamp. The dark discreet room, their isolation, the music that
still vibrated in their ears united them. This union exalted him, wore away the
rough edges of his character, emotionalized his mental life. Sometimes he
caught himself listening to the sound of his own voice. He thought that in her
eyes he would ascend to an angelical stature; and, as he attached the fervent
nature of his companion more and more closely to him, he heard the strange
impersonal voice which he recognized as his own, insisting on the soul’s
incurable loneliness. We cannot give ourselves, it said: we are our own. The
end of these discourses was that one night during which she had shown every
sign of unusual excitement, Mrs. Sanicom caught up his hand passionately and
pressed it to her cheek.
Mr. Duffy was very much surprised. Her interpretation of his
words disillusioned him. He did not visit her for a week, then he wrote to her
asking her to meet him. As he did not wish their last interview to be troubled
by the influence of their ruined confessional, they met in a little cakeshop
near the Parkgate. It was cold autumn weather but despite the cold they
wandered up and down the roads of the Park for nearly three hours. They agreed
to break off their intercourse: every bond, he said, is a bond to sorrow. When
they came out of the Park they walked in silence towards the tram; but here she
began to tremble so violently that, fearing another collapse on her part, he
bade her good-bye quickly and left her. A few days later he received a parcel containing
his books and music.
Four years passed. Mr. Duffy returned to his even way of
life. His room still bore witness of the orderliness of his mind. Some new
pieces of music encumbered the music-stand in the lower room and on his shelves
stood two volumes by Nietzsche: Thus, Space Zarathustra and The Gay Science. He
wrote seldom in the sheaf of papers which lay in his desk. One of his
sentences, written two months after his last interview with Mrs. Sanicom, read:
Love between man and man is impossible because there must not be sexual
intercourse and friendship between man and woman is impossible because there
must be sexual intercourse. He kept away from concerts lest he should meet her.
His father died; the junior partner of the bank retired. And still every
morning he went into the city by tram and every evening walked home from the
city after having dined moderately in George’s Street and read the evening paper
for dessert.
One evening as he was about to put a morsel of corned beef
and cabbage into his mouth his hand stopped. His eyes fixed themselves on a
paragraph in the evening paper which he had propped against the water-carafe.
He replaced the morsel of food on his plate and read the paragraph attentively.
Then he drank a glass of water, pushed his plate to one side, doubled the paper
down before him between his elbows and read the paragraph repeatedly. The
cabbage began to deposit a cold white grease on his plate. The girl came over
to him to ask was his dinner not properly cooked. He said it was very good and
ate a few mouthfuls of it with difficulty. Then he paid his bill and went out.
He walked along quickly through the November twilight, his
stout hazel stick striking the ground regularly, the fringe of the buff Mail
peeping out of a side-pocket of his tight reefer overcoat. On the lonely road
which leads from the Parkgate to Chapel Izod he slackened his pace. His stick
struck the ground less emphatically and his breath, issuing irregularly, almost
with a sighing sound, condensed in the wintry air. When he reached his house,
he went up at once to his bedroom and, taking the paper from his pocket, read
the paragraph again by the failing light of the window. He read it not aloud
but moving his lips as a priest does when he reads the prayers Secretor. This
was the paragraph:
DEATH OF A LADY AT
SYDNEY PARADE
A PAINFUL CASE
Today at the City of Dublin Hospital the Deputy Coroner (in
the absence of Mr. Leverett) held an inquest on the body of Mrs. Emily Sanicom,
aged forty-three years, who was killed at Sydney Parade Station yesterday
evening. The evidence showed that the deceased lady, while attempting to cross
the line, was knocked down by the engine of the ten o’clock slow train from
Kingstown, thereby sustaining injuries of the head and right side which led to
her death.
James Lennon, driver of the engine, stated that he had been
in the employment of the railway company for fifteen years. On hearing the guard’s
whistle, he set the train in motion and a second or two afterwards brought it
to rest in response to loud cries. The train was going slowly.
P. Dunne, railway porter, stated that as the train was about
to start, he observed a woman attempting to cross the lines. He ran towards her
and shouted, but, before he could reach her, she was caught by the buffer of
the engine and fell to the ground.
A juror. “You saw the lady fall?”
Witness. “Yes.”
Police Sergeant Croly deposed that when he arrived, he found
the deceased lying on the platform apparently dead. He had the body taken to
the waiting-room pending the arrival of the ambulance.
Constable 57E corroborated.
Dr Halpin, assistant house surgeon of the City of Dublin
Hospital, stated that the deceased had two lower ribs fractured and had
sustained severe contusions of the right shoulder. The right side of the head
had been injured in the fall. The injuries were not enough to have caused death
in a normal person. Death, in his opinion, had been probably due to shock and
sudden failure of the heart’s action.
Mr. H. B. Patterson Finlay, on behalf of the railway
company, expressed his deep regret at the accident. The company had always
taken every precaution to prevent people crossing the lines except by the bridges,
both by placing notices in every station and using patent spring gates at level
crossings. The deceased had been in the habit of crossing the lines late at
night from platform to platform and, in view of certain other circumstances of
the case, he did not think the railway officials were to blame.
Captain Sanicom, of Leoville, Sydney Parade, husband of the
deceased, also gave evidence. He stated that the deceased was his wife. He was
not in Dublin at the time of the accident as he had arrived only that morning
from Rotterdam. They had been married for twenty-two years and had lived
happily until about two years ago when his wife began to be rather intemperate
in her habits.
Miss Mary Sanicom said that of late her mother had been in
the habit of going out at night to buy spirits. She, witness, had often tried
to reason with her mother and had induced her to join a league. She was not at
home until an hour after the accident. The jury returned a verdict in
accordance with the medical evidence and exonerated Lennon from all blame.
The Deputy Coroner said it was a most painful case and
expressed great sympathy with Captain Sanicom and his daughter. He urged on the
railway company to take strong measures to prevent the possibility of similar
accidents in the future. No blame attached to anyone.
Mr. Duffy raised his eyes from the paper and gazed out of
his window on the cheerless evening landscape. The river lay quiet beside the
empty distillery and from time to time a light appeared in some house on the
Lucan road. What an end! The whole narrative of her death revolted him, and it
revolted him to think that he had ever spoken to her of what he held sacred.
The threadbare phrases, the inane expressions of sympathy, the cautious words
of a reporter won over to conceal the details of a commonplace vulgar death
attacked his stomach. Not merely had she degraded herself; she had degraded
him. He saw the squalid tract of her vice, miserable and malodorous. His soul’s
companion! He thought of the hobbling wretches whom he had seen carrying cans
and bottles to be filled by the barman. Just God, what an end! Evidently, she
had been unfit to live, without any strength of purpose, an easy prey to
habits, one of the wrecks on which civilization has been reared. But that she could
have sunk so low! Was it possible he had deceived himself so utterly about her?
He remembered her outburst of that night and interpreted it in a harsher sense
than he had ever done. He had no difficulty now in approving of the course he
had taken.
As the light failed and his memory began to wander, he
thought her hand touched his. The shock which had first attacked his stomach
was now attacking his nerves. He put on his overcoat and hat quickly and went
out. The cold air met him on the threshold; it crept into the sleeves of his
coat. When he came to the public-house at Chapel Izod Bridge he went in and
ordered a hot punch.
The proprietor served him obsequiously but did not venture
to talk. There were five or six workingmen in the shop discussing the value of
a gentleman’s estate in County Kildare. They drank at intervals from their huge
pint tumblers and smoked, spitting often on the floor and sometimes dragging
the sawdust over their spits with their heavy boots. Mr. Duffy sat on his stool
and gazed at them, without seeing or hearing them. After a while they went out
and he called for another punch. He sat a long time over it. The shop was very
quiet. The proprietor sprawled on the counter reading the Herald and yawning.
Now and again a tram was heard swishing along the lonely road outside.
As he sat there, living over his life with her and evoking
alternately the two images in which he now conceived her, he realized that she
was dead, that she had ceased to exist, that she had become a memory. He began
to feel ill at ease. He asked himself what else could he have done. He could
not have carried on a comedy of deception with her; he could not have lived
with her openly. He had done what seemed to him best. How was he to blame? Now
that she was gone, he understood how lonely her life must have been, sitting
night after night alone in that room. His life would be lonely too until he,
too, died, ceased to exist, became a memory—if anyone remembered him.
It was after nine o’clock when he left the shop. The night
was cold and gloomy. He entered the Park by the first gate and walked along
under the gaunt trees. He walked through the bleak alleys where they had walked
four years before. She seemed to be near him in the darkness. At moments he
seemed to feel her voice touch his ear, her hand touches his. He stood still to
listen. Why had he withheld life from her? Why had he sentenced her to death?
He felt his moral nature falling to pieces.
When he gained the crest of the Magazine Hill he halted and
looked along the river towards Dublin, the lights of which burned redly and hospitably
in the cold night. He looked down the slope and, at the base, in the shadow of
the wall of the Park, he saw some human figures lying. Those venal and furtive
loves filled him with despair. He gnawed the rectitude of his life; he felt
that he had been outcast from life’s feast. One human being had seemed to love him,
and he had denied her life and happiness: he had sentenced her to ignominy, a
death of shame. He knew that the prostrate creatures down by the wall were
watching him and wished him gone. No one wanted him; he was outcast from life’s
feast. He turned his eyes to the grey gleaming river, winding along towards Dublin.
Beyond the river he saw a goods train winding out of Kingsbridge Station, like
a worm with a fiery head winding through the darkness, obstinately and
laboriously. It passed slowly out of sight; but still he heard in his ears the
laborious drone of the engine reiterating the syllables of her name.
He turned back the way he had come, the rhythm of the engine
pounding in his ears. He began to doubt the reality of what memory told him. He
halted under a tree and allowed the rhythm to die away. He could not feel her
near him in the darkness nor her voice touch his ear. He waited for some
minutes listening. He could hear nothing: the night was perfectly silent. He
listened again: perfectly silent. He felt that he was alone.
IVY DAY IN THE COMMITTEE ROOM
Old Jack raked the cinders together with a piece of
cardboard and spread them judiciously over the whitening dome of coals. When
the dome was thinly covered his face lapsed into darkness but, as he set
himself to fan the fire again, his crouching shadow ascended the opposite wall
and his face slowly re-emerged into light. It was an old man’s face, very bony
and hairy. The moist blue eyes blinked at the fire and the moist mouth fell
open at times, munching once or twice mechanically when it closed. When the cinders
had caught, he laid the piece of cardboard against the wall, sighed and said:
“That’s better now, Mr. O’Connor.”
Mr. O’Connor, a grey-haired young man, whose face was
disfigured by many blotches and pimples, had just brought the tobacco for a
cigarette into a shapely cylinder but when spoken to the undid his handiwork meditatively.
Then he began to roll the tobacco again meditatively and after a moment’s
thought decided to lick the paper.
“Did Mr. Tierney say when he’d be back?” he asked in a husky
falsetto.
“He didn’t say.”
Mr. O’Connor put his cigarette into his mouth and began to
search his pockets. He took out a pack of thin pasteboard cards.
“I’ll get you a match,” said the old man.
“Never mind, this’ll do,” said Mr. O’Connor.
He selected one of the cards and read what was printed on
it:
MUNICIPAL ELECTIONS
ROYAL EXCHANGE WARD
Mr. Richard J. Tierney, P.L.G., respectfully solicits the favor
of your vote and influence at the coming election in the Royal Exchange Ward.
Mr. O’Connor had been engaged by Tierney’s agent to canvass
one part of the ward but, as the weather was inclement and his boots let in the
wet, he spent a great part of the day sitting by the fire in the Committee Room
in Wick low Street with Jack, the old caretaker. They had been sitting thus
since the short day had grown dark. It was the sixth of October, dismal and
cold out of doors.
Mr. O’Connor tore a strip off the card and, lighting it, lit
his cigarette. As he did so the flame lit up a leaf of dark glossy ivy in the
lapel of his coat. The old man watched him attentively and then, taking up the
piece of cardboard again, began to fan the fire slowly while his companion
smoked.
“Ah, yes,” he said, continuing, “it’s hard to know what way
to bring up children. Now who’d think he’d turn out like that! I sent him to
the Christian Brothers, and I done what I could for him, and there he goes boosting
about. I tried to make him someway decent.”
He replaced the cardboard wearily.
“Only I’m an old man now I’d change his tune for him. I’d
take the stick to his back and beat him while I could stand over him—as I done
many a time before. The mother, you know, she cocks him up with this and
that....”
“That’s what ruins children,” said Mr. O’Connor.
“To be sure it is,” said the old man. “And little thanks you
get for it, only impudence. He takes the upper hand of me whenever he sees I’ve
a sup taken. What’s the world coming to when sons speak that way to their
father?”
“What age is he?” said Mr. O’Connor.
“Nineteen,” said the old man.
“Why don’t you put him to something?”
“Sure, amn’t I never done at the drunken bows ever since he
left school? ‘I won’t keep you,’ I says. ‘You must get a job for yourself.’
But, sure, it’s worse whenever he gets a job; he drinks it all.”
Mr. O’Connor shook his head in sympathy, and the old man
fell silent, gazing into the fire. Someone opened the door of the room and
called out:
“Hello! Is this a Freemasons’ meeting?”
“Who’s that?” said the old man.
“What are you doing in the dark?” asked a voice.
“Is that you, Hynes?” asked Mr. O’Connor.
“Yes. What are you doing in the dark?” said Mr. Hynes.
advancing into the light of the fire.
He was a tall, slender young man with a light brown
moustache. Imminent little drops of rain hung at the brim of his hat and the
collar of his jacket-coat was turned up.
“Well, Mat,” he said to Mr. O’Connor, “how goes it?”
Mr. O’Connor shook his head. The old man left the hearth
and, after stumbling about the room returned with two candlesticks which he
thrust one after the other into the fire and carried to the table. A denuded
room came into view and the fire lost all its cheerful color. The walls of the
room were bare except for a copy of an election address. In the middle of the
room was a small table on which papers were heaped.
Mr. Hynes leaned against the mantelpiece and asked:
“Has he paid you yet?”
“Not yet,” said Mr. O’Connor. “I hope to God he’ll not leave
us in the lurch tonight.”
Mr. Hynes laughed.
“O, he’ll pay you. Never fear,” he said.
“I hope he’ll look smart about it if he means business,”
said Mr. O’Connor.
“What do you think, Jack?” said Mr. Hynes satirically to the
old man.
The old man returned to his seat by the fire, saying:
“It isn’t but he has it, anyway. Not like the other tinker.”
“What other tinker?” said Mr. Hynes.
“Colgan,” said the old man scornfully.
“It is because Colgan’s a working-man you say that? What’s
the difference between a good honest bricklayer and a publican—eh? Hasn’t the workingman
as good a right to be in the Corporation as anyone else—ay, and a better right than
those Shonen's that are always hat in hand before any fellow with a handle to
his name? Isn’t that so, Mat?” said Mr. Hynes, addressing Mr. O’Connor.
“I think you’re right,” said Mr. O’Connor.
“One man is a plain honest man with no hunker-sliding about
him. He goes in to represent the labor classes. This fellow you’re working for
only wants to get some job or other.”
“Of course, the working-classes should be represented,” said
the old man.
“The working-man,” said Mr. Hynes, “gets all kicks and no
halfpence. But its labor produces everything. The workingman is not looking for
fat jobs for his sons and nephews and cousins. The working-man is not going to
drag the honor of Dublin in the mud to please a German monarch.”
“How’s that?” said the old man.
“Don’t you know they want to present an address of welcome
to Edward Rex if he comes here next year? What do we want kowtowing to a
foreign king?”
“Our man won’t vote for the address,” said Mr. O’Connor. “He
goes in on the Nationalist ticket.”
“Won’t he?” said Mr. Hynes. “Wait till you see whether he
will or not. I know him. Is its Tricky Dicky Tierney?”
“By God! perhaps you’re right, Joe,” said Mr. O’Connor.
“Anyway, I wish he’d turn up with the spondylus.”
The three men fell silent. The old man began to rake more
cinders together. Mr. Hynes took off his hat, shook it and then turned down the
collar of his coat, displaying, as he did so, an ivy leaf in the lapel.
“If this man was alive,” he said, pointing to the leaf,
“we’d have no talk of an address of welcome.”
“That’s true,” said Mr. O’Connor.
“Masha, God be with them times!” said the old man. “There
was some life in it then.”
The room was silent again. Then a bustling little man with a
snuffling nose and very cold ears pushed in the door. He walked over quickly to
the fire, rubbing his hands as if he intended to produce a spark from them.
“No money, boys,” he said.
“Sit down here, Mr. Henchy,” said the old man, offering him
his chair.
“O, don’t stir, Jack, don’t stir,” said Mr. Henchy.
He nodded curtly to Mr. Hynes and sat down on the chair
which the old man vacated.
“Did you serve Angier Street?” he asked Mr. O’Connor.
“Yes,” said Mr. O’Connor, beginning to search his pockets
for memoranda.
“Did you call on Grimes?”
“I did.”
“Well? How does he stand?”
“He wouldn’t promise. He said: ‘I won’t tell anyone what way
I’m going to vote.’ But I think he’ll be all right.”
“Why so?”
“He asked me who the nominators were; and I told him. I
mentioned Father Burke’s name. I think it’ll be all right.”
Mr. Henchy began to snuffle and to rub his hands over the
fire at a terrific speed. Then he said:
“For the love of God, Jack, bring us a bit of coal. There
must be some left.”
The old man went out of the room.
“It’s no go,” said Mr. Henchy, shaking his head. “I asked
the little shoe boy, but he said: ‘Oh, now, Mr. Henchy, when I see work going
on properly, I won’t forget you, you may be sure.’ Mean little tinker! ’Usha,
how could he be anything else?”
“What did I tell you, Mat?” said Mr. Hynes. “Tricky Dicky
Tierney.”
“O, he’s as tricky as they make ’em,” said Mr. Henchy. “He
hasn’t got those little pigs’ eyes for nothing. Blast his soul! Couldn’t he pay
up like a man instead of: ‘O, now, Mr. Henchy, I must speak to Mr. Fanning....
I’ve spent a lot of money’? Mean little shoe boy of hell! I suppose he forgets
the time his little old father kept the hand-me-down shop in Mary’s Lane.”
“But is that a fact?” asked Mr. O’Connor.
“God, yes,” said Mr. Henchy. “Did you never hear that? And
the men used to go in on Sunday morning before the houses were open to buy waistcoat
or trousers—Moya! But Tricky Dicky’s little old father always had a tricky
little black bottle up in a corner. Do you mind now? That’s that. That’s where
he first saw the light.”
The old man returned with a few lumps of coal which he
placed here and there on the fire.
“That’s a nice how-do-you-do,” said Mr. O’Connor. “How does
he expect us to work for him if he won’t stump up?”
“I can’t help it,” said Mr. Henchy. “I expect to find the
bailiffs in the hall when I go home.”
Mr. Hynes laughed and, shoving himself away from the mantelpiece
with the aid of his shoulders, made ready to leave.
“It’ll be all right when King Eddie comes,” he said. “Well
boys, I’m off for the present. See you later. ’Bye, ’bye.”
He went out of the room slowly. Neither Mr. Henchy nor the
old man said anything but, just as the door was closing, Mr. O’Connor, who had
been staring moodily into the fire, called out suddenly:
“’Bye, Joe.”
Mr. Henchy waited a few moments and then nodded in the
direction of the door.
“Tell me,” he said across the fire, “what brings our friend
in here? What does he want?”
“’Usha, poor Joe!” said Mr. O’Connor, throwing the end of
his cigarette into the fire, “he’s hard up, like the rest of us.”
Mr. Henchy snuffled vigorously and spat so copiously that he
nearly put out the fire, which uttered a hissing protest.
“To tell you my private and candid opinion,” he said, “I
think he’s a man from the other camp. He’s a spy of Colgan’s, if you ask me.
Just go around and try and find out how they’re getting on. They won’t suspect
you. Do you twig?”
“Ah, poor Joe is a decent skin,” said Mr. O’Connor.
“His father was a decent respectable man,” Mr. Henchy
admitted. “Poor old Larry Hynes! Many a good turn he did in his day! But I’m
greatly afraid our friend is not nineteen carats. Damn it, I can understand a
fellow being hard up, but what I can’t understand is a fellow sponging.
Couldn’t he have some spark of manhood about him?”
“He doesn’t get a warm welcome from me when he comes,” said
the old man. “Let him work for his own side and not come spying around here.”
“I don’t know,” said Mr. O’Connor dubiously, as he took out
cigarette-papers and tobacco. “I think Joe Hynes is a straight man. He’s a
clever chap, too, with the pen. Do you remember that thing he wrote...?”
“Some of these hillsides and finials are a bit too clever if
you ask me,” said Mr. Henchy. “Do you know what my private and candid opinion
is about some of those little jokers? I believe half of them are in the pay of
the Castle.”
“There’s no knowing,” said the old man.
“O, but I know it for a fact,” said Mr. Henchy. “They’re
Castle hacks.... I don’t say Hynes.... No, damn it, I think he’s a stroke above
that.... But there’s a certain little nobleman with a cock-eye—you know the patriot
I’m alluding to?”
Mr. O’Connor nodded.
“There’s a lineal descendant of Major Sir for you if you
like! O, the heart’s blood of a patriot! That’s a fellow now that’d sell his
country for fourpence—ay—and go down on his bended knees and thank the Almighty
Christ he had a country to sell.”
There was a knock at the door.
“Come in!” said Mr. Henchy.
A person resembling a poor clergyman, or a poor actor
appeared in the doorway. His black clothes were tightly buttoned on his short
body and it was impossible to say whether he wore a clergyman’s collar or a
layman’s, because the collar of his shabby frock-coat, the uncovered buttons of
which reflected the candlelight, was turned up about his neck. He wore a round
hat of hard black felt. His face, shining with raindrops, had the appearance of
damp yellow cheese save where two rosy spots indicated the cheekbones. He
opened his very long mouth suddenly to express disappointment and at the same
time opened wide his very bright blue eyes to express pleasure and surprise.
“O Father Keon!” said Mr. Henchy, jumping up from his chair.
“Is that you? Come in!”
“No, no, no, no!” said Father Keon quickly, pursing his lips
as if he were addressing a child.
“Won’t you come in and sit down?”
“No, no, no!” said Father Keon, speaking in a discreet
indulgent velvety voice. “Don’t let me disturb you now! I’m just looking for Mr.
Fanning....”
“He’s rounds at the Black Eagle,” said Mr. Henchy. “But
won’t you come in and sit down a minute?”
“No, no, thank you. It was just a little business matter,”
said Father Keon. “Thank you, indeed.”
He retreated from the doorway and Mr. Henchy, seizing one of
the candlesticks, went to the door to light him downstairs.
“O, don’t trouble, I beg!”
“No, but the stairs are so dark.”
“No, no, I can see.... Thank you, indeed.”
“Are you right now?”
“All right, thanks.... Thanks.”
Mr. Henchy returned with the candlestick and put it on the
table. He sat down again at the fire. There was silence for a few moments.
“Tell me, John,” said Mr. O’Connor, lighting his cigarette
with another pasteboard card.
“Hm?”
“What he is exactly?”
“Ask me an easier one,” said Mr. Henchy.
“Fanning and himself seem to me very thick. They’re often in
Kavanagh’s together. Is he a priest at all?”
“Mommies, I believe so.... I think he’s what you call a
black sheep. We haven’t many of them, thank God! but we have a few.... He’s an
unfortunate man of some kind....”
“And how does he knock it out?” asked Mr. O’Connor.
“That’s another mystery.”
“Is he attached to any chapel or church or institution or——”
“No,” said Mr. Henchy, “I think he’s travelling on his own
account.... God forgive me,” he added, “I thought he was the dozens of stouts.”
“Is there any chance of a drink itself?” asked Mr. O’Connor.
“I’m dry too,” said the old man.
“I asked that little shoe boy three times,” said Mr. Henchy,
“would he send up a dozen of stout. I asked him again now, but he was leaning
on the counter in his shirt-sleeves having a deep goster with Alderman Cowley.”
“Why didn’t you remind him?” said Mr. O’Connor.
“Well, I couldn’t go over while he was talking to Alderman
Cowley. I just waited till I caught his eye and said: ‘About that little matter
I was speaking to you about....’ ‘That’ll be all right, Mr. H.,’ he said. Yara,
sure the little hop-o’-my-thumb has forgotten all about it.”
“There’s some deal on in that quarter,” said Mr. O’Connor
thoughtfully. “I saw the three of them hard at it yesterday at Suffolk Street
corner.”
“I think I know the little game they’re at,” said Mr.
Henchy. “You must owe the City Fathers money nowadays if you want to be made
Lord Mayor. Then they’ll make you Lord Mayor. By God! I’m thinking seriously of
becoming a City Father myself. What do you think? Would I do for the job?”
Mr. O’Connor laughed.
“So far as owing money goes....”
“Driving out of the Mansion House,” said Mr. Henchy, “in all
my vermin, with Jack here standing up behind me in a powdered wig—eh?”
“And make me your private secretary, John.”
“Yes. And I’ll make Father Keon my private chaplain. We’ll
have a family party.”
“Faith, Mr. Henchy,” said the old man, “you’d keep up better
style than some of them. I was talking one day to old Keegan, the porter. ‘And
how do you like your new master, Pat?’ says I to him. ‘You haven’t much
entertaining now,’ says I. ‘Entertaining!’ says he. ‘He’d live on the smell of
an oil-rag.’ And do you know what he told me? Now, I declare to God I didn’t
believe him.”
“What?” said Mr. Henchy and Mr. O’Connor.
“He told me: ‘What do you think of a Lord Mayor of Dublin
sending out for a pound of chops for his dinner? How’s that for high living?’
says he. ‘Wish! wish,’ says I. ‘A pound of chops,’ says he, ‘coming into the
Mansion House.’ ‘Wish!’ says I, ‘what kind of people is going at all now?’”
At this point there was a knock at the door, and a boy put
in his head.
“What is it?” said the old man.
“From the Black Eagle,” said the boy, walking in sideways
and depositing a basket on the floor with a noise of shaken bottles.
The old man helped the boy to transfer the bottles from the
basket to the table and counted the full tally. After the transfer the boy put
his basket on his arm and asked:
“Any bottles?”
“What bottles?” said the old man.
“Won’t you let us drink them first?” said Mr. Henchy.
“I was told to ask for the bottles.”
“Come back tomorrow,” said the old man.
“Here, boy!” said Mr. Henchy, “will you run over to O’Farrell’s
and ask him to lend us a corkscrew—for Mr. Henchy, say. Tell him we won’t keep
it a minute. Leave the basket there.”
The boy went out and Mr. Henchy began to rub his hands
cheerfully, saying:
“Ah, well, he’s not so bad after all. He’s as good as his
word, anyhow.”
“There’s no tumblers,” said the old man.
“O don’t let that trouble you, Jack,” said Mr. Henchy. “Mani's
the good man before now drank out of the bottle.”
“Anyway, it’s better than nothing,” said Mr. O’Connor.
“He’s not a bad sort,” said Mr. Henchy, “only Fanning has
such a loan of him. He means well, you know, in his own tinpot way.”
The boy came back with the corkscrew. The old man opened
three bottles and was handing back the corkscrew when Mr. Henchy said to the
boy:
“Would you like a drink, boy?”
“If you please, sir,” said the boy.
The old man opened another bottle grudgingly and handed it
to the boy.
“What age are you?” he asked.
“Seventeen,” said the boy.
As the old man said nothing further, the boy took the bottle
and said: “Here’s my best respects, sir,” to Mr. Henchy, drank the contents,
put the bottle back on the table and wiped his mouth with his sleeve. Then he
took up the corkscrew and went out of the door sideways, muttering some form of
salutation.
“That’s the way it begins,” said the old man.
“The thin edge of the wedge,” said Mr. Henchy.
The old man distributed the three bottles which he had opened,
and the men drank from them simultaneously. After having drunk each placed his
bottle on the mantelpiece within hand’s reach and drew in a long breath of
satisfaction.
“Well, I did a good day’s work today,” said Mr. Henchy,
after a pause.
“That so, John?”
“Yes. I got him one or two sure things in Dawson Street, Crofton
and myself. Between ourselves, you know, Crofton (he’s a decent chap, of
course), but he’s not worth a damn as a canvasser. He hasn’t a word to throw to
a dog. He stands and looks at the people while I do the talking.”
Here two men entered the room. One of them was a very fat
man whose blue serge clothes seemed to be in danger of falling from his sloping
figure. He had a big face which resembled a young ox’s face in expression,
staring blue eyes and a grizzled moustache. The other man, who was much younger
and frailer, had a thin, clean-shaven face. He wore a very high double collar
and a wide-brimmed bowler hat.
“Hello, Crofton!” said Mr. Henchy to the fat man. “Talk of
the devil....”
“Where did the booze come from?” asked the young man. “Did
the cow calve?”
“O, of course, Lyons spots the drink first thing!” said Mr.
O’Connor, laughing.
“Is that the way you chap canvass,” said Mr. Lyons, “and
Crofton and I out in the cold and rain looking for votes?”
“Why, blast your soul,” said Mr. Henchy, “I’d get more votes
in five minutes than your two's get in a week.”
“Open two bottles of stout, Jack,” said Mr. O’Connor.
“How can I?” said the old man, “when there’s no corkscrew?”
“Wait now, wait now!” said Mr. Henchy, getting up quickly.
“Did you ever see this little trick?”
He took two bottles from the table and, carrying them to the
fire, put them on the hob. Then he sat down again by the fire and took another
drink from his bottle. Mr. Lyons sat on the edge of the table, pushed his hat
towards the nape of his neck and began to swing his legs.
“Which is my bottle?” he asked.
“This lad,” said Mr. Henchy.
Mr. Crofton sat down on a box and looked fixedly at the
other bottle on the hob. He was silent for two reasons. The first reason, enough,
was that he had nothing to say; the second reason was that he considered his
companions beneath him. He had been a canvasser for Wilkins, the Conservative,
but when the Conservatives had withdrawn their man and, choosing the lesser of
two evils, given their support to the Nationalist candidate, he had been
engaged to work for Mr. Tierney.
In a few minutes an apologetic “Pock!” was heard as the cork
flew out of Mr. Lyons’ bottle. Mr. Lyons jumped off the table, went to the
fire, took his bottle and carried it back to the table.
“I was just telling them, Crofton,” said Mr. Henchy, “that
we got a good few votes today.”
“Who did you get?” asked Mr. Lyons.
“Well, I got Parkes for one, and I got Atkinson for two, and
got Ward of Dawson Street. Fine old chap he is, too—regular old toff, old
Conservative! ‘But isn’t your candidate a Nationalist?’ said he. ‘He’s a
respectable man,’ said I. ‘He’s in favor of whatever will benefit this country.
He’s a big ratepayer,’ I said. ‘He has extensive house property in the city and
three places of business and isn’t it to his own advantage to keep down the
rates? He’s a prominent and respected citizen,’ said I, ‘and a Poor Law
Guardian, and he doesn’t belong to any party, good, bad, or indifferent.’ That’s
the way to talk to ’em.”
“And what about the address to the King?” said Mr. Lyons,
after drinking and smacking his lips.
“Listen to me,” said Mr. Henchy. “What we want in this
country, as I said to old Ward, is capital. The King’s coming here will mean an
influx of money into this country. The citizens of Dublin will benefit by it.
Look at all the factories down by the quays there, idle! Look at all the money
there is in the country if we only worked the old industries, the mills, the
ship-building yards and factories. It’s capital we want.”
“But look here, John,” said Mr. O’Connor. “Why should we
welcome the King of England? Didn’t Parnell himself....”
“Parnell,” said Mr. Henchy, “is dead. Now, here’s the way I
look at it. Here’s this chap come to the throne after his old mother keeping him
out of it till the man was grey. He’s a man of the world, and he means well by
us. He’s a jolly fine decent fellow, if you ask me, and no damn nonsense about
him. He just says to himself: ‘The old one never went to see these wild Irish.
By Christ, I’ll go myself and see what they’re like.’ And are we going to
insult the man when he comes over here on a friendly visit? Eh? Isn’t that
right, Crofton?”
Mr. Crofton nodded his head.
“But after all, now,” said Mr. Lyons argumentatively, “King
Edward’s life, you know, is not the very....”
“Let bygones be bygones,” said Mr. Henchy. “I admire the man
personally. He’s just an ordinary knockabout like you and me. He’s fond of his
glass of grog and he’s a bit of a rake, perhaps, and he’s a good sportsman.
Damn it, can’t we Irish play fair?”
“That’s all very fine,” said Mr. Lyons. “But look at the case
of Parnell now.”
“In the name of God,” said Mr. Henchy, “where’s the analogy
between the two cases?”
“What I mean,” said Mr. Lyons, “is we have our ideals. Why,
now, would we welcome a man like that? Do you think now after what he did
Parnell was a fit man to lead us? And why, then, would we do it for Edward the
Seventh?”
“This is Parnell’s anniversary,” said Mr. O’Connor, “and
don’t let us stir up any bad blood. We all respect him now that he’s dead and
gone—even the Conservatives,” he added, turning to Mr. Crofton.
Pock! The tardy cork flew out of Mr. Crofton’s bottle. Mr.
Crofton got up from his box and went to the fire. As he returned with his
capture he said in a deep voice:
“Our side of the house respects him, because he was a
gentleman.”
“Right you are, Crofton!” said Mr. Henchy fiercely. “He was
the only man that could keep that bag of cats in order. ‘Down, ye dogs! Lie
down, ye curs!’ That’s the way he treated them. Come in, Joe! Come in!” he
called out, catching sight of Mr. Hynes in the doorway.
Mr. Hynes came in slowly.
“Open another bottle of stout, Jack,” said Mr. Henchy. “No,
I forgot there’s no corkscrew! Here, show me one here and I’ll put it at the
fire.”
The old man handed him another bottle and he placed it on
the hob.
“Sit down, Joe,” said Mr. O’Connor, “we’re just talking
about the Chief.”
“Ay, ay!” said Mr. Henchy.
Mr. Hynes sat on the side of the table near Mr. Lyons but
said nothing.
“There’s one of them, anyhow,” said Mr. Henchy, “that didn’t
renege him. By God, I’ll say for you, Joe! No, by God, you stuck to him like a
man!”
“O, Joe,” said Mr. O’Connor suddenly. “Give us that thing
you wrote—do you remember? Have you got it on you?”
“O, ay!” said Mr. Henchy. “Give us that. Did you ever hear
that, Crofton? Listen to this now: splendid thing.”
“Go on,” said Mr. O’Connor. “Fire away, Joe.”
Mr. Hynes did not seem to remember at once the piece to which
they were alluding but, after reflecting a while, he said:
“O, that thing is it.... Sure, that’s old now.”
“Out with it, man!” said Mr. O’Connor.
“’Shy, ’shy,” said Mr. Henchy. “Now, Joe!”
Mr. Hynes hesitated a little longer. Then amid the silence
he took off his hat, laid it on the table and stood up. He seemed to be
rehearsing the piece in his mind. After a rather long pause he announced:
THE DEATH OF PARNELL
6th October 1891
He cleared his throat once or twice and then began to
recite:
He is dead. Our Uncrowned
King is dead.
O, Erin, mourn with
grief and woe
For he lies dead whom
the bell gang
Of modern hypocrites
laid low.
He lies slain by the
coward hounds
He raised to glory
from the mire;
And Erin’s hopes and
Erin’s dreams
Perish upon her monarch’s
pyre.
In palace, cabin or
in cot
The Irish heart where're
it be
Is bowed with woe—for
he is gone
Who would have wrought
her destiny?
He would have had his
Erin famed,
The green flag
gloriously unfurled,
Her statesmen, bards
and warriors raised
Before the nations of
the World.
He dreamed (alas,
’twas but a dream!)
Of Liberty: but as he
strove
To clutch that idol,
treachery
Sundered him from the
thing he loved.
Shame on the coward,
caitiff hands
That smote their Lord
or with a kiss
Betrayed him to the
rabble-rout
Of fawning priests—no
friends of his.
May everlasting shame
consume
The memory of those
who tried
To befoul and smear
the exalted name
Of one who spurned
them in his pride.
He fell as fall the
mighty ones,
Nobly undaunted to
the last,
And death has now united
him
With Erin’s heroes of
the past.
No sound of strife disturbs
his sleep!
Calmly he rests: no
human pain
Or high ambition
spurs him now
The peaks of glory to
attain.
They had their way:
they laid him low.
But Erin, list, his
spirit may
Rise, like the Phoenix
from the flames,
When breaks the
dawning of the day,
The day that brings
us Freedom’s reign.
And on that day may
Erin well
Pledge in the cup she
lifts to Joy
One grief—the memory
of Parnell.
Mr. Hynes sat down again on the table. When he had finished
his recitation there was a silence and then a burst of clapping: even Mr. Lyons
clapped. The applause continued for a little time. When it had ceased all the
auditors drank from their bottles in silence.
Pock! The cork flew out of Mr. Hynes’ bottle, but Mr. Hynes
remained sitting flushed and bareheaded on the table. He did not seem to have
heard the invitation.
“Good man, Joe!” said Mr. O’Connor, taking out his cigarette
papers and pouch the better to hide his emotion.
“What do you think of that, Crofton?” cried Mr. Henchy.
“Isn’t that fine? What?”
Mr. Crofton said that it was a very fine piece of writing.
A MOTHER
Mr. Holohan, assistant secretary of the Eire Abu Society,
had been walking up and down Dublin for nearly a month, with his hands and
pockets full of dirty pieces of paper, arranging about the series of concerts.
He had a game leg and for this his friends called him Hoppy Holohan. He walked
up and down constantly, stood by the hour at street corners arguing the point and
made notes; but in the end it was Mrs. Kearney who arranged everything.
Miss Devlin had become Mrs. Kearney out of spite. She had
been educated in a high-class convent, where she had learned French and music.
As she was naturally pale and unbending in manner, she made few friends at
school. When she came to the age of marriage, she was sent out too many houses
where her playing and ivory manners were much admired. She sat amid the chilly
circle of her accomplishments, waiting for some suitor to brave it and offer
her a brilliant life. But the young men whom she met were ordinary and she gave
them no encouragement, trying to console her romantic desires by eating a great
deal of Turkish Delight in secret. However, when she drew near the limit and
her friends began to loosen their tongues about her, she silenced them by
marrying Mr. Kearney, who was a bootmaker on Ormond Quay.
He was much older than she. His conversation, which was
serious, took place at intervals in his great brown beard. After the first year
of married life, Mrs. Kearney perceived that such a man would wear better than
a romantic person, but she never put her own romantic ideas away. He was sober,
thrifty and pious; he went to the altar every first Friday, sometimes with her,
oftener by himself. But she never weakened in her religion and was a good wife
to him. At some party in a strange house when she lifted her eyebrow ever so slightly,
he stood up to take his leave and, when his cough troubled him, she put the
eider-down quilt over his feet and made a strong rum punch. For his part, he
was a model father. By paying a small sum every week into a society, he ensured
for both his daughters a dowry of one hundred pounds each when they came to the
age of twenty-four. He sent the elder daughter, Kathleen, to a good convent,
where she learned French and music, and afterward paid her fees at the Academy.
Every year in the month of July Mrs. Kearney found occasion to say to some
friend:
“My good man is packing us off to Skerries for a few weeks.”
If it was not Skerries it was Howth or Greystones.
When the Irish Revival began to be appreciable Mrs. Kearney
determined to take advantage of her daughter’s name and brought an Irish
teacher to the house. Kathleen and her sister sent Irish picture postcards to
their friends and these friends sent back other Irish picture postcards. On
special Sundays, when Mr. Kearney went with his family to the pro-cathedral, a
little crowd of people would assemble after mass at the corner of Cathedral
Street. They were all friends of the Kearney's—musical friends or Nationalist
friends; and, when they had played every little counter of gossip, they shook
hands with one another altogether, laughing at the crossing of so many hands,
and said good-bye to one another in Irish. Soon the name of Miss Kathleen
Kearney began to be heard often on people’s lips. People said that she was very
clever at music and a very nice girl and, moreover, that she was a believer in
the language movement. Mrs. Kearney was well content at this. Therefore, she
was not surprised when one day Mr. Holohan came to her and proposed that her
daughter should be the accompanist at a series of four grand concerts which his
Society was going to give in the Antient Concert Rooms. She brought him into
the drawing-room, made him sit down and brought out the decanter and the silver
biscuit-barrel. She entered heart and soul into the details of the enterprise,
advised and dissuaded; and finally, a contract was drawn up by which Kathleen
was to receive eight guineas for her services as accompanist at the four grand
concerts.
As Mr. Holohan was a novice in such delicate matters as the
wording of bills and the disposing of items for a program, Mrs. Kearney helped
him. She had tact. She knew what artistes should go into capitals and what
artistes should go into small type. She knew that the first tenor would not
like to come on after Mr. Meade’s comic turn. To keep the audience continually
diverted she slipped the doubtful items in between the old favorites. Mr.
Holohan called to see her every day to have her advice on some point. She was
invariably friendly and advising—homely, in fact. She pushed the decanter
towards him, saying:
“Now, help yourself, Mr. Holohan!”
And while he was helping himself, she said:
“Don’t be afraid! Don’t be afraid of it!”
Everything went on smoothly. Mrs. Kearney bought some lovely
blush-pink charmeuse in Brown Thomas’s to let into the front of Kathleen’s
dress. It cost a pretty penny; but there are occasions when a little expense is
justifiable. She took a dozen of two-shilling tickets for the final concert and
sent them to those friends who could not be trusted to come otherwise. She
forgot nothing and, thanks to her, everything that was to be done was done.
The concerts were to be on Wednesday, Thursday, Friday and
Saturday. When Mrs. Kearney arrived with her daughter at the Antient Concert
Rooms on Wednesday night she did not like the look of things. A few young men,
wearing bright blue badges in their coats, stood idle in the vestibule; none of
them wore evening dress. She passed by with her daughter and a quick glance
through the open door of the hall showed her the cause of the stewards’
idleness. At first, she wondered had she mistaken the hour. No, it was twenty
minutes to eight.
In the dressing-room behind the stage she was introduced to
the secretary of the Society, Mr. Fitzpatrick. She smiled and shook his hand.
He was a little man, with a white vacant face. She noticed that he wore his
soft brown hat carelessly on the side of his head and that his accent was flat.
He held a program in his hand and, while he was talking to her, he chewed one
end of it into a moist pulp. He seemed to bear disappointments lightly. Mr.
Holohan came into the dressing-room every few minutes with reports from the
box-office. The artistes talked among themselves nervously, glanced from time
to time at the mirror and rolled and unrolled their music. When it was nearly
half-past eight, the few people in the hall began to express their desire to be
entertained. Mr. Fitzpatrick came in, smiled vacantly at the room, and said:
“Well now, ladies and gentlemen. I suppose we’d better open
the ball.”
Mrs. Kearney rewarded his very flat final syllable with a
quick stare of contempt, and then said to her daughter encouragingly:
“Are you ready, dear?”
When she had an opportunity, she called Mr. Holohan aside
and asked him to tell her what it meant. Mr. Holohan did not know what it
meant. He said that the Committee had made a mistake in arranging for four
concerts: four was too many.
“And the artistes!” said Mrs. Kearney. “Of course, they are
doing their best, but really they are not good.”
Mr. Holohan admitted that the artistes were no good but the
Committee, he said, had decided to let the first three concerts go as they
pleased and reserve all the talent for Saturday night. Mrs. Kearney said
nothing, but, as the mediocre items followed one another on the platform and
the few people in the hall grew fewer and fewer, she began to regret that she
had put herself to any expense for such a concert. There was something she
didn’t like in the look of things and Mr. Fitzpatrick’s vacant smile irritated
her very much. However, she said nothing and waited to see how it would end.
The concert expired shortly before ten, and everyone went home quickly.
The concert on Thursday night was better attended, but Mrs.
Kearney saw at once that the house was filled with paper. The audience behaved
indecorously, as if the concert were an informal dress rehearsal. Mr.
Fitzpatrick seemed to enjoy himself; he was quite unconscious that Mrs. Kearney
was taking angry note of his conduct. He stood at the edge of the screen, from
time to time jutting out his head and exchanging a laugh with two friends in
the corner of the balcony. In the course of the evening, Mrs. Kearney learned
that the Friday concert was to be abandoned and that the Committee was going to
move heaven and earth to secure a bumper house on Saturday night. When she
heard this, she sought out Mr. Holohan. She buttonholed him as he was limping
out quickly with a glass of lemonade for a young lady and asked him was it
true. Yes, it was true.
“But, of course, that doesn’t alter the contract,” she said.
“The contract was for four concerts.”
Mr. Holohan seemed to be in a hurry; he advised her to speak
to Mr. Fitzpatrick. Mrs. Kearney was now beginning to be alarmed. She called Mr.
Fitzpatrick away from his screen and told him that her daughter had signed for
four concerts and that, of course, according to the terms of the contract, she
should receive the sum originally stipulated for, whether the society gave the
four concerts or not. Mr. Fitzpatrick, who did not catch the point at issue
very quickly, seemed unable to resolve the difficulty and said that he would
bring the matter before the Committee. Mrs. Kearney’s anger began to flutter in
her cheek, and she had all she could do to keep from asking:
“And who is the Committee pray?”
But she knew that it would not be ladylike to do that: so,
she was silent.
Little boys were sent out into the principal streets of
Dublin early on Friday morning with bundles of handbills. Special puffs
appeared in all the evening papers, reminding the music-loving public of the
treat which was in store for it on the following evening. Mrs. Kearney was
somewhat reassured, but she thought well to tell her husband part of her
suspicions. He listened carefully and said that perhaps it would be better if
he went with her on Saturday night. She agreed. She respected her husband in
the same way as she respected the General Post Office, as something large,
secure and fixed; and though she knew the small number of his talents she
appreciated his abstract value as a male. She was glad that he had suggested
coming with her. She thought her plans over.
The night of the grand concert came. Mrs. Kearney, with her
husband and daughter, arrived at the Antient Concert Rooms three-quarters of an
hour before the time at which the concert was to begin. By ill luck it was a
rainy evening. Mrs. Kearney placed her daughter’s clothes and music in charge of
her husband and went all over the building looking for Mr. Holohan or Mr.
Fitzpatrick. She could find neither. She asked the stewards was any member of
the Committee in the hall and, after a great deal of trouble, a steward brought
out a little woman named Miss Beirnes to whom Mrs. Kearney explained that she
wanted to see one of the secretaries. Miss Beirnes expected them any minute and
asked could she do anything. Mrs. Kearney looked searchingly at the oldies face
which was screwed into an expression of trustfulness and enthusiasm and
answered:
“No, thank you!”
The little woman hoped they would have a good house. She
looked out at the rain until the melancholy of the wet street effaced all the
trustfulness and enthusiasm from her twisted features. Then she gave a little
sigh and said:
“Ah, well! We did our best, the dear knows.”
Mrs. Kearney had to go back to the dressing-room.
The artistes were arriving. The bass and the second tenor
had already come. The bass, Mr. Duggan, was a slender young man with a scattered
black moustache. He was the son of a hall porter in an office in the city and,
as a boy, he had sung prolonged bass notes in the resounding hall. From this
humble state he had raised himself until he had become a first-rate artiste. He
had appeared in grand opera. One night, when an operatic artiste had fallen ill,
he had undertaken the part of the king in the opera of Mariana at the Queen’s
Theatre. He sang his music with great feeling and volume and was warmly
welcomed by the gallery; but, unfortunately, he marred the good impression by
wiping his nose in his gloved hand once or twice out of thoughtlessness. He was
unassuming and spoke little. He said you so softly that it passed unnoticed and
he never drank anything stronger than milk for his voice’s sake. Mr. Bell, the
second tenor, was a fair-haired little man who competed every year for prizes
at the Fees Coil. On his fourth trial he had been awarded a bronze medal. He
was extremely nervous and extremely jealous of other tenors and he covered his
nervous jealousy with an ebullient friendliness. It was his humor to have
people know what an ordeal a concert was to him. Therefore, when he saw Mr.
Duggan, he went over to him and asked:
“Are you in it too?”
“Yes,” said Mr. Duggan.
Mr. Bell laughed at his fellow-sufferer, held out his hand
and said:
“Shake!”
Mrs. Kearney passed by these two young men and went to the edge
of the screen to view the house. The seats were being filled up rapidly and a
pleasant noise circulated in the auditorium. She came back and spoke to her
husband privately. Their conversation was evidently about Kathleen for they
both glanced at her often as she stood chatting to one of her Nationalist
friends, Miss Healy, the contralto. An unknown solitary woman with a pale face
walked through the room. The women followed with keen eyes the faded blue dress
which was stretched upon a meagre body. Someone said that she was Madam Glynn,
the soprano.
“I wonder where they dug her up,” said Kathleen to Miss
Healy. “I’m sure I never heard of her.”
Miss Healy had to smile. Mr. Holohan limped into the
dressing-room at that moment and the two young ladies asked him who was the
unknown woman. Mr. Holohan said that she was Madam Glynn from London. Madam
Glynn took her stand in a corner of the room, holding a roll of music stiffly
before her and from time to time changing the direction of her startled gaze.
The shadow took her faded dress into shelter but fell revengefully into the
little cup behind her collarbone. The noise of the hall became more audible.
The first tenor and the baritone arrived together. They were both well dressed,
stout and complacent and they brought a breath of opulence among the company.
Mrs. Kearney brought her daughter over to them and talked to
them amiably. She wanted to be on good terms with them but, while she strove to
be polite, her eyes followed Mr. Holohan in his limping and devious courses. As
soon as she could she excused herself and went out after him.
“Mr. Holohan, I want to speak to you for a moment,” she said.
They went down to a discreet part of the corridor. Mrs.
Kearney asked him when her daughter was going to be paid. Mr. Holohan said that
Mr. Fitzpatrick had charge of that. Mrs. Kearney said that she didn’t know
anything about Mr. Fitzpatrick. Her daughter had signed a contract for eight guineas,
and she would have to be paid. Mr. Holohan said that it wasn’t his business.
“Why isn’t it your business?” asked Mrs. Kearney. “Didn’t
you yourself bring her the contract? Anyway, if it’s not your business it’s my
business and I mean to see to it.”
“You’d better speak to Mr. Fitzpatrick,” said Mr. Holohan
distantly.
“I don’t know anything about Mr. Fitzpatrick,” repeated Mrs.
Kearney. “I have my contract, and I intend to see that it is carried out.”
When she came back to the dressing-room her cheeks were
slightly suffused. The room was lively. Two men in outdoor dress had taken
possession of the fireplace and were chatting familiarly with Miss Healy and
the baritone. They were the Freeman man and Mr. Madden Burke. The Freeman man
had come in to say that he could not wait for the concert as he had to report
the lecture which an American priest was giving in the Mansion House. He said
they were to leave the report for him at the Freeman office and he would see
that it went in. He was a grey-haired man, with a plausible voice and careful manners.
He held an extinguished cigar in his hand and the aroma of cigar smoke floated
near him. He had not intended to stay a moment because concerts and artistes
bored him considerably, but he remained leaning against the mantelpiece. Miss
Healy stood in front of him, talking and laughing. He was old enough to suspect
one reason for her politeness but young enough in spirit to turn the moment to
account. The warmth, fragrance and color of her body appealed to his senses. He
was pleasantly conscious that the bosom which he saw rise and fall slowly
beneath him rose and fell at that moment for him, that the laughter and
fragrance and willful glances were his tribute. When he could stay no longer,
he took leave of her regretfully.
“Madden Burke will write the notice,” he explained to Mr.
Holohan, “and I’ll see it in.”
“Thank you very much, Mr. Hendrick,” said Mr. Holohan,
“you’ll see it in, I know. Now, won’t you have a little something before you
go?”
“I don’t mind,” said Mr. Hendrick.
The two men went along some tortuous passages and up a dark staircase
and came to a secluded room where one of the stewards was uncorking bottles for
a few gentlemen. One of these gentlemen was Mr. Madden Burke, who had found out
the room by instinct. He was a suave, elderly man who balanced his imposing
body, when at rest, upon a large silk umbrella. His magniloquent western name
was the moral umbrella upon which he balanced the fine problem of his finances.
He was widely respected.
While Mr. Holohan was entertaining the Freeman man Mrs.
Kearney was speaking so animatedly to her husband that he had to ask her to
lower her voice. The conversation of the others in the dressing-room had become
strained. Mr. Bell, the first item, stood ready with his music but the
accompanist made no sign. Evidently something was wrong. Mr. Kearney looked
straight before him, stroking his beard, while Mrs. Kearney spoke into
Kathleen’s ear with subdued emphasis. From the hall came sounds of
encouragement, clapping and stamping of feet. The first tenor and the baritone
and Miss Healy stood together, waiting tranquilly, but Mr. Bell’s nerves were
greatly agitated because he was afraid the audience would think that he had
come late.
Mr. Holohan and Mr. Madden Burke came into the room. In a
moment Mr. Holohan perceived the hush. He went over to Mrs. Kearney and spoke
with her earnestly. While they were speaking the noise in the hall grew louder.
Mr. Holohan became very red and excited. He spoke volubly, but Mrs. Kearney
said curtly at intervals:
“She won’t go on. She must get her eight guineas.”
Mr. Holohan pointed desperately towards the hall where the
audience was clapping and stamping. He appealed to Mr. Kearney and to Kathleen.
But Mr. Kearney continued to stroke his beard and Kathleen looked down, moving
the point of her new shoe: it was not her fault. Mrs. Kearney repeated:
“She won’t go on without her money.”
After a swift struggle of tongues Mr. Holohan hobbled out in
haste. The room was silent. When the strain of the silence had become somewhat
painful Miss Healy said to the baritone:
“Have you seen Mrs. Pat Campbell this week?”
The baritone had not seen her, but he had been told that she
was very fine. The conversation went no further. The first tenor bent his head
and began to count the links of the gold chain which was extended across his
waist, smiling and humming random notes to observe the effect on the frontal
sinus. From time to time everyone glanced at Mrs. Kearney.
The noise in the auditorium had risen to a clamor when Mr.
Fitzpatrick burst into the room, followed by Mr. Holohan, who was panting. The
clapping and stamping in the hall were punctuated by whistling. Mr. Fitzpatrick
held a few banknotes in his hand. He counted out four into Mrs. Kearney’s hand
and said she would get the other half at the interval. Mrs. Kearney said:
“This is four shillings short.”
But Kathleen gathered in her skirt and said: “Now, Mr.
Bell,” to the first item, who was shaking like an aspen. The singer and the
accompanist went out together. The noise in hall died away. There was a pause
of a few seconds: and then the piano was heard.
The first part of the concert was very successful except for
Madam Glynn’s item. The poor lady sang Killarney in a bodiless gasping voice,
with all the old-fashioned mannerisms of intonation and pronunciation which she
believed lent elegance to her singing. She looked as if she had been
resurrected from an old stage-wardrobe and the cheaper parts of the hall made fun
of her high wailing notes. The first tenor and the contralto, however, brought
down the house. Kathleen played a selection of Irish airs which was generously
applauded. The first part closed with a stirring patriotic recitation delivered
by a young lady who arranged amateur theatricals. It was deservedly applauded;
and, when it was ended, the men went out for the interval, content.
All this time the dressing-room was a hive of excitement. In
one corner were Mr. Holohan, Mr. Fitzpatrick, Miss Beirnes, two of the
stewards, the baritone, the bass, and Mr. Madden Burke. Mr. Madden Burke said
it was the most scandalous exhibition he had ever witnessed. Miss Kathleen
Kearney’s musical career was ended in Dublin after that, he said. The baritone
was asked what he thought of Mrs. Kearney’s conduct. He did not like to say
anything. He had been paid his money and wished to be at peace with men.
However, he said that Mrs. Kearney might have taken the artistes into
consideration. The stewards and the secretaries debated hotly as to what should
be done when the interval came.
“I agree with Miss Beirnes,” said Mr. Madden Burke. “Pay her
nothing.”
In another corner of the room were Mrs. Kearney and her
husband, Mr. Bell, Miss Healy and the young lady who had to recite the
patriotic piece. Mrs. Kearney said that the Committee had treated her scandalously.
She had spared neither trouble nor expense and this was how she was repaid.
They thought they had only a girl to deal with and that,
therefore, they could ride roughshod over her. But she would show them their
mistake. They wouldn’t have dared to have treated her like that if she had been
a man. But she would see that her daughter got her rights: she wouldn’t be
fooled. If they didn’t pay, her to the last farthing she would make Dublin
ring. Of course, she was sorry for the sake of the artistes. But what else
could she do? She appealed to the second tenor who said he thought she had not
been well treated. Then she appealed to Miss Healy. Miss Healy wanted to join
the other group, but she did not like to do so because she was a great friend
of Kathleen’s and the Kearney's had often invited her to their house.
As soon as the first part was ended Mr. Fitzpatrick and Mr.
Holohan went over to Mrs. Kearney and told her that the other four guineas
would be paid after the Committee meeting on the following Tuesday and that, in
case her daughter did not play for the second part, the Committee would
consider the contract broken and would pay nothing.
“I haven’t seen any Committee,” said Mrs. Kearney angrily.
“My daughter has her contract. She will get four pounds eight into her hand or
a foot she won’t put on that platform.”
“I’m surprised at you, Mrs. Kearney,” said Mr. Holohan. “I
never thought you would treat us this way.”
“And what way did you treat me?” asked Mrs. Kearney.
Her face was inundated with an angry color and she looked as
if she would attack someone with her hands.
“I’m asking for my rights.” she said.
“You might have some sense of decency,” said Mr. Holohan.
“Might I, indeed?... And when I ask when my daughter is
going to be paid, I can’t get a civil answer.”
She tossed her head and assumed a haughty voice:
“You must speak to the secretary. It’s not my business. I’m
a great fellow fool-the-diddle-I-do.”
“I thought you were a lady,” said Mr. Holohan, walking away
from her abruptly.
After that Mrs. Kearney’s conduct was condemned on all
hands: everyone approved of what the Committee had done. She stood at the door,
haggard with rage, arguing with her husband and daughter, gesticulating with
them. She waited until it was time for the second part to begin in the hope
that the secretaries would approach her. But Miss Healy had kindly consented to
play one or two accompaniments. Mrs. Kearney had to stand aside to allow the
baritone and his accompanist to pass up to the platform. She stood still for an
instant like an angry stone image and, when the first notes of the song struck
her ear, she caught up her daughter’s cloak and said to her husband:
“Get a cab!”
He went out at once. Mrs. Kearney wrapped the cloak round
her daughter and followed him. As she passed through the doorway she stopped
and glared into Mr. Holohan’s face.
“I’m not done with you yet,” she said.
“But I’m done with you,” said Mr. Holohan.
Kathleen followed her mother meekly. Mr. Holohan began to
pace up and down the room, in order to cool himself for he felt his skin on fire.
“That’s a nice lady!” he said. “O, she’s a nice lady!”
“You did the proper thing, Holohan,” said Mr. Madden Burke,
poised upon his umbrella in approval.
GRACE
Two gentlemen who were in the lavatory at the time tried to
lift him up: but he was quite helpless. He lay curled up at the foot of the
stairs down which he had fallen. They succeeded in turning him over. His hat
had rolled a few yards away and his clothes were smeared with the filth and
ooze of the floor on which he had lain, face downwards. His eyes were closed,
and he breathed with a grunting noise. A thin stream of blood trickled from the
corner of his mouth.
These two gentlemen and one of the curates carried him up
the stairs and laid him down again on the floor of the bar. In two minutes, he
was surrounded by a ring of men. The manager of the bar asked everyone who he
was and who was with him. No one knew who he was but one of the curates said he
had served the gentleman with a small rum.
“Was he by himself?” asked the manager.
“No, sir. There were two gentlemen with him.”
“And, where are they?”
No one knew; a voice said:
“Give him air. He’s fainted.”
The ring of onlookers distended and closed again
elastically. A dark medal of blood had formed itself near the man’s head on the
tessellated floor. The manager, alarmed by the grey pallor of the man’s face,
sent for a policeman.
His collar was unfastened, and his necktie undone. He opened
his eyes for an instant, sighed and closed them again. One of gentlemen who had
carried him upstairs held a dinged silk hat in his hand. The manager asked
repeatedly did no one know who the injured man was or where had his friends
gone. The door of the bar opened, and an immense constable entered. A crowd
which had followed him down the laneway collected outside the door, struggling
to look in through the glass panels.
The manager at once began to narrate what he knew. The
constable, a young man with thick immobile features, listened. He moved his
head slowly to right and left and from the manager to the person on the floor,
as if he feared to be the victim of some delusion. Then he drew off his glove,
produced a small book from his waist, licked the lead of his pencil and made
ready to indict. He asked in a suspicious provincial accent:
“Who is the man? What’s his name and address?”
A young man in a cycling-suit cleared his way through the
ring of bystanders. He knelt promptly beside the injured man and called for
water. The constable knelt also to help. The young man washed the blood from
the injured man’s mouth and then called for some brandy. The constable repeated
the order in an authoritative voice until a curate came running with the glass.
The brandy was forced down the man’s throat. In a few seconds he opened his
eyes and looked about him. He looked at the circle of faces and then,
understanding, strove to rise to his feet.
“You’re all right now?” asked the young man in the
cycling-suit.
“Sha, ’s nothing,” said the injured man, trying to stand up.
He was helped to his feet. The manager said something about
a hospital and some of the bystanders gave advice. The battered silk hat was
placed on the man’s head. The constable asked:
“Where do you live?”
The man, without answering, began to twirl the ends of his
moustache. He made light of his accident. It was nothing, he said: only a
little accident. He spoke very thickly.
“Where do you live?” repeated the constable.
The man said they were to get a cab for him. While the point
was being debated a tall agile gentleman of fair complexion, wearing a long
yellow ulster, came from the far end of the bar. Seeing the spectacle, he
called out:
“Hallo, Tom, old man! What’s the trouble?”
“Sha, ’s nothing,” said the man.
The newcomer surveyed the deplorable figure before him and then
turned to the constable, saying:
“It’s all right, constable. I’ll see him home.”
The constable touched his helmet and answered:
“All right, Mr. Power!”
“Come now, Tom,” said Mr. Power, taking his friend by the
arm. “No bones broken. What? Can you walk?”
The young man in the cycling-suit took the man by the other
arm and the crowd divided.
“How did you get yourself into this mess?” asked Mr. Power.
“The gentleman fell down the stairs,” said the young man.
“I’ ’very ’much obliged to you, sir,” said the injured man.
“Not at all.”
“’ant we have a little...?”
“Not now. Not now.”
The three men left the bar and the crowd sifted through the
doors into the laneway. The manager brought the constable to the stairs to
inspect the scene of the accident. They agreed that the gentleman must have
missed his footing. The customers returned to the counter and a curate set
about removing the traces of blood from the floor.
When they came out into Grafton Street, Mr. Power whistled
for an outsider. The injured man said again as well as he could:
“I’ ’very ’much obliged to you, sir. I hope we’ll ’meet
again. ’my name is Kerman.”
The shock and the incipient pain had partly sobered him.
“Don’t mention it,” said the young man.
They shook hands. Mr. Kerman was hoisted on to the car and,
while Mr. Power was giving directions to the carman, he expressed his gratitude
to the young man and regretted that they could not have a little drink
together.
“Another time,” said the young man.
The car drove off towards Westmoreland Street. As it passed
Ballast Office the clock showed half-past nine. A keen east wind hit them,
blowing from the mouth of the river. Mr. Kerman was huddled together with cold.
His friend asked him to tell how the accident had happened.
“I ’ant, ’an,” he answered, “’y ’tongue is hurt.”
“Show.”
The other leaned over the well of the car and peered into Mr.
Kerman's mouth but he could not see. He struck a match and, sheltering it in
the shell of his hands, peered again into the mouth which Mr. Kerman opened
obediently. The swaying movement of the car brought the match to and from the
opened mouth. The lower teeth and gums were covered with clotted blood and a
minute piece of the tongue seemed to have been bitten off. The match was blown
out.
“That’s ugly,” said Mr. Power.
“Sha, ’s nothing,” said Mr. Kerman, closing his mouth and
pulling the collar of his filthy coat across his neck.
Mr. Kerman was a commercial traveler of the old school which
believed in the dignity of its calling. He had never been seen in the city without
a silk hat of some decency and a pair of gaiters. By grace of these two
articles of clothing, he said, a man could always pass muster. He carried on
the tradition of his Napoleon, the great Black white, whose memory he evoked at
times by legend and mimicry. Modern business methods had spared him only so far
as to allow him a little office in Crowe Street on the window blind of which
was written the name of his firm with the address—London, E.C. On the
mantelpiece of this little office a little leaden battalion of canisters was
drawn up and on the table before the window stood four or five china bowls
which were usually half full of a black liquid. From these bowls Mr. Kerman
tasted tea. He took a mouthful, drew it up, saturated his palate with it and then
spat it forth into the grate. Then he paused to judge.
Mr. Power, a much younger man, was employed in the Royal
Irish Constabulary Office in Dublin Castle. The arc of his social rise
intersected the arc of his friend’s decline, but Mr. Kerman's decline was
mitigated by the fact that certain of those friends who had known him at his
highest point of success still esteemed him as a character. Mr. Power was one
of these friends. His inexplicable debts were a byword in his circle; he was a
debonair young man.
The car halted before a small house on the Glasnevin road
and Mr. Kerman was helped into the house. His wife put him to bed while Mr.
Power sat downstairs in the kitchen asking the children where they went to
school and what book they were in. The children—two girls and a boy, conscious
of their father’s helplessness and of their mother’s absence, began some
horseplay with him. He was surprised at their manners and at their accents, and
his brow grew thoughtful. After a while Mrs. Kerman entered the kitchen,
exclaiming:
“Such a sight! O, he’ll do for himself one day and that’s
the holy all of it. He’s been drinking since Friday.”
Mr. Power was careful to explain to her that he was not
responsible, that he had come on the scene by the merest accident. Mrs. Kerman,
remembering Mr. Power’s good offices during domestic quarrels, as well as many
small, but opportune loans, said:
“O, you needn’t tell me that, Mr. Power. I know you’re a
friend of his, not like some of the others he does be with. They’re all right
so long as he has money in his pocket to keep him out from his wife and family.
Nice friends! Who was he with tonight, I’d like to know?”
Mr. Power shook his head but said nothing.
“I’m so sorry,” she continued, “that I’ve nothing in the
house to offer you. But if you wait a minute, I’ll send round to Fogarty’s at
the corner.”
Mr. Power stood up.
“We were waiting for him to come home with the money. He
never seems to think he has a home at all.”
“O, now, Mrs. Kerman,” said Mr. Power, “we’ll make him turn
over a new leaf. I’ll talk to Martin. He’s the man. We’ll come here one of
these nights and talk it over.”
She saw him to the door. The carman was stamping up and down
the footpath and swinging his arms to warm himself.
“It’s very kind of you to bring him home,” she said.
“Not at all,” said Mr. Power.
He got up on the car. As it drove off, he raised his hat to
her gaily.
“We’ll make a new man of him,” he said. “Good-night, Mrs. Kerman.”
Mrs. Kerman's puzzled eyes watched the car till it was out
of sight. Then she withdrew them, went into the house and emptied her husband’s
pockets.
She was an active, practical woman of middle age. Not long
before she had celebrated her silver wedding and renewed her intimacy with her
husband by waltzing with him to Mr. Power’s accompaniment. In her days of
courtship Mr. Kerman had seemed to her a not ungallant figure: and she still
hurried to the chapel door whenever a wedding was reported and, seeing the
bridal pair, recalled with vivid pleasure how she had passed out of the Star of
the Sea Church in Sandymount, leaning on the arm of a jovial well-fed man, who
was dressed smartly in a frock-coat and lavender trousers and carried a silk
hat gracefully balanced upon his other arm. After three weeks she had found a
wife’s life irksome and, later, when she was beginning to find it unbearable,
she had become a mother. The part of mother presented to her no insuperable
difficulties and for twenty-five years she had kept house shrewdly for her
husband. Her two eldest sons were launched. One was in a draper’s shop in
Glasgow and the other was clerk to a tea-merchant in Belfast. They were good
sons, wrote regularly and sometimes sent home money. The other children were
still at school.
Mr. Kerman sent a letter to his office next day and remained
in bed. She made beef-tea for him and scolded him roundly. She accepted his
frequent intemperance as part of the climate, healed him dutifully whenever he
was sick and always tried to make him eat a breakfast. There were worse
husbands. He had never been violent since the boys had grown up and she knew
that he would walk to the end of Thomas Street and back again to book even a
small order.
Two nights after his friends came to see him. She brought
them up to his bedroom, the air of which was impregnated with a personal odor
and gave them chairs at the fire. Mr. Kerman's tongue, the occasional stinging
pain of which had made him somewhat irritable during the day, became more
polite. He sat propped up in the bed by pillows and the little color in his
puffy cheeks made them resemble warm cinders. He apologized to his guests for
the disorder of the room, but at the same time looked at them a little proudly,
with a veteran’s pride.
He was quite unconscious that he was the victim of a plot which
his friends, Mr. Cunningham, Mr. McCoy and Mr. Power had disclosed to Mrs. Kerman
in the parlor. The idea had been Mr. Power’s, but its development was entrusted
to Mr. Cunningham. Mr. Kerman came of Protestant stock and, though he had been
converted to the Catholic faith at the time of his marriage, he had not been in
the pale of the Church for twenty years. He was fond, moreover, of giving
side-thrusts at Catholicism.
Mr. Cunningham was the very man for such a case. He was an
elder colleague of Mr. Power. His own domestic life was not very happy. People
had great sympathy with him for it was known that he had married an
unpresentable woman who was an incurable drunkard. He had set up house for her
six times; and each time she had pawned the furniture on him.
Everyone had respect for poor Martin Cunningham. He was a
thoroughly sensible man, influential and intelligent. His blade of human
knowledge, natural astuteness particularized by long association with cases in
the police courts, had been tempered by brief immersions in the waters of
general philosophy. He was well informed. His friends bowed to his opinions and
considered that his face was like Shakespeare’s.
When the plot had been disclosed to her, Mrs. Kerman had
said:
“I leave it all in your hands, Mr. Cunningham.”
After a quarter of a century of married life, she had very
few illusions left. Religion for her was a habit and she suspected that a man
of her husband’s age would not change greatly before death. She was tempted to
see a curious appropriateness in his accident and, but that she did not wish to
seem bloody-minded, she would have told the gentlemen that Mr. Kerman's tongue
would not suffer by being shortened. However, Mr. Cunningham was a capable man;
and religion was religion. The scheme might do good and, at least, it could do
no harm. Her beliefs were not extravagant. She believed steadily in the Sacred
Heart as the most generally useful of all Catholic devotions and approved of
the sacraments. Her faith was bounded by her kitchen but, if she was put to it,
she could believe also in the banshee and in the Holy Ghost.
The gentlemen began to talk of the accident. Mr. Cunningham
said that he had once known a similar case. A man of seventy had bitten off a
piece of his tongue during an epileptic fit and the tongue had filled in again
so that no one could see a trace of the bite.
“Well, I’m not seventy,” said the invalid.
“God forbid,” said Mr. Cunningham.
“It doesn’t pain you now?” asked Mr. McCoy.
Mr. McCoy had been at one time a tenor of some reputation.
His wife, who had been a soprano, still taught young children to play the piano
at low terms. His line of life had not been the shortest distance between two
points and for short periods he had been driven to live by his wits. He had
been a clerk in the Midland Railway, a canvasser for advertisements for The Irish
Times and for The Freeman’s Journal, a town traveler for a coal firm on
commission, a private inquiry agent, a clerk in the office of the Sub-Sheriff
and he had recently become secretary to the City Coroner. His new office made
him professionally interested in Mr. Kerman's case.
“Pain? Not much,” answered Mr. Kerman. “But it’s so
sickening. I feel as if I wanted to retch off.”
“That’s the booze,” said Mr. Cunningham firmly.
“No,” said Mr. Kerman. “I think I caught a cold on the car.
There’s something keeps coming into my throat, phlegm or——”
“Mucus.” said Mr. McCoy.
“It keeps coming like from down in my throat; sickening
thing.”
“Yes, yes,” said Mr. McCoy, “that’s the thorax.”
He looked at Mr. Cunningham and Mr. Power at the same time
with an air of challenge. Mr. Cunningham nodded his head rapidly and Mr. Power
said:
“Ah, well, all’s well that ends well.”
“I’m very much obliged to you, old man,” said the invalid.
Mr. Power waved his hand.
“Those other two fellows I was with——”
“Who were you with?” asked Mr. Cunningham.
“A chap. I don’t know his name. Damn it now, what’s his
name? Little chap with sandy hair....”
“And who else?”
“Harford.”
“Hm,” said Mr. Cunningham.
When Mr. Cunningham made that remark, people were silent. It
was known that the speaker had secret sources of information. In this case the
monosyllable had a moral intention. Mr. Harford sometimes formed one of a
little detachment which left the city shortly after noon on Sunday with the
purpose of arriving as soon as possible at some public house on the outskirts
of the city where its members duly qualified themselves as bona fide travelers.
But his fellow-travelers had never consented to overlook his origin. He had
begun life as an obscure financier by lending small sums of money to workmen at
usurious interest. Later, he had become the partner of a very fat short
gentleman, Mr. Goldberg, in the Laffey Loan Bank. Though he had never embraced
more than the Jewish ethical code his fellow-Catholics, whenever they had
smarted in person or by proxy under his exactions, spoke of him bitterly as an
Irish Jew and an illiterate and saw divine disapproval of usury made manifest
through the person of his idiot son. At other times they remembered his good
points.
“I wonder where he went to,” said Mr. Kerman.
He wished the details of the incident to remain vague. He
wished his friends to think there had been some mistake, that Mr. Harford and
he had missed each other. His friends, who knew quite well Mr. Harford’s
manners in drinking, were silent. Mr. Power said again:
“All’s well that ends well.”
Mr. Kerman changed the subject at once.
“That was a decent young chap, that medical fellow,” he
said. “Only for him——”
“O, only for him,” said Mr. Power, “it might have been a case
of seven days, without the option of a fine.”
“Yes, yes,” said Mr. Kerman, trying to remember. “I remember
now there was a policeman. Decent young fellow, he seemed. How did it happen at
all?”
“It happened that you were pleathered, Tom,” said Mr.
Cunningham gravely.
“True bill,” said Mr. Kerman, equally gravely.
“I suppose you squared the constable, Jack,” said Mr. McCoy.
Mr. Power did not relish the use of his Christian name. He
was not strait-laced, but he could not forget that Mr. McCoy had recently made
a crusade in search of valises and portmanteaus to enable Mrs. McCoy to fulfil
imaginary engagements in the country. More than he resented the fact that he
had been victimized he resented such low playing of the game. He answered the
question, therefore, as if Mr. Kerman had asked it.
The narrative made Mr. Kerman indignant. He was keenly
conscious of his citizenship, wished to live with his city on terms mutually honorable
and resented any affront put upon him by those whom he called country bumpkins.
“Is this what we pay rates for?” he asked. “To feed and clothe
these ignorant bottoms ... and they’re nothing else.”
Mr. Cunningham laughed. He was a Castle official only during
office hours.
“How could they be anything else, Tom?” he said.
He assumed a thick provincial accent and said in a tone of
command:
“65, catch your cabbage!”
Everyone laughed. Mr. McCoy, who wanted to enter the
conversation by any door, pretended that he had never heard the story. Mr.
Cunningham said:
“It is supposed—they say, you know—to take place in the
depot where they get these thundering big country fellows, omadhauns, you know,
to drill. The sergeant makes them stand in a row against the wall and hold up
their plates.”
He illustrated the story by grotesque gestures.
“At dinner, you know. Then he has a bloody big bowl of
cabbage before him on the table and a bloody big spoon like a shovel. He takes
up a wad of cabbage on the spoon and pegs it across the room and the poor
devils have to try and catch it on their plates: 65, catch your cabbage.”
Everyone laughed again: but Mr. Kerman was somewhat
indignant still. He talked of writing a letter to the papers.
“These yahoos coming up here,” he said, “think they can boss
the people. I needn’t tell you, Martin, what kind of men they are.”
Mr. Cunningham gave a qualified assent.
“It’s like everything else in this world,” he said. “You get
some bad ones and you get some good ones.”
“O yes, you get some good ones, I admit,” said Mr. Kerman,
satisfied.
“It’s better to have nothing to say to them,” said Mr. McCoy.
“That’s my opinion!”
Mrs. Kerman entered the room and, placing a tray on the
table, said:
“Help yourselves, gentlemen.”
Mr. Power stood up to officiate, offering her his chair. She
declined it, saying she was ironing downstairs, and, after having exchanged a
nod with Mr. Cunningham behind Mr. Power’s back, prepared to leave the room.
Her husband called out to her:
“And have you nothing for me, duckie?”
“O, you! The back of my hand to you!” said Mrs. Kerman
tartly.
Her husband called after her:
“Nothing for poor little hubby!”
He assumed such a comical face and voice that the
distribution of the bottles of stout took place amid general merriment.
The gentlemen drank from their glasses, set the glasses
again on the table and paused. Then Mr. Cunningham turned towards Mr. Power and
said casually:
“On Thursday night, you said, Jack.”
“Thursday, yes,” said Mr. Power.
“Righto!” said Mr. Cunningham promptly.
“We can meet in McAuley's,” said Mr. McCoy. “That’ll be the
most convenient place.”
“But we mustn’t be late,” said Mr. Power earnestly, “because
it is sure to be crammed to the doors.”
“We can meet at half-seven,” said Mr. McCoy.
“Righto!” said Mr. Cunningham.
“Half-seven at McAuley's be it!”
There was a short silence. Mr. Kerman waited to see whether
he would be taken into his friends’ confidence. Then he asked:
“What’s in the wind?”
“No, it’s nothing,” said Mr. Cunningham. “It’s only a little
matter that we’re arranging about for Thursday.”
“The opera is it?” said Mr. Kerman.
“No, no,” said Mr. Cunningham in an evasive tone, “it’s just
a little ... spiritual matter.”
“O,” said Mr. Kerman.
There was silence again. Then Mr. Power said, point blank:
“To tell you the truth, Tom, we’re going to make a retreat.”
“Yes, that’s it,” said Mr. Cunningham, “Jack and I and McCoy
here—we’re all going to wash the pot.”
He uttered the metaphor with a certain homely energy and,
encouraged by his own voice, proceeded:
“You see, we may as well all admit we’re a nice collection
of scoundrels, one and all. I say, one and all,” he added with gruff charity
and turning to Mr. Power. “Own up now!”
“I own up,” said Mr. Power.
“And I own up,” said Mr. McCoy.
“So, we’re going to wash the pot together,” said Mr.
Cunningham.
A thought seemed to strike him. He turned suddenly to the
invalid and said:
“Dye know what, Tom, has just occurred to me? You might join
in and we’d have a four-handed reel.”
“Good idea,” said Mr. Power. “The four of us together.”
Mr. Kerman was silent. The proposal conveyed very little
meaning to his mind but, understanding that some spiritual agencies were about
to concern themselves on his behalf, he thought he owed it to his dignity to
show a stiff neck. He took no part in the conversation for a long while but
listened, with an air of calm enmity, while his friends discussed the Jesuits.
“I haven’t such a bad opinion of the Jesuits,” he said,
intervening at length. “They’re an educated order. I believe they mean well
too.”
“They’re the grandest order in the Church, Tom,” said Mr.
Cunningham, with enthusiasm. “The General of the Jesuits stands next to the
Pope.”
“There’s no mistake about it,” said Mr. McCoy, “if you want
a thing well done and no flies about it you go to a Jesuit. They’re the boyos
have influence. I’ll tell you a case in point....”
“The Jesuits are a fine body of men,” said Mr. Power.
“It’s a curious thing,” said Mr. Cunningham, “about the
Jesuit Order. Every other order of the Church had to be reformed at some time
or other, but the Jesuit Order was never once reformed. It never fell away.”
“Is that so?” asked Mr. McCoy.
“That’s a fact,” said Mr. Cunningham. “That’s history.”
“Look at their church, too,” said Mr. Power. “Look at the congregation
they have.”
“The Jesuits cater for the upper classes,” said Mr. McCoy.
“Of course,” said Mr. Power.
“Yes,” said Mr. Kerman. “That’s why I have a feeling for
them. It’s some of those secular priests, ignorant, bumptious——”
“They’re all good men,” said Mr. Cunningham, “each in his
own way. The Irish priesthood is honored all the world over.”
“O yes,” said Mr. Power.
“Not like some of the other priesthoods on the continent,”
said Mr. McCoy, “unworthy of the name.”
“Perhaps you’re right,” said Mr. Kerman, relenting.
“Of course, I’m right,” said Mr. Cunningham. “I haven’t been
in the world all this time and seen most sides of it without being a judge of
character.”
The gentlemen drank again, one following another’s example. Mr.
Kerman seemed to be weighing something in his mind. He was impressed. He had a
high opinion of Mr. Cunningham as a judge of character and as a reader of
faces. He asked for.
“No, it’s just a retreat, you know,” said Mr. Cunningham.
“Father Purdon is giving it. It’s for businessmen, you know.”
“He won’t be too hard on us, Tom,” said Mr. Power
persuasively.
“Father Purdon? Father Purdon?” said the invalid.
“O, you must know him, Tom,” said Mr. Cunningham stoutly.
“Fine jolly fellow! He’s a man of the world like ourselves.”
“Ah, ... yes. I think I know him. Rather red face; tall.”
“That’s the man.”
“And tell me, Martin.... Is he a good preacher?”
“Menno.... It’s not exactly a sermon, you know. It’s just
kind of a friendly talk, you know, in a common-sense way.”
Mr. Kerman deliberated. Mr. McCoy said:
“Father Tom Burke, that was the boy!”
“O, Father Tom Burke,” said Mr. Cunningham, “that was a born
orator. Did you ever hear him, Tom?”
“Did I ever hear him!” said the invalid, nettled. “Rather! I
heard him....”
“And yet they say he wasn’t much of a theologian,” said Mr.
Cunningham.
“Is that so?” said Mr. McCoy.
“O, of course, nothing wrong, you know. Only sometimes, they
say, he didn’t preach what was quite orthodox.”
“Ah! ... he was a splendid man,” said Mr. McCoy.
“I heard him once,” Mr. Kerman continued. “I forget the
subject of his discourse now. Crofton and I were in the back of the ... pit,
you know ... the——”
“The body,” said Mr. Cunningham.
“Yes, in the back near the door. I forget now what.... O
yes, it was on the Pope, the late Pope. I remember it well. Upon my word it was
magnificent, the style of the oratory. And his voice! God! hadn’t he a voice!
The Prisoner of the Vatican, he called him. I remember Crofton saying to me
when we came out——”
“But he’s an Orangeman, Crofton, isn’t he?” said Mr. Power.
“‘Course he is,” said Mr. Kerman, “and a damned decent
Orangeman too. We went into Butler’s in Moore Street—faith, I was genuinely
moved, tell you the God’s truth—and I remember well his very words. Kerman, he said,
we worship at different altars, he said, but our belief is the same. Struck me
as very well put.”
“There’s a good deal in that,” said Mr. Power. “There used
always to be crowds of Protestants in the chapel where Father Tom was preaching.”
“There’s not much difference between us,” said Mr. McCoy.
“We both believe in——”
He hesitated for a moment.
“... in the Redeemer. Only they don’t believe in the Pope
and in the mother of God.”
“But, of course,” said Mr. Cunningham quietly and effectively,
“our religion is the religion, the old, original faith.”
“Not a doubt of it,” said Mr. Kerman warmly.
Mrs. Kerman came to the door of the bedroom and announced:
“Here’s a visitor for you!”
“Who is it?”
“Mr. Fogarty.”
“O, come in! come in!”
A pale oval face came forward into the light. The arch of
its fair trailing moustache was repeated in the fair eyebrows looped above
pleasantly astonished eyes. Mr. Fogarty was a modest grocer. He had failed in
business in a licensed house in the city because his financial condition had
constrained him to tie himself to second-class distillers and brewers. He had
opened a small shop on Glasnevin Road where, he flattered himself, his manners
would ingratiate him with the housewives of the district. He bore himself with
a certain grace, complimented little children and spoke with a neat
enunciation. He was not without culture.
Mr. Fogarty brought a gift with him, a half-pint of special
whisky. He inquired politely for Mr. Kerman, placed his gift on the table and
sat down with the company on equal terms. Mr. Kerman appreciated the gift more
since he was aware that there was a small account for groceries unsettled between
him and Mr. Fogarty. He said:
“I wouldn’t doubt you, old man. Open that, Jack, will you?”
Mr. Power again officiated. Glasses were rinsed and five
small measures of whisky were poured out. This new influence enlivened the
conversation. Mr. Fogarty, sitting on a small area of the chair, was especially
interested.
“Pope Leo XIII.,” said Mr. Cunningham, “was one of the
lights of the age. His great idea, you know, was the union of the Latin and
Greek Churches. That was the aim of his life.”
“I often heard he was one of the most intellectual men in
Europe,” said Mr. Power. “I mean, apart from his being Pope.”
“So he was,” said Mr. Cunningham, “if not the most so. His
motto, you know, as Pope, was Lux upon Lux—Light upon Light.”
“No, no,” said Mr. Fogarty eagerly. “I think you’re wrong
there. It was Lux in Tenebrism, I think—Light in Darkness.”
“O yes,” said Mr. McCoy, “Tenebrae.”
“Allow me,” said Mr. Cunningham positively, “it was Lux upon
Lux. And Pius IX. his predecessor’s motto was Crux upon Crux—that is, Cross
upon Cross—to show the difference between their two pontificates.”
The inference was allowed. Mr. Cunningham continued.
“Pope Leo, you know, was a great scholar and a poet.”
“He had a strong face,” said Mr. Kerman.
“Yes,” said Mr. Cunningham. “He wrote Latin poetry.”
“Is that so?” said Mr. Fogarty.
Mr. McCoy tasted his whisky contentedly and shook his head
with a double intention, saying:
“That’s no joke, I can tell you.”
“We didn’t learn that, Tom,” said Mr. Power, following Mr. McCoy's
example, “when we went to the penny-a-week school.”
“There was many a good man went to the penny-a-week school
with a sod of turf under his oxer,” said Mr. Kerman sententiously. “The old
system was the best: plain honest education. None of your modern trumpery....”
“Quite right,” said Mr. Power.
“No superfluities,” said Mr. Fogarty.
He enunciated the word and then drank gravely.
“I remember reading,” said Mr. Cunningham, “that one of Pope
Leo’s poems was on the invention of the photograph—in Latin, of course.”
“On the photograph!” exclaimed Mr. Kerman.
“Yes,” said Mr. Cunningham.
He also drank from his glass.
“Well, you know,” said Mr. McCoy, “isn’t the photograph
wonderful when you come to think of it?”
“O, of course,” said Mr. Power, “great minds can see
things.”
“As the poet says: Great minds are very near to madness,”
said Mr. Fogarty.
Mr. Kerman seemed to be troubled in mind. He tried to recall
the Protestant theology on some thorny points and in the end addressed Mr.
Cunningham.
“Tell me, Martin,” he said. “Weren’t some of the popes—of
course, not our present man, or his predecessor, but some of the old popes—not
exactly ... you know ... up to the knocker?”
There was a silence. Mr. Cunningham said:
“O, of course, there were some bad lots.... But the
astonishing thing is this. Not one of them, not the biggest drunkard, not the
most ... out-and-out ruffian, not one of them ever preached ex cathedra a word
of false doctrine. Now isn’t that an astonishing thing?”
“That is,” said Mr. Kerman.
“Yes, because when the Pope speaks ex cathedra,” Mr. Fogarty
explained, “he is infallible.”
“Yes,” said Mr. Cunningham.
“No, I know about the infallibility of the Pope. I remember
I was younger than.... Or was it that——?”
Mr. Fogarty interrupted. He took up the bottle and helped
the others to a little more. Mr. McCoy, seeing that there was not enough to go around,
pleaded that he had not finished his first measure. The others accepted under
protest. The light music of whisky falling into glasses made an agreeable
interlude.
“What’s that you were saying, Tom?” asked Mr. McCoy.
“Papal infallibility,” said Mr. Cunningham, “that was the
greatest scene in the whole history of the Church.”
“How was that, Martin?” asked Mr. Power.
Mr. Cunningham held up two thick fingers.
“In the sacred college, you know, of cardinals and
archbishops and bishops there were two men who held out against it while the
others were all for it. The whole conclave except these two was unanimous. No!
They wouldn’t have it!”
“Ha!” said Mr. McCoy.
“And they were a German cardinal by the name of Dolling ...
or Dowling ... or——”
“Dowling was no German, and that’s a sure fire,” said Mr.
Power, laughing.
“Well, this great German cardinal, whatever his name was,
was one; and the other was John McHale.”
“What?” cried Mr. Kerman. “Is it John of Team?”
“Are you sure of that now?” asked Mr. Fogarty dubiously. “I
thought it was some Italian or American.”
“John of Team,” repeated Mr. Cunningham, “was the man.”
He drank and the other gentlemen followed his lead. Then he
resumed:
“There they were at it, all the cardinals and bishops and
archbishops from all the ends of the earth and these two-fighting dog and devil
until at last the Pope himself stood up and declared infallibility a dogma of
the Church ex cathedra. On the very moment John McHale, who had been arguing
and arguing against it, stood up and shouted out with the voice of a lion:
‘Credo!’”
“I believe!” said Mr. Fogarty.
“Credo!” said Mr. Cunningham. “That showed the faith he had.
He submitted the moment the Pope spoke.”
“And what about Dowling?” asked Mr. McCoy.
“The German cardinal wouldn’t submit. He left the church.”
Mr. Cunningham’s words had built up the vast image of the
church in the minds of his hearers. His deep raucous voice had thrilled them as
it uttered the word of belief and submission. When Mrs. Kerman came into the
room drying her hands she came into a solemn company. She did not disturb the silence
but leaned over the rail at the foot of the bed.
“I once saw John McHale,” said Mr. Kerman, “and I’ll never
forget it as long as I live.”
He turned towards his wife to be confirmed.
“I often told you that?”
Mrs. Kerman nodded.
“It was at the unveiling of Sir John Gray’s statue. Edmund
Dwyer Gray was speaking, blathering away, and here was this old fellow,
crabbed-looking old chap, looking at him from under his bushy eyebrows.”
Mr. Kerman knitted his brows and, lowering his head like an
angry bull, glared at his wife.
“God!” he exclaimed, resuming his natural face, “I never saw
such an eye in a man’s head. It was as much as to say: I have you properly
taped, my lad. He had an eye like a hawk.”
“None of the Grays was any good,” said Mr. Power.
There was a pause again. Mr. Power turned to Mrs. Kerman and
said with abrupt joviality:
“Well, Mrs. Kerman, we’re going to make your man here a good
holy pious and God-fearing Roman Catholic.”
He swept his arm round the company inclusively.
“We’re all going to make a retreat together and confess our
sins—and God knows we want it badly.”
“I don’t mind,” said Mr. Kerman, smiling a little nervously.
Mrs. Kerman thought it would be wiser to conceal her
satisfaction. So, she said:
“I pity the poor priest that has to listen to your tale.”
Mr. Kerman's expression changed.
“If he doesn’t like it,” he said bluntly, “he can ... do the
other thing. I’ll just tell him my little tale of woe. I’m not such a bad
fellow——”
Mr. Cunningham intervened promptly.
“We’ll all renounce the devil,” he said, “together, not
forgetting his works and pumps.”
“Get behind me, Satan!” said Mr. Fogarty, laughing and looking
at the others.
Mr. Power said nothing. He felt completely out-generaled.
But a pleased expression flickered across his face.
“All we have to do,” said Mr. Cunningham, “is to stand up
with lighted candles in our hands and renew our baptismal vows.”
“O, don’t forget the candle, Tom,” said Mr. McCoy, “whatever
you do.”
“What?” said Mr. Kerman. “Must I have a candle?”
“O yes,” said Mr. Cunningham.
“No, damn it all,” said Mr. Kerman sensibly, “I draw the
line there. I’ll do the job right enough. I’ll do the retreat business and
confession, and ... all that business. But ... no candles! No, damn it all, I
bar the candles!”
He shook his head with farcical gravity.
“Listen to that!” said his wife.
“I bar the candles,” said Mr. Kerman, conscious of having
created an effect on his audience and continuing to shake his head to and fro.
“I bar the magic-lantern business.”
Everyone laughed heartily.
“There’s a nice Catholic for you!” said his wife.
“No candles!” repeated Mr. Kerman obdurately. “That’s off!”
The transept of the Jesuit Church in Gardiner Street was
almost full; and still at every moment gentlemen entered from the side door
and, directed by the lay brother, walked on tiptoe along the aisles until they
found seating accommodation. The gentlemen were all well dressed and orderly.
The light of the lamps of the church fell upon an assembly of black clothes and
white collars, relieved here and there by tweeds, on dark mottled pillars of
green marble and on lugubrious canvases. The gentlemen sat in the benches,
having hitched their trousers slightly above their knees and laid their hats in
security. They sat well back and gazed formally at the distant speck of red
light which was suspended before the high altar.
In one of the benches near the pulpit sat Mr. Cunningham and
Mr. Kerman. In the bench behind sat Mr. McCoy alone: and in the bench behind
him sat Mr. Power and Mr. Fogarty. Mr. McCoy had tried unsuccessfully to find a
place in the bench with the others and, when the party had settled down in the
form of a quincunx, he had tried unsuccessfully to make comic remarks. As these
had not been well received, he had desisted. Even he was sensible of the
decorous atmosphere and even he began to respond to the religious stimulus. In
a whisper Mr. Cunningham drew Mr. Kerman's attention to Mr. Harford, the
moneylender, who sat some distance off, and to Mr. Fanning, the registration
agent and mayor maker of the city, who was sitting immediately under the pulpit
beside one of the newly elected councilors of the ward. To the right sat old
Michael Grimes, the owner of three pawnbroker’s shops, and Dan Hogan’s nephew,
who was up for the job in the Town Clerk’s office. Farther in front sat Mr.
Hendrick, the chief reporter of The Freeman’s Journal, and poor O’Carroll, an
old friend of Mr. Kerman's, who had been at one time a considerable commercial
figure. Gradually, as he recognized familiar faces, Mr. Kerman began to feel
more at home. His hat, which had been rehabilitated by his wife, rested upon
his knees. Once or twice he pulled down his cuffs with one hand while he held
the brim of his hat lightly, but firmly, with the other hand.
A powerful-looking figure, the upper part of which was
draped with a white surplice, was observed to be struggling into the pulpit.
Simultaneously the congregation unsettled, produced handkerchiefs and knelt
upon them with care. Mr. Kerman followed the general example. The priest’s
figure now stood upright in the pulpit, two-thirds of its bulk, crowned by a
massive red face, appearing above the balustrade.
Father Purdon knelt, turned towards the red speck of light
and, covering his face with his hands, prayed. After an interval, he uncovered
his face and rose. The congregation rose also and settled again on its benches.
Mr. Kerman restored his hat to its original position on his knee and presented
an attentive face to the preacher. The preacher turned back each wide sleeve of
his surplice with an elaborate large gesture and slowly surveyed the array of
faces. Then he said:
“For the children of this world are wiser in their
generation than the children of light. Wherefore make unto yourselves friends
out of the mammon of iniquity so that when you die, they may receive you into
everlasting dwellings.”
Father Purdon developed the text with resonant assurance. It
was one of the most difficult texts in all the Scriptures, he said, to
interpret properly. It was a text which might seem to the casual observer at
variance with the lofty morality elsewhere preached by Jesus Christ. But he
told his hearers, the text had seemed to him specially adapted for the guidance
of those whose lot it was to lead the life of the world and who yet wished to
lead that life not in the manner of worldlangs. It was a text for businessmen
and professional men. Jesus Christ, with His divine understanding of every
cranny of our human nature, understood that all men were not called to the
religious life, that by far the vast majority were forced to live in the world
and, to a certain extent, for the world: and in this sentence He designed to
give them a word of counsel, setting before them as exemplars in the religious
life those very worshippers of Mammon who were of all men the least solicitous
in matters religious.
He told his hearers that he was there that evening for no terrifying,
no extravagant purpose; but as a man of the world speaking to his fellowmen. He
came to speak to businessmen, and he would speak to them in a businesslike way.
If he might use the metaphor, he said, he was their spiritual accountant; and
he wished each one of his hearers to open his books, the books of his spiritual
life, and see if they tallied accurately with conscience.
Jesus Christ was not a hard taskmaster. He understood our
little failings, understood the weakness of our poor fallen nature, understood
the temptations of this life. We might have had, we all had from time to time,
our temptations: we might have, we all had, our failings. But one thing only,
he said, he would ask of his hearers. And that was: to be straight and manly
with God. If their accounts tallied in every point to say:
“Well, I have verified my accounts. I find all well.”
But if, as might happen, there were some discrepancies, to
admit the truth, to be frank and say like a man:
“Well, I have looked into my accounts. I find this wrong and
this wrong. But, with God’s grace, I will rectify this and this. I will set
right my accounts.”
THE DEAD
Lily, the caretaker’s daughter, was literally run off her
feet. Hardly had she brought one gentleman into the little pantry behind the
office on the ground floor and helped him off with his overcoat than the wheezy
hall-door bell clanged again and she had to scamper along the bare hallway to
let in another guest. It was well for her she had not to attend to the ladies
also. But Miss Kate and Miss Julia had thought of that and had converted the
bathroom upstairs into a ladies’ dressing-room. Miss Kate and Miss Julia were
there, gossiping and laughing and fussing, walking after each other to the head
of the stairs, peering down over the banisters and calling down to Lily to ask
her who had come.
It was always a great affair, the Misses Moran's annual
dance. Everybody who knew them came to it, members of the family, old friends
of the family, the members of Julia’s choir, any of Kate’s pupils that were
grown up enough, and even some of Mary Jane’s pupils too. Never once had it
fallen flat. For years and years it had gone off in splendid style as long as
anyone could remember; ever since Kate and Julia, after the death of their
brother Pat, had left the house in Stoney Batter and taken Mary Jane, their
only niece, to live with them in the dark gaunt house on Usher’s Island, the
upper part of which they had rented from Mr. Fulham, the corn-factor on the
ground floor. That was a good thirty years ago if it was a day. Mary Jane, who
was then a little girl in short clothes, was now the main prop of the
household, for she had the organ in Haddington Road. She had been through the
Academy and gave a pupils’ concert every year in the upper room of the Antient
Concert Rooms. Many of her pupils belonged to the better-class families on the
Kingstown and Daley line. Old as they were, her aunts also did their share.
Julia, though she was quite grey, was still the leading soprano in Adam and
Eve’s, and Kate, being too feeble to go about much, gave music lessons to
beginners on the old square piano in the back room. Lily, the caretaker’s
daughter, did housemaid’s work for them. Though their life was modest they
believed in eating well; the best of everything: diamond-bone sirloins,
three-shilling tea and the best bottled stout. But Lily seldom made a mistake
in the orders so that she got on well with her three mistresses. They were
fussy, that was all. But the only thing they would not stand was back answers.
Of course, they had good reason to be fussy on such a night.
And then it was long after ten o’clock and yet there was no sign of Gabriel and
his wife. Besides they were dreadfully afraid that Freddy Malines might turn up
screwed. They would not wish for worlds that any of Mary Jane’s pupils should
see him under the influence; and when he was like that it was sometimes very
hard to manage him. Freddy Malines always came late but they wondered what
could be keeping Gabriel: and that was what brought them every two minutes to
the banisters to ask Lily had Gabriel or Freddy come.
“O, Mr. Conroy,” said Lily to Gabriel when she opened the door
for him, “Miss Kate and Miss Julia thought you were never coming. Good-night, Mrs.
Conroy.”
“I’ll engage they did,” said Gabriel, “but they forget that
my wife here takes three mortal hours to dress herself.”
He stood on the mat, scraping the snow from his galoshes,
while Lily led his wife to the foot of the stairs and called out:
“Miss Kate, here’s Mrs. Conroy.”
Kate and Julia came toddling down the dark stairs at once. Both
kissed Gabriel’s wife, said she must be perished alive and asked was Gabriel
with her.
“Here I am as right as the mail, Aunt Kate! Go on up. I’ll
follow,” called out Gabriel from the dark.
He continued scraping his feet vigorously while the three
women went upstairs, laughing, to the ladies’ dressing-room. A light fringe of snow
lay like a cape on the shoulders of his overcoat and like toecaps on the toes
of his galoshes; and, as the buttons of his overcoat slipped with a squeaking
noise through the snow-stiffened frieze, a cold, fragrant air from out-of-doors
escaped from crevices and folds.
“Is it snowing again, Mr. Conroy?” asked Lily.
She had preceded him into the pantry to help him off with
his overcoat. Gabriel smiled at the three syllables she had given his surname
and glanced at her. She was a slim, growing girl, pale in complexion and with
hay-colored hair. The gas in the pantry made her look still paler. Gabriel had
known her when she was a child and used to sit on the lowest step nursing a rag
doll.
“Yes, Lily,” he answered, “and I think we’re in for a night
of it.”
He looked up at the pantry ceiling, which was shaking with
the stamping and shuffling of feet on the floor above, listened for a moment to
the piano and then glanced at the girl, who was folding his overcoat carefully
at the end of a shelf.
“Tell me, Lily,” he said in a friendly tone, “do you still
go to school?”
“O no, sir,” she answered. “I’m done schooling this year and
more.”
“O, then,” said Gabriel gaily, “I suppose we’ll be going to
your wedding one of these fine days with your young man, eh?”
The girl glanced back at him over her shoulder and said with
great bitterness:
“The men that is now is only all palaver and what they can
get out of you.”
Gabriel colored as if he felt he had made a mistake and,
without looking at her, kicked off his galoshes and flicked actively with his
muffler at his patent-leather shoes.
He was a stout tallish young man. The high color of his
cheeks pushed upwards even to his forehead where it scattered itself in a few
formless patches of pale red; and on his hairless face there scintillated
restlessly the polished lenses and the bright gilt rims of the glasses which
screened his delicate and restless eyes. His glossy black hair was parted in
the middle and brushed in a long curve behind his ears where it curled slightly
beneath the groove left by his hat.
When he had flicked luster into his shoes he stood up and
pulled his waistcoat down more tightly on his plump body. Then he took a coin
rapidly from his pocket.
“O Lily,” he said, thrusting it into her hands, “it’s
Christmas-time, isn’t it? Just ... here’s a little....”
He walked rapidly towards the door.
“O no, sir!” cried the girl, following him. “Really, sir, I
wouldn’t take it.”
“Christmas-time! Christmas-time!” said Gabriel, almost
trotting to the stairs and waving his hand to her in deprecation.
The girl, seeing that he had gained the stairs, called out
after him:
“Well, thank you, sir.”
He waited outside the drawing-room door until the waltz
should finish, listening to the skirts that swept against it and to the
shuffling of feet. He was still discomposed by the girl’s bitter and sudden
retort. It had cast a gloom over him which he tried to dispel by arranging his
cuffs and the bows of his tie. He then took from his waistcoat pocket a little
paper and glanced at the headings he had made for his speech. He was undecided
about the lines from Robert Browning for he feared they would be above the
heads of his hearers. Some quotation that they would recognize from Shakespeare
or from the Melodies would be better. The indelicate clacking of the men’s
heels and the shuffling of their soles reminded him that their grade of culture
differed from his. He would only make himself ridiculous by quoting poetry to
them which they could not understand. They would think that he was airing his
superior education. He would fail with them just as he had failed with the girl
in the pantry. He had taken up a wrong tone. His whole speech was a mistake
from first to last, an utter failure.
Just then his aunts and his wife came out of the ladies’ dressing-room.
His aunts were two smalls plainly dressed old women. Aunt Julia was an inch or
so the taller. Her hair, drawn low over the tops of her ears, was grey; and
grey also, with darker shadows, was her large flaccid face. Though she was
stout in build and stood erect her slow eyes and parted lips gave her the
appearance of a woman who did not know where she was or where she was going.
Aunt Kate was more vivacious. Her face, healthier than her sister’s, was all
puckers and creases, like a shriveled red apple, and her hair, braided in the
same old-fashioned way, had not lost its ripe nut color.
They both kissed Gabriel frankly. He was their favorite
nephew, the son of their dead elder sister, Ellen, who had married T. J. Conroy
of the Port and Docks.
“Gretta tells me you’re not going to take a cab back to
Monkstown tonight, Gabriel,” said Aunt Kate.
“No,” said Gabriel, turning to his wife, “we had quite
enough of that last year, hadn’t we? Don’t you remember, Aunt Kate, what a cold
Gretta got out of it? Cab windows rattling all the way, and the east wind
blowing in after we passed Merrion. Very jolly it was. Gretta caught a dreadful
cold.”
Aunt Kate frowned severely and nodded her head at every
word.
“Quite right, Gabriel, quite right,” she said. “You can’t be
too careful.”
“But as for Gretta there,” said Gabriel, “she’d walk home in
the snow if she were let.”
Mrs. Conroy laughed.
“Don’t mind him, Aunt Kate,” she said. “He’s really an awful
bother, what with green shades for Tom’s eyes at night and making him do the
dumb-bells and forcing Eva to eat the stirabout. The poor child! And she simply
hates the sight of it!... O, but you’ll never guess what he makes me wear now!”
She broke out into a peal of laughter and glanced at her
husband, whose admiring and happy eyes had been wandering from her dress to her
face and hair. The two aunts laughed heartily too, for Gabriel’s solicitude was
a standing joke with them.
“Galoshes!” said Mrs. Conroy. “That’s the latest. Whenever
it’s wet underfoot, I must put on my galoshes. Tonight, even he wanted me to
put them on, but I wouldn’t. The next thing he’ll buy me will be a diving
suit.”
Gabriel laughed nervously and patted his tie reassuringly
while Aunt Kate nearly doubled herself, so heartily did she enjoy the joke. The
smile soon faded from Aunt Julia’s face and her mirthless eyes were directed
towards her nephew’s face. After a pause she asked:
“And what are galoshes, Gabriel?”
“Galoshes, Julia!” exclaimed her sister “Goodness me, don’t
you know what galoshes are? You wear them over your ... over your boots,
Gretta, isn’t it?”
“Yes,” said Mrs. Conroy. “Gutta-percha things. We both have
a pair now. Gabriel says everyone wears them on the continent.”
“O, on the continent,” murmured Aunt Julia, nodding her head
slowly.
Gabriel knitted his brows and said, as if he were slightly
angered:
“It’s nothing very wonderful but Gretta thinks it very funny
because she says the word reminds her of Christy Minstrels.”
“But tell me, Gabriel,” said Aunt Kate, with brisk tact. “Of
course, you’ve seen about the room. Gretta was saying....”
“O, the room is all right,” replied Gabriel. “I’ve taken one
in the Gresham.”
“To be sure,” said Aunt Kate, “by far the best thing to do.
And the children, Gretta, you’re not anxious about them?”
“O, for one night,” said Mrs. Conroy. “Besides, Bessie will
look after them.”
“To be sure,” said Aunt Kate again. “What a comfort it is to
have a girl like that, one you can depend on! There’s that Lily, I’m sure I
don’t know what has come over her lately. She’s not the girl she was at all.”
Gabriel was about to ask his aunt some questions on this point,
but she broke off suddenly to gaze after her sister who had wandered down the
stairs and was craning her neck over the banisters.
“Now, I ask you,” she said almost testily, “where is Julia
going? Julia! Julia! Where are you going?”
Julia, who had gone halfway down one flight, came back and
announced blandly:
“Here’s Freddy.”
At the same moment a clapping of hands and a final flourish
of the pianist told that the waltz had ended. The drawing-room door was opened
from within and some couples came out. Aunt Kate drew Gabriel aside hurriedly
and whispered into his ear:
“Slip down, Gabriel, like a good fellow and see if he’s all
right, and don’t let him up if he’s screwed. I’m sure he’s screwed. I’m sure he
is.”
Gabriel went to the stairs and listened over the banisters.
He could hear two persons talking in the pantry. Then he recognized Freddy Malines’
laugh. He went down the stairs noisily.
“It’s such a relief,” said Aunt Kate to Mrs. Conroy, “that
Gabriel is here. I always feel easier in my mind when he’s here.... Julia,
there’s Miss Daly and Miss Power will take some refreshment. Thanks for your
beautiful waltz, Miss Daly. It made lovely time.”
A tall wizen-faced man, with a stiff grizzled moustache and
swarthy skin, who was passing out with his partner said:
“And may we have some refreshment, too, Miss Moran?”
“Julia,” said Aunt Kate summarily, “and here’s Mr. Browne
and Miss Furlong. Take them in, Julia, with Miss Daly and Miss Power.”
“I’m the man for the ladies,” said Mr. Browne, pursing his
lips until his moustache bristled and smiling in all his wrinkles. “You know,
Miss Moran, the reason they are so fond of me is——”
He did not finish his sentence, but, seeing that Aunt Kate
was out of earshot, at once led the three young ladies into the back room. The
middle of the room was occupied by two square tables placed end to end, and on
these Aunt Julia and the caretaker were straightening and smoothing a large
cloth. On the sideboard were arrayed dishes and plates, and glasses and bundles
of knives and forks and spoons. The top of the closed square piano served also as
a sideboard for viands and sweets. At a smaller sideboard in one corner two
young men were standing, drinking hop-bitters.
Mr. Browne led his charges thither and invited them all, in
jest, to some ladies’ punch, hot, strong and sweet. As they said they never
took anything strong he opened three bottles of lemonade for them. Then he
asked one of the young men to move aside, and, taking hold of the decanter,
filled out for himself a goodly measure of whisky. The young men eyed him
respectfully while he took a trial sip.
“God help me,” he said, smiling, “it’s the doctor’s orders.”
His wizened face broke into a broader smile, and the three
young ladies laughed in musical echo to his pleasantry, swaying their bodies to
and fro, with nervous jerks of their shoulders. The boldest said:
“O, now, Mr. Browne, I’m sure the doctor never ordered
anything of the kind.”
Mr. Browne took another sip of his whisky and said, with
sidling mimicry:
“Well, you see, I’m like the famous Mrs. Cassidy, who is
reported to have said: ‘Now, Mary Grimes, if I don’t take it, make me take it,
for I feel I want it.’”
His hot face had leaned forward a little too confidentially
and he had assumed a very low Dublin accent so that the young ladies, with one
instinct, received his speech in silence. Miss Furlong, who was one of Mary
Jane’s pupils, asked Miss Daly what the name of the pretty waltz was she had
played; and Mr. Browne, seeing that he was ignored, turned promptly to the two
young men who were more appreciative.
A red-faced young woman, dressed in pansy, came into the
room, excitedly clapping her hands and crying:
“Quadrilles! Quadrilles!”
Close on her heels came Aunt Kate, crying:
“Two gentlemen and three ladies, Mary Jane!”
“O, here’s Mr. Bergin and Mr. Kerrigan,” said Mary Jane. “Mr.
Kerrigan, will you take Miss Power? Miss Furlong, may I get you a partner, Mr.
Bergin. O, that’ll just do now.”
“Three ladies, Mary Jane,” said Aunt Kate.
The two young gentlemen asked the ladies if they might have
the pleasure, and Mary Jane turned to Miss Daly.
“O, Miss Daly, you’re really awfully good, after playing for
the last two dances, but really we’re so short of ladies tonight.”
“I don’t mind in the least, Miss Moran.”
“But I’ve a nice partner for you, Mr. Bartell D’Arcy, the
tenor. I’ll get him to sing later. All Dublin is raving about him.”
“Lovely voice, lovely voice!” said Aunt Kate.
As the piano had twice begun the prelude to the first figure
Mary Jane led her recruits quickly from the room. They had hardly gone when
Aunt Julia wandered slowly into the room, looking behind her at something.
“What is the matter, Julia?” asked Aunt Kate anxiously. “Who
is it?”
Julia, who was carrying in a column of table-napkins, turned
to her sister and said, simply, as if the question had surprised her:
“It’s only Freddy, Kate, and Gabriel with him.”
In fact, right behind her Gabriel could be seen piloting
Freddy Malines across the landing. The latter, a young man of about forty, was
of Gabriel’s size and build, with very round shoulders. His face was fleshy and
pallid, touched with color only at the thick hanging lobes of his ears and at
the wide wings of his nose. He had coarse features, a blunt nose, a convex and
receding brow, tumid and protruded lips. His heavy-lidded eyes and the disorder
of his scanty hair made him look sleepy. He was laughing heartily in a high key
at a story which he had been telling Gabriel on the stairs and at the same time
rubbing the knuckles of his left fist backwards and forwards into his left eye.
“Good-evening, Freddy,” said Aunt Julia.
Freddy Malines bade the Misses Moran good-evening in what
seemed an offhand fashion by reason of the habitual catch in his voice and
then, seeing that Mr. Browne was grinning at him from the sideboard, crossed
the room on rather shaky legs and began to repeat in an undertone the story he
had just told to Gabriel.
“He’s not so bad, is he?” said Aunt Kate to Gabriel.
Gabriel’s brows were dark, but he raised them quickly and
answered:
“No, no, hardly noticeable.”
“Now, isn’t he a terrible fellow!” she said. “And his poor
mother made him take the pledge on New Year’s Eve. But come on, Gabriel, into
the drawing-room.”
Before leaving the room with Gabriel she signaled to Mr.
Browne by frowning and shaking her forefinger in warning to and fro. Mr. Browne
nodded in answer and, when she had gone, said to Freddy Malines:
“Now, then, Teddy, I’m going to fill you out a good glass of
lemonade just to buck you up.”
Freddy Malines, who was nearing the climax of his story,
waved the offer aside impatiently but Mr. Browne, having first called Freddy Malines’
attention to a disarray in his dress, filled out and handed him a full glass of
lemonade. Freddy Malines’ left hand accepted the glass mechanically, his right
hand being engaged in the mechanical readjustment of his dress. Mr. Browne,
whose face was once more wrinkling with mirth, poured out for himself a glass
of whisky while Freddy Malines exploded, before he had well reached the climax
of his story, in a kind of high-pitched bronchitis laughter and, setting down
his untasted and overflowing glass, began to rub the knuckles of his left fist
backwards and forwards into his left eye, repeating words of his last phrase as
well as his fit of laughter would allow him.
Gabriel could not listen while Mary Jane was playing her
Academy piece, full of runs and difficult passages, to the hushed drawing-room.
He liked music but the piece she was playing had no melody for him and he
doubted whether it had any melody for the other listeners, though they had
begged Mary Jane to play something. Four young men, who had come from the
refreshment-room to stand in the doorway at the sound of the piano, had gone
away quietly in couples after a few minutes. The only persons who seemed to
follow the music were Mary Jane herself, her hands racing along the keyboard or
lifted from it at the pauses like those of a priestess in momentary
imprecation, and Aunt Kate standing at her elbow to turn the page.
Gabriel’s eyes, irritated by the floor, which glittered with
beeswax under the heavy chandelier, wandered to the wall above the piano. A
picture of the balcony scene in Romeo and Juliet hung there and beside it was a
picture of the two murdered princes in the Tower which Aunt Julia had worked in
red, blue and brown wools when she was a girl. Probably in the school they had
gone to as girls that kind of work had been taught for one year. His mother had
worked for him as a birthday present a waistcoat of purple tabbinet, with little
foxes’ heads upon it, lined with brown satin and having round mulberry buttons.
It was strange that his mother had had no musical talent though Aunt Kate used
to call her the brains carrier of the Moran family. Both she and Julia had
always seemed a little proud of their serious and matronly sister. Her
photograph stood before the pier glass. She held an open book on her knees and
was pointing out something in it to Constantine who, dressed in a man-o’-war
suit, lay at her feet. It was she who had chosen the name of her sons for she
was very sensible of the dignity of family life. Thanks to her, Constantine was
now senior curate in Balbriggan and, thanks to her, Gabriel himself had taken his
degree in the Royal University. A shadow passed over his face as he remembered
her sullen opposition to his marriage. Some slighting phrases she had used
still rankled in his memory; she had once spoken of Gretta as being country
cute and that was not true of Gretta at all. It was Gretta who had nursed her
during all her last long illness in their house at Monkstown.
He knew that Mary Jane must be near the end of her piece for
she was playing again the opening melody with runs of scales after every bar and
while he waited for the end the resentment died down in his heart. The piece
ended with a trill of octaves in the treble and a final deep octave in the
bass. Great applause greeted Mary Jane as, blushing and rolling up her music
nervously, she escaped from the room. The most vigorous clapping came from the
four young men in the doorway who had gone away to the refreshment-room at the
beginning of the piece but had come back when the piano had stopped.
Lancers were arranged. Gabriel found himself partnered with
Miss Ivor's. She was a frank-mannered talkative young lady, with a freckled
face and prominent brown eyes. She did not wear a low-cut bodice and the large
brooch which was fixed in the front of her collar bone on it an Irish device
and motto.
When they had taken their places, she said abruptly:
“I have a crow to pluck with you.”
“With me?” said Gabriel.
She nodded her head gravely.
“What is it?” asked Gabriel, smiling at her solemn manner.
“Who is G. C.?” answered Miss Ivor's, turning her eyes upon
him.
Gabriel colored and was about to knit his brows, as if he
did not understand, when she said bluntly:
“O, innocent Amy! I have found out that you write for The
Daily Express. Now, aren’t you ashamed of yourself?”
“Why should I be ashamed of myself?” asked Gabriel, blinking
his eyes and trying to smile.
“Well, I’m ashamed of you,” said Miss Ivor's frankly. “To
say you’d write for a paper like that. I didn’t think you were a West Briton.”
A look of perplexity appeared on Gabriel’s face. It was true
that he wrote a literary column every Wednesday in The Daily Express, for which
he was paid fifteen shillings. But that did not make him a West Briton surely.
The books he received for review were almost more welcome than the paltry
cheque. He loved to feel the covers and turn over the pages of newly printed
books. Nearly every day when his teaching in the college was ended, he used to
wander down the quays to the second-hand booksellers, to Hickey’s on bachelor's
Walk, to Webb’s or Massey’s on Aston’s Quay, or to Cochise's in the by-street.
He did not know how to meet her charge. He wanted to say that literature was
above politics. But they were friends of many years’ standings and their
careers had been parallel, first at the university and then as teachers: he could
not risk a grandiose phrase with her. He continued blinking his eyes and trying
to smile and murmured lamely that he saw nothing political in writing reviews
of books.
When their turn to cross had come, he was still perplexed
and inattentive. Miss Ivor's promptly took his hand in a warm grasp and said in
a soft friendly tone:
“Of course, I was only joking. Come, we cross now.”
When they were together again, she spoke of the University
question and Gabriel felt more at ease. A friend of hers had shown her his
review of Browning’s poems. That was how she had found out the secret: but she
liked the review immensely. Then she said suddenly:
“O, Mr. Conroy, will you come for an excursion to the Aram
Isles this summer? We’re going to stay there a whole month. It will be splendid
out in the Atlantic. You ought to come. Mr. Clancy is coming, and Mr. Kilkelly
and Kathleen Kearney. It would be splendid for Gretta too if she’d come. She’s
from Connacht, isn’t she?”
“Her people are,” said Gabriel shortly.
“But you will come, won’t you?” said Miss Ivor's, laying her
warm hand eagerly on his arm.
“The fact is,” said Gabriel, “I have just arranged to go——”
“Go where?” asked Miss Ivor's.
“Well, you know, every year I go for a cycling tour with
some fellows and so——”
“But where?” asked Miss Ivor's.
“Well, we usually go to France or Belgium or perhaps
Germany,” said Gabriel awkwardly.
“And why do you go to France and Belgium,” said Miss Ivor's,
“instead of visiting your own land?”
“Well,” said Gabriel, “it’s partly to keep in touch with the
languages and partly for a change.”
“And haven’t you your own language to keep in touch
with—Irish?” asked Miss Ivor's.
“Well,” said Gabriel, “if it comes to that, you know, Irish
is not my language.”
Their neighbors had turned to listen to the cross-examination.
Gabriel glanced right and left nervously and tried to keep his good humor under
the ordeal which was making a blush invade his forehead.
“And haven’t you your own land to visit,” continued Miss Ivor's,
“that you know nothing of, your own people, and your own country?”
“O, to tell you the truth,” retorted Gabriel suddenly, “I’m
sick of my own country, sick of it!”
“Why?” asked Miss Ivor's.
Gabriel did not answer for his retort had heated him.
“Why?” repeated Miss Ivor's.
They had to go visiting together and, as he had not answered
her, Miss Ivor's said warmly:
“Of course, you’ve no answer.”
Gabriel tried to cover his agitation by taking part in the
dance with great energy. He avoided her eyes for he had seen a sour expression
on her face. But when they met in the long chain, he was surprised to feel his
hand firmly pressed. She looked at him from under her brows for a moment
quizzically until he smiled. Then, just as the chain was about to start again,
she stood on tiptoe and whispered into his ear:
“West Briton!”
When the lancers were over Gabriel went away to a remote
corner of the room where Freddy Malines’ mother was sitting. She was a stout
feeble old woman with white hair. Her voice had a catch in it like her son’s
and she stuttered slightly. She had been told that Freddy had come and that he
was nearly all right. Gabriel asked her whether she had had a good crossing.
She lived with her married daughter in Glasgow and came to Dublin on a visit
once a year. She answered placidly that she had had a beautiful crossing and
that the captain had been most attentive to her. She spoke also of the
beautiful house her daughter kept in Glasgow, and of all the friends they had
there. While her tongue rambled on Gabriel tried to banish from his mind all
memory of the unpleasant incident with Miss Ivor's. Of course, the girl or
woman, or whatever she was, was an enthusiast but there was a time for all
things. Perhaps he ought not to have answered her like that. But she had no
right to call him a West Briton before people, even in joke. She had tried to
make him ridiculous before people, heckling him and staring at him with her rabbit’s
eyes.
He saw his wife making her way towards him through the
waltzing couples. When she reached him, she said into his ear?
“Gabriel, Aunt Kate wants to know won’t you carve the goose
as usual. Miss Daly will carve the ham and I’ll do the pudding.”
“All right,” said Gabriel.
“She’s sending in the younger ones first as soon as this
waltz is over so that we’ll have the table to ourselves.”
“Were you dancing?” asked Gabriel.
“Of course, I was. Didn’t you see me? What row had you with
Molly Ivor's?”
“No row. Why? Did she say so?”
“Something like that. I’m trying to get that Mr. D’Arcy to
sing. He’s full of conceit, I think.”
“There was no row,” said Gabriel moodily, “only she wanted
me to go for a trip to the west of Ireland and I said I wouldn’t.”
His wife clasped her hands excitedly and gave a little jump.
“O, do go, Gabriel,” she cried. “I’d love to see Galway
again.”
“You can go if you like,” said Gabriel coldly.
She looked at him for a moment, then turned to Mrs. Malines
and said:
“There’s a nice husband for you, Mrs. Malines.”
While she was threading her way back across the room Mrs. Malines,
without adverting to the interruption, went on to tell Gabriel what beautiful
places there were in Scotland and beautiful scenery. Her son-in-law brought
them every year to the lakes, and they used to go fishing. Her son-in-law was a
splendid fisher. One day he caught a beautiful big fish and the man in the
hotel cooked it for their dinner.
Gabriel hardly heard what she said. Now that supper was
coming near, he began to think again about his speech and about the quotation.
When he saw Freddy Malines coming across the room to visit his mother Gabriel
left the chair free for him and retired into the embrasure of the window. The
room had already cleared and from the back room came the clatter of plates and
knives. Those who remained in the drawing-room seemed tired of dancing and were
conversing quietly in little groups. Gabriel’s warm trembling fingers tapped
the cold pane of the window. How cool it must be outside! How pleasant it would
be to walk out alone, first along by the river and then through the park! The
snow would be lying on the branches of the trees and forming a bright cap on
the top of the Wellington Monument. How much more pleasant it would be there
than at the supper-table!
He ran over the headings of his speech: Irish hospitality,
sad memories, the Three Graces, Paris, the quotation from Browning. He repeated
to himself a phrase he had written in his review: “One feels that one is
listening to a thought-tormented music.” Miss Ivor's had praised the review.
Was she sincere? Had she really any life of her own behind all her
propagandism? There had never been any ill-feeling between them until that
night. It unnerved him to think that she would be at the supper-table, looking
up at him while he spoke with her critical quizzing eyes. Perhaps she would not
be sorry to see him fail in his speech. An idea came into his mind and gave him
courage. He would say, alluding to Aunt Kate and Aunt Julia: “Ladies and Gentlemen,
the generation which is now on the wane among us may have had its faults but
for my part I think it had certain qualities of hospitality, of humor, of
humanity, which the new and very serious and hypereducated generation that is
growing up around us seems to me to lack.” Very good: that was one for Miss Ivor's.
What did he care that his aunts were only two ignorant old women?
A murmur in the room attracted his attention. Mr. Browne was
advancing from the door, gallantly escorting Aunt Julia, who leaned upon his
arm, smiling and hanging her head. An irregular musketry of applause escorted
her also as far as the piano and then, as Mary Jane seated herself on the
stool, and Aunt Julia, no longer smiling, half turned to pitch her voice fairly
into the room, gradually ceased. Gabriel recognized the prelude. It was that of
an old song of Aunt Julia’s—Arrayed for the Bridal. Her voice, strong and clear
in tone, attacked with great spirit the runs which embellish the air and though
she sang very rapidly she did not miss even the smallest of the grace notes. To
follow the voice, without looking at the singer’s face, was to feel and share
the excitement of swift and secure flight. Gabriel applauded loudly with all
the others at the close of the song and loud applause was borne in from the
invisible supper-table. It sounded so genuine that a little color struggled
into Aunt Julia’s face as she bent to replace in the music-stand the old leather-bound
songbook that had her initials on the cover. Freddy Malines, who had listened
with his head perched sideways to hear her better, was still applauding when
everyone else had ceased and talking animatedly to his mother who nodded her
head gravely and slowly in acquiescence. At last, when he could clap no more,
he stood up suddenly and hurried across the room to Aunt Julia whose hand he
seized and held in both his hands, shaking it when words failed him or the
catch in his voice proved too much for him.
“I was just telling my mother,” he said, “I never heard you
sing so well, never. No, I never heard your voice so good as it is tonight.
Now! Would you believe that now? That’s the truth. Upon my word and honor
that’s the truth. I never heard your voice sound so fresh and so ... so clear
and fresh, never.”
Aunt Julia smiled broadly and murmured something about
compliments as she released her hand from his grasp. Mr. Browne extended his
open hand towards her and said to those who were near him in the manner of a
showman introducing a prodigy to an audience:
“Miss Julia Moran, my latest discovery!”
He was laughing very heartily at this himself when Freddy Malines
turned to him and said:
“Well, Browne, if you’re serious you might make a worse
discovery. All I can say is I never heard her sing half so well if I am coming
here. And that’s the truth.”
“Neither did I,” said Mr. Browne. “I think her voice has
greatly improved.”
Aunt Julia shrugged her shoulders and said with meek pride:
“Thirty years ago, I hadn’t a bad voice as voices go.”
“I often told Julia,” said Aunt Kate emphatically, “that she
was simply thrown away in that choir. But she never would be paid by me.”
She turned as if to appeal to the good sense of the others
against a refractory child while Aunt Julia gazed in front of her, a vague
smile of reminiscence playing on her face.
“No,” continued Aunt Kate, “she wouldn’t be said or led by
anyone, slaving there in that choir night and day, night and day. Six o’clock
on Christmas morning! And all for what?”
“Well, isn’t it for the honor of God, Aunt Kate?” asked Mary
Jane, twisting round on the piano-stool and smiling.
Aunt Kate turned fiercely on her niece and said:
“I know all about the honor of God, Mary Jane, but I think
it’s not at all honorable for the pope to turn out the women out of the choirs
that have slaved there all their lives and put little whipper-snappers of boys
over their heads. I suppose it is for the good of the Church if the pope does
it. But it’s not just, Mary Jane, and it’s not right.”
She had worked herself into a passion and would have
continued in defense of her sister for it was a sore subject with her but Mary
Jane, seeing that all the dancers had come back, intervened pacifically:
“Now, Aunt Kate, you’re giving scandal to Mr. Browne who is
of the other persuasion.”
Aunt Kate turned to Mr. Browne, who was grinning at this
allusion to his religion, and said hastily:
“No, I don’t question the pope’s being right. I’m only a
stupid old woman and I wouldn’t presume to do such a thing. But there’s such a
thing as common everyday politeness and gratitude. And if I were in Julia’s place,
I’d tell that Father Healey straight up to his face....”
“And besides, Aunt Kate,” said Mary Jane, “we really are all
hungry and when we are hungry, we are all very quarrelsome.”
“And when we are thirsty, we are also quarrelsome,” added Mr.
Browne.
“So that we had better go to supper,” said Mary Jane, “and
finish the discussion afterwards.”
On the landing outside the drawing-room Gabriel found his
wife and Mary Jane trying to persuade Miss Ivor's to stay for supper. But Miss Ivor's,
who had put on her hat and was buttoning her cloak, would not stay. She did not
feel in the least hungry and she had already overstayed her time.
“But only for ten minutes, Molly,” said Mrs. Conroy. “That
won’t delay you.”
“To take a pick itself,” said Mary Jane, “after all your
dancing.”
“I really couldn’t,” said Miss Ivor's.
“I am afraid you didn’t enjoy yourself at all,” said Mary
Jane hopelessly.
“Ever so much, I assure you,” said Miss Ivor's, “but you
really must let me run off now.”
“But how can you get home?” asked Mrs. Conroy.
“No, it’s only two steps up the quay.”
Gabriel hesitated a moment and said:
“If you will allow me, Miss Ivor's, I’ll see you home if you
are really obliged to go.”
But Miss Ivor's broke away from them.
“I won’t hear of it,” she cried. “For goodness’ sake go into
your suppers and don’t mind me. I’m quite well able to take care of myself.”
“Well, you’re the comical girl, Molly,” said Mrs. Conroy
frankly.
“Banach lab,” cried Miss Ivor's, with a laugh, as she ran
down the staircase.
Mary Jane gazed after her, a moody puzzled expression on her
face, while Mrs. Conroy leaned over the banisters to listen for the hall-door.
Gabriel asked himself was he the cause of her abrupt departure. But she did not
seem to be in ill humor: she had gone away laughing. He stared blankly down the
staircase.
Now Aunt Kate came toddling out of the supper-room, almost wringing
her hands in despair.
“Where is Gabriel?” she cried. “Where on earth is Gabriel?
There’s everyone waiting in there, stage to let, and nobody to carve the
goose!”
“Here I am, Aunt Kate!” cried Gabriel, with sudden
animation, “ready to carve a flock of geese, if necessary.”
A fat brown goose lay at one end of the table and at the
other end, on a bed of creased paper strewn with sprigs of parsley, lay a great
ham, stripped of its outer skin and peppered over with crust crumbs, a neat
paper frill round its shin and beside this was a round of spiced beef. Between
these rival ends ran parallel lines of side-dishes: two little minsters of
jelly, red and yellow; a shallow dish full of blocks of blancmange and red jam,
a large green leaf-shaped dish with a stalk-shaped handle, on which lay bunches
of purple raisins and peeled almonds, a companion dish on which lay a solid
rectangle of Smyrna figs, a dish of custard topped with grated nutmeg, a small
bowl full of chocolates and sweets wrapped in gold and silver papers and a
glass vase in which stood some tall celery stalks. In the center of the table
there stood, as sentries to a fruit-stand which upheld a pyramid of oranges and
American apples, two squat old-fashioned decanters of cut glass, one containing
port and the other dark sherry. On the closed square piano a pudding in a huge
yellow dish lay in waiting and behind it were three squads of bottles of stout
and ale and minerals, drawn up according to the colors of their uniforms, the
first two black, with brown and red labels, the third and smallest squad white,
with transverse green sashes.
Gabriel took his seat boldly at the head of the table and,
having looked to the edge of the carver, plunged his fork firmly into the
goose. He felt quite at ease now for he was an expert carver and liked nothing
better than to find himself at the head of a well-laden table.
“Miss Furlong, what shall I send you?” he asked. “A wing or
a slice of the breast?”
“Just a small slice of the breast.”
“Miss Higgins, what for you?”
“O, anything at all, Mr. Conroy.”
While Gabriel and Miss Daly exchanged plates of goose and
plates of ham and spiced beef Lily went from guest to guest with a dish of hot
floury potatoes wrapped in a white napkin. This was Mary Jane’s idea and she had
also suggested apple sauce for the goose, but Aunt Kate had said that plain
roast goose without any apple sauce had always been good enough for her and she
hoped she might never eat worse. Mary Jane waited on her pupils and saw that
they got the best slices and Aunt Kate and Aunt Julia opened and carried across
from the piano bottles of stout and ale for the gentlemen and bottles of
minerals for the ladies. There was a great deal of confusion and laughter and
noise, the noise of orders and counter-orders, of knives and forks, of corks
and glass-stoppers. Gabriel began to carve second helpings as soon as he had
finished the first round without serving himself. Everyone protested loudly so
that he compromised by taking a long draught of stout for he had found the
carving hot work. Mary Jane settled down quietly to her supper, but Aunt Kate
and Aunt Julia were still toddling round the table, walking on each other’s
heels, getting in each other’s way and giving each other unheeded orders. Mr.
Browne begged of them to sit down and eat their suppers and so did Gabriel but
they said they were time enough so that, at last, Freddy Malines stood up and,
capturing Aunt Kate, plumped her down on her chair amid general laughter.
When everyone had been well served Gabriel said, smiling:
“Now, if anyone wants a little more of what vulgar people
call stuffing let him or her speak.”
A chorus of voices invited him to begin his own supper and
Lily came forward with three potatoes which she had reserved for him.
“Very well,” said Gabriel amiably, as he took another
preparatory draught, “kindly forget my existence, ladies and gentlemen, for a
few minutes.”
He set to his supper and took no part in the conversation
with which the table covered Lily’s removal of the plates. The subject of talk
was the opera company which was then at the Theatre Royal. Mr. Bartell D’Arcy,
the tenor, a dark-complexioned young man with a smart moustache, praised very
highly the leading contralto of the company but Miss Furlong thought she had a
rather vulgar style of production. Freddy Malines said there was a negro
chieftain singing in the second part of the Gaiety pantomime who had one of the
finest tenor voices he had ever heard.
“Have you heard him?” he asked Mr. Bartell D’Arcy across the
table.
“No,” answered Mr. Bartell D’Arcy carelessly.
“Because,” Freddy Malines explained, “now I’d be curious to
hear your opinion of him. I think he has a grand voice.”
“It takes Teddy to find out the really good things,” said Mr.
Browne familiarly to the table.
“And why couldn’t he have a voice too?” asked Freddy Malines
sharply. “Is it because he’s only a black?”
Nobody answered this question and Mary Jane led the table
back to the legitimate opera. One of her pupils had given her a pass for
Mignon. Of course, it was very fine, she said, but it made her think of poor
Georgina Burns. Mr. Browne could go back farther still, to the old Italian
companies that used to come to Dublin—Tautens, Lima de Mirza, Campanini, the
great Terebellid, Giuliani, Ravalli, Arambulo. Those were the days, he said,
when there was something like singing to be heard in Dublin. He told too of how
the top gallery of the old Royal used to be packed night after night, of how
one night an Italian tenor had sung five encores to Let me like a Soldier fall,
introducing a high C every time, and of how the gallery boys would sometimes in
their enthusiasm unyoke the horses from the carriage of some great prima donna
and pull her themselves through the streets to her hotel. Why did they never
play the grand old operas now, he asked, Dinorah, Lucrezia Borgia? Because they
could not get the voices to sing them: that was why.
“Oh, well,” said Mr. Bartell D’Arcy, “I presume there are as
good singers today as there were then.”
“Where are they?” asked Mr. Browne defiantly.
“In London, Paris, Milan,” said Mr. Bartell D’Arcy warmly.
“I suppose Caruso, for example, is quite as good, if not better than any of the
men you have mentioned.”
“Maybe so,” said Mr. Browne. “But I may tell you I doubt it strongly.”
“O, I’d give anything to hear Caruso sing,” said Mary Jane.
“For me,” said Aunt Kate, who had been picking a bone,
“there was only one tenor. To please me, I mean. But I suppose none of you ever
heard of him.”
“Who was he, Miss Moran?” asked Mr. Bartell D’Arcy politely.
“His name,” said Aunt Kate, “was Parkinson. I heard him when
he was in his prime and I think he had then the purest tenor voice that was
ever put into a man’s throat.”
“Strange,” said Mr. Bartell D’Arcy. “I never even heard of
him.”
“Yes, yes, Miss Moran is right,” said Mr. Browne. “I
remember hearing of old Parkinson but he’s too far back for me.”
“A beautiful pure sweet mellow English tenor,” said Aunt
Kate with enthusiasm.
Gabriel having finished, the huge pudding was transferred to
the table. The clatter of forks and spoons began again. Gabriel’s wife served
out spoonful of the pudding and passed the plates down the table. Midway down
they were held up by Mary Jane, who replenished them with raspberry or orange
jelly or with blancmange and jam. The pudding was of Aunt Julia’s making and
she received praises for it from all quarters. She herself said that it was not
quite brown enough.
“Well, I hope, Miss Moran,” said Mr. Browne, “that I’m brown
enough for you because, you know, I’m all brown.”
All the gentlemen, except Gabriel, ate some of the pudding
out of compliment to Aunt Julia. As Gabriel never ate sweets the celery had
been left for him. Freddy Malines also took a stalk of celery and ate it with
his pudding. He had been told that celery was a capital thing for the blood,
and he was just then under doctor’s care. Mrs. Malines, who had been silent all
through the supper, said that her son was going down to Mount Mallory in a week
or so. The table then spoke of Mount Mallory, how bracing the air was down
there, how hospitable the monks were and how they never asked for a penny-piece
from their guests.
“And do you mean to say,” asked Mr. Browne incredulously,
“that a chap can go down there and put up there as if it were a hotel and live
on the fat of the land and then come away without paying anything?”
“O, most people give some donation to the monastery when
they leave.” said Mary Jane.
“I wish we had an institution like that in our Church,” said
Mr. Browne candidly.
He was astonished to hear that the monks never spoke, got up
at two in the morning and slept in their coffins. He asked what they did it
for.
“That’s the rule of the order,” said Aunt Kate firmly.
“Yes, but why?” asked Mr. Browne.
Aunt Kate repeated that it was the rule, that was all. Mr. Browne
still seemed not to understand. Freddy Malines explained to him, as best he
could, that the monks were trying to make up for the sins committed by all the
sinners in the outside world. The explanation was not very clear for Mr. Browne
grinned and said:
“I like that idea very much, but wouldn’t a comfortable
spring bed do them as well as a coffin?”
“The coffin,” said Mary Jane, “is to remind them of their
last end.”
As the subject had grown lugubrious it was buried in a
silence of the table during which Mrs. Malines could be heard saying to her neighbor
in an indistinct undertone:
“They are very good men, the monks, very pious men.”
The raisins and almonds and figs and apples and oranges and
chocolates and sweets were now passed about the table and Aunt Julia invited
all the guests to have either port or sherry. At first Mr. Bartell D’Arcy
refused to take either but one of his neighbors nudged him and whispered
something to him upon which he allowed his glass to be filled. Gradually as the
last glasses were being filled the conversation ceased. A pause followed,
broken only by the noise of the wine and by unsettling of chairs. The Misses Moran,
all three, looked down at the tablecloth. Someone coughed once or twice and
then a few gentlemen patted the table gently as a signal for silence. The
silence came and Gabriel pushed back his chair.
The patting at once grew louder in encouragement and then
ceased altogether. Gabriel leaned his ten trembling fingers on the tablecloth
and smiled nervously at the company. Meeting a row of upturned faces, he raised
his eyes to the chandelier. The piano was playing a waltz tune and he could
hear the skirts sweeping against the drawing-room door. People, perhaps, were
standing in the snow on the quay outside, gazing up at the lighted windows and
listening to the waltz music. The air was pure there. In the distance lay the
park where the trees were weighted with snow. The Wellington Monument wore a
gleaming cap of snow that flashed westward over the white field of Fifteen Acres.
He began:
“Ladies and Gentlemen,
“It has fallen to my lot this evening, as in years past, to
perform a very pleasing task but a task for which I am afraid my poor powers as
a speaker are all too inadequate.”
“No, no!” said Mr. Browne.
“But, however that may be, I can only ask you tonight to
take the will for the deed and to lend me your attention for a few moments
while I endeavor to express to you in words what my feelings are on this
occasion.
“Ladies and Gentlemen, it is not the first time that we have
gathered together under this hospitable roof, around this hospitable board. It
is not the first time that we have been the recipients—or perhaps, I had better
say, the victims—of the hospitality of certain good ladies.”
He made a circle in the air with his arm and paused.
Everyone laughed or smiled at Aunt Kate and Aunt Julia and Mary Jane who all turned
crimson with pleasure. Gabriel went on more boldly:
“I feel more strongly with every recurring year that our
country has no tradition which does it so much honor and which it should guard
so jealously as that of its hospitality. It is a tradition that is unique as
far as my experience goes (and I have visited not a few places abroad) among
the modern nations. Some would say, perhaps, that with us it is rather a
failing than anything to be boasted of. But granted even that, it is, to my
mind, a princely failing, and one that I trust will long be cultivated among
us. Of one thing, at least, I am sure. As long as this one roof shelters the
good ladies aforesaid—and I wish from my heart it may do so for many and many a
long year to come—the tradition of genuine warm-hearted courteous Irish hospitality,
which our forefathers have handed down to us and which we in turn must hand
down to our descendants, is still alive among us.”
A hearty murmur of assent ran around the table. It shot
through Gabriel’s mind that Miss Ivor's was not there and that she had gone
away discourteously: and he said with confidence in himself:
“Ladies and Gentlemen,
“A new generation is growing up in our midst, a generation
actuated by new ideas and new principles. It is serious and enthusiastic for
these new ideas and its enthusiasm, even when it is misdirected, is, I believe,
in the main sincere. But we are living in a skeptical and, if I may use the
phrase, a thought-tormented age: and sometimes I fear that this new generation,
educated or hypereducated as it is, will lack those qualities of humanity, of
hospitality, of kindly humor which belonged to an older day. Listening tonight
to the names of all those great singers of the past it seemed to me, I must
confess, that we were living in a less spacious age. Those days might, without
exaggeration, be called spacious days: and if they are gone beyond recall let
us hope, at least, that in gatherings such as this we shall still speak of them
with pride and affection, still cherish in our hearts the memory of those dead
and gone great ones whose fame the world will not willingly let die.”
“Hear, hear!” said Mr. Browne loudly.
“But yet,” continued Gabriel, his voice falling into a
softer inflection, “there are always in gatherings such as this sadder thoughts
that will recur to our minds: thoughts of the past, of youth, of changes, of
absent faces that we miss here tonight. Our path through life is strewn with
many such sad memories: and were we to brood upon them always we could not find
the heart to go on bravely with our work among the living. We have all of us
living duties and living affections which claim, and rightly claim, our
strenuous endeavors.
“Therefore, I will not linger on the past. I will not let
any gloomy moralizing intrude upon us here tonight. Here we are gathered for a
moment from the bustle and rush of our everyday routine. We are met here as
friends, in the spirit of good-fellowship, as colleagues, also to a certain
extent, in the true spirit of camaraderie, and as the guests of—what shall I
call them?—the Three Graces of the Dublin musical world.”
The table burst into applause and laughter at this allusion.
Aunt Julia vainly asked each of her neighbors in turn to tell her what Gabriel
had said.
“He says we are the Three Graces, Aunt Julia,” said Mary
Jane.
Aunt Julia did not understand but she looked up, smiling, at
Gabriel, who continued in the same vein:
“Ladies and Gentlemen,
“I will not attempt to play tonight the part that Paris
played on another occasion. I will not attempt to choose between them. The task
would be an invidious one and one beyond my poor powers. For when I view them
in turn, whether it be our chief hostess herself, whose good heart, whose too
good heart, has become a byword with all who know her, or her sister, who seems
to be gifted with perennial youth and whose singing must have been a surprise
and a revelation to us all tonight, or, last but not least, when I consider our
youngest hostess, talented, cheerful, hard-working and the best of nieces, I
confess, Ladies and Gentlemen, that I do not know to which of them I should
award the prize.”
Gabriel glanced down at his aunts and, seeing the large
smile on Aunt Julia’s face and the tears which had risen to Aunt Kate’s eyes,
hastened to his close. He raised his glass of port gallantly, while every
member of the company fingered a glass expectantly, and said loudly:
“Let us toast them all three together. Let us drink to their
health, wealth, long life, happiness and prosperity and may they long continue
to hold the proud and self-won position which they hold in their profession and
the position of honor and affection which they hold in our hearts.”
All the guests stood up, glass in hand, and turning towards
the three seated ladies, sang in unison, with Mr. Browne as leader:
For they are jolly gay fellows,
For they are jolly gay fellows,
For they are jolly gay fellows,
Which nobody can deny.
Aunt Kate was making frank use of her handkerchief and even
Aunt Julia seemed moved. Freddy Malines beat time with his pudding-fork and the
singers turned towards one another, as if in melodious conference, while they
sang with emphasis:
Unless he tells a lie,
Unless he tells a lie.
Then, turning once more towards their hostesses, they sang:
For they are jolly gay fellows,
For they are jolly gay fellows,
For they are jolly gay fellows,
Which nobody can deny.
The acclamation which followed was taken up beyond the door
of the supper-room by many of the other guests and renewed time after time,
Freddy Malines acting as officer with his fork on high.
The piercing morning air came into the hall where they were
standing so that Aunt Kate said:
“Close the door, somebody. Mrs. Malines will get her death
of cold.”
“Browne is out there, Aunt Kate,” said Mary Jane.
“Browne is everywhere,” said Aunt Kate, lowering her voice.
Mary Jane laughed at her tone.
“Really,” she said archly, “he is very attentive.”
“He has been laid on here like the gas,” said Aunt Kate in
the same tone, “all during the Christmas.”
She laughed herself this time good-humoredly and then added
quickly:
“But tell him to come in, Mary Jane, and close the door. I
hope to goodness he didn’t hear me.”
At that moment the hall-door was opened, and Mr. Browne came
in from the doorstep, laughing as if his heart would break. He was dressed in a
long green overcoat with mock astrakhan cuffs and collar and wore on his head
an oval fur cap. He pointed down the snow-covered quay from where the sound of
shrill prolonged whistling was borne in.
“Teddy will have all the cabs in Dublin out,” he said.
Gabriel advanced from the little pantry behind the office,
struggling into his overcoat and, looking round the hall, said:
“Gretta not down yet?”
“She’s getting on her things, Gabriel,” said Aunt Kate.
“Who’s playing up there?” asked Gabriel.
“Nobody. They’re all gone.”
“O no, Aunt Kate,” said Mary Jane. “Bartell D’Arcy and Miss
O’Callaghan aren’t gone yet.”
“Someone is fooling at the piano anyhow,” said Gabriel.
Mary Jane glanced at Gabriel and Mr. Browne and said with a
shiver:
“It makes me feel cold to look at you two gentlemen muffled
up like that. I wouldn’t like to face your journey home at this hour.”
“I’d like nothing better this minute,” said Mr. Browne
stoutly, “than a rattling fine walk in the country or a fast drive with a good
spanking goer between the shafts.”
“We used to have a very good horse and trap at home,” said
Aunt Julia sadly.
“The never-to-be-forgotten Johnny,” said Mary Jane,
laughing.
Aunt Kate and Gabriel laughed too.
“Why, what was wonderful about Johnny?” asked Mr. Browne.
“The late lamented Patrick Moran, our grandfather, that is,”
explained Gabriel, “commonly known in his later years as the old gentleman, was
a glue-boiler.”
“O now, Gabriel,” said Aunt Kate, laughing, “he had a starch
mill.”
“Well, glue or starch,” said Gabriel, “the old gentleman had
a horse by the name of Johnny. And Johnny used to work in the old gentleman’s
mill, walking round and round in order to drive the mill. That was all very
well; but now comes the tragic part about Johnny. One fine day the old
gentleman thought he’d like to drive out with the quality to a military review
in the park.”
“The Lord have mercy on his soul,” said Aunt Kate
compassionately.
“Amen,” said Gabriel. “So, the old gentleman, as I said,
harnessed Johnny and put on his very best tall hat and his very best stock
collar and drove out in grand style from his ancestral mansion somewhere near
Back Lane, I think.”
Everyone laughed, even Mrs. Malines, at Gabriel’s manner and
Aunt Kate said:
“O now, Gabriel, he didn’t live in Back Lane, really. Only
the mill was there.”
“Out from the mansion of his forefathers,” continued
Gabriel, “he drove with Johnny. And everything went on beautifully until Johnny
came in sight of King Billy’s statue: and whether he fell in love with the
horse King Billy sits on or whether he thought he was back again in the mill,
anyhow he began to walk round the statue.”
Gabriel paced in a circle round the hall in his galoshes
amid the laughter of the others.
“Round and round he went,” said Gabriel, “and the old
gentleman, who was a very pompous old gentleman, was highly indignant. ‘Go on,
sir! What do you mean, sir? Johnny! Johnny! Most extraordinary conduct! Can’t
understand the horse!’”
The peal of laughter which followed Gabriel’s imitation of
the incident was interrupted by a resounding knock at the hall door. Mary Jane
ran to open it and let in Freddy Malines. Freddy Malines, with his hat well
back on his head and his shoulders humped with cold, was puffing and steaming
after his exertions.
“I could only get one cab,” he said.
“O, we’ll find another along the quay,” said Gabriel.
“Yes,” said Aunt Kate. “Better not keep Mrs. Malines
standing in the draught.”
Mrs. Malines was helped down the front steps by her son and Mr.
Browne and, after many maneuvers, hoisted into the cab. Freddy Malines clambered
in after her and spent a long time settling her on the seat, Mr. Browne helping
him with advice. At last she was settled comfortably, and Freddy Malines
invited Mr. Browne into the cab. There was a good deal of confused talk, and then
Mr. Browne got into the cab. The cabman settled his rug over his knees and bent
down for the address. The confusion grew greater and the cabman was directed
differently by Freddy Malines and Mr. Browne, each of whom had his head out
through a window of the cab. The difficulty was to know where to drop Mr.
Browne along the route, and Aunt Kate, Aunt Julia and Mary Jane helped the discussion
from the doorstep with cross-directions and contradictions and abundance of
laughter. As for Freddy Malines he was speechless with laughter. He popped his
head in and out of the window every moment to the great danger of his hat, and
told his mother how the discussion was progressing, till at last Mr. Browne
shouted to the bewildered cabman above the din of everybody’s laughter:
“Do you know Trinity College?”
“Yes, sir,” said the cabman.
“Well, drive bang up against Trinity College gates,” said Mr.
Browne, “and then we’ll tell you where to go. You understand now?”
“Yes, sir,” said the cabman.
“Make like a bird for Trinity College.”
“Right, sir,” said the cabman.
The horse was whipped up and the cab rattled off along the
quay amid a chorus of laughter and adieus.
Gabriel had not gone to the door with the others. He was in
a dark part of the hall gazing up the staircase. A woman was standing near the
top of the first flight, in the shadow also. He could not see her face, but he
could see the terracotta and salmon-pink panels of her skirt which the shadow
made appear black and white. It was his wife. She was leaning on the banisters,
listening to something. Gabriel was surprised at her stillness and strained his
ear to listen also. But he could hear little save the noise of laughter and
dispute on the front steps, a few chords struck on the piano and a few notes of
a man’s voice singing.
He stood still in the gloom of the hall, trying to catch the
air that the voice was singing and gazing up at his wife. There was grace and
mystery in her attitude as if she were a symbol of something. He asked himself
what a woman is standing on the stairs in the shadow, listening to distant
music, a symbol of. If he were a painter, he would paint her in that attitude.
Her blue felt hat would show off the bronze of her hair against the darkness
and the dark panels of her skirt would show off the light ones. Distant Music
he would call the picture if he were a painter.
The hall-door was closed; and Aunt Kate, Aunt Julia and Mary
Jane came down the hall, still laughing.
“Well, isn’t Freddy terrible?” said Mary Jane. “He’s really
terrible.”
Gabriel said nothing but pointed up the stairs towards where
his wife was standing. Now that the hall-door was closed the voice and the
piano could be heard more clearly. Gabriel held up his hand for them to be
silent. The song seemed to be in the old Irish tonality and the singer seemed
uncertain both of his words and of his voice. The voice, made plaintive by
distance and by the singer’s hoarseness, faintly illuminated the cadence of the
air with words expressing grief:
O, the rain falls on my heavy locks
And the dew wets my skin,
My babe lies cold....
“O,” exclaimed Mary Jane. “It’s Bartell D’Arcy singing, and
he wouldn’t sing all the night. O, I’ll get him to sing a song before he goes.”
“O do, Mary Jane,” said Aunt Kate.
Mary Jane brushed past the others and ran to the staircase,
but before she reached it the singing stopped and the piano was closed
abruptly.
“O, what a pity!” she cried. “Is he coming down, Gretta?”
Gabriel heard his wife answer yes and saw her come down
towards them. A few steps behind her were Mr. Bartell D’Arcy and Miss
O’Callaghan.
“O, Mr. D’Arcy,” cried Mary Jane, “it’s downright mean of
you to break off like that when we were all in raptures listening to you.”
“I have been at him all the evening,” said Miss O’Callaghan,
“and Mrs. Conroy too and he told us he had a dreadful cold and couldn’t sing.”
“O, Mr. D’Arcy,” said Aunt Kate, “now that was a great fib
to tell.”
“Can’t you see that I’m as hoarse as a crow?” said Mr.
D’Arcy roughly.
He went into the pantry hastily and put on his overcoat. The
others, taken aback by his rude speech, could find nothing to say. Aunt Kate
wrinkled her brows and made signs to the others to drop the subject. Mr. D’Arcy
stood swathing his neck carefully and frowning.
“It’s the weather,” said Aunt Julia, after a pause.
“Yes, everybody has colds,” said Aunt Kate readily,
“everybody.”
“They say,” said Mary Jane, “we haven’t had snow like it for
thirty years; and I read this morning in the newspapers that the snow is
general all over Ireland.”
“I love the look of snow,” said Aunt Julia sadly.
“So, do I,” said Miss O’Callaghan. “I think Christmas is
never really Christmas unless we have the snow on the ground.”
“But poor Mr. D’Arcy doesn’t like the snow,” said Aunt Kate,
smiling.
Mr. D’Arcy came from the pantry, fully swathed and buttoned,
and in a repentant tone told them the history of his cold. Everyone gave him
advice and said it was a great pity and urged him to be very careful of his
throat in the night air. Gabriel watched his wife, who did not join in the
conversation. She was standing right under the dusty fanlight and the flame of
the gas lit up the rich bronze of her hair, which he had seen her drying at the
fire a few days before. She was in the same attitude and seemed unaware of the
talk about her. At last she turned towards them and Gabriel saw that there was color
on her cheeks and that her eyes were shining. A sudden tide of joy went leaping
out of his heart.
“Mr. D’Arcy,” she said, “what is the name of that song you
were singing?”
“It’s called The Lass of Augh rim,” said Mr. D’Arcy, “but I
couldn’t remember it properly. Why? Do you know it?”
“The Lass of Augh rim,” she repeated. “I couldn’t think of
the name.”
“It’s a very nice air,” said Mary Jane. “I’m sorry you were
not in voice tonight.”
“Now, Mary Jane,” said Aunt Kate, “don’t annoy Mr. D’Arcy. I
won’t have him annoyed.”
Seeing that all were ready to start she shepherded them to
the door, where good night was said:
“Well, good-night, Aunt Kate, and thanks for the pleasant
evening.”
“Good-night, Gabriel. Good-night, Gretta!”
“Good-night, Aunt Kate, and thanks ever so much. Good-night,
Aunt Julia.”
“O, good-night, Gretta, I didn’t see you.”
“Good-night, Mr. D’Arcy. Good-night, Miss O’Callaghan.”
“Good-night, Miss Moran.”
“Good-night, again.”
“Good-night, all. Safe home.”
“Good-night. Good-night.”
The morning was still dark. A dull yellow light brooded over
the houses and the river; and the sky seemed to be descending. It was slushy
underfoot; and only streaks and patches of snow lay on the roofs, on the
parapets of the quay and on the area railings. The lamps were still burning
redly in the murky air and, across the river, the palace of the Four Courts
stood out menacingly against the heavy sky.
She was walking on before him with Mr. Bartell D’Arcy, her
shoes in a brown parcel tucked under one arm and her hands holding her skirt up
from the slush. She had no longer any grace of attitude, but Gabriel’s eyes
were still bright with happiness. The blood went bounding along his veins; and
the thoughts went rioting through his brain, proud, joyful, tender, valorous.
She was walking on before him so lightly and so erect that
he longed to run after her noiselessly, catch her by the shoulders and say
something foolish and affectionate into her ear. She seemed to him so frail that
he longed to defend her against something and then to be alone with her.
Moments of their secret life together burst like stars upon his memory. A
heliotrope envelope was lying beside his breakfast-cup and he was caressing it
with his hand. Birds were twittering in the ivy and the sunny web of the
curtain was shimmering along the floor: he could not eat for happiness. They
were standing on the crowded platform and he was placing a ticket inside the
warm palm of her glove. He was standing with her in the cold, looking in
through a grated window at a man making bottles in a roaring furnace. It was
very cold. Her face, fragrant in the cold air, was quite close to his; and
suddenly he called out to the man at the furnace:
“Is the fire hot, sir?”
But the man could not hear with the noise of the furnace. It
was just as well. He might have answered rudely.
A wave of yet more tender joy escaped from his heart and
went coursing in warm flood along his arteries. Like the tender fire of stars
moments of their life together, that no one knew of or would ever know of,
broke upon and illumined his memory. He longed to recall to her those moments,
to make her forget the years of their dull existence together and remember only
their moments of ecstasy. For the years, he felt, had not quenched his soul or
hers. Their children, his writing, her household cares had not quenched all
their souls’ tender fire. In one letter that he had written to her then he had
said: “Why is it that words like these seem to me so dull and cold? Is it because
there is no word tender enough to be your name?”
Like distant music these words that he had written years
before were borne towards him from the past. He longed to be alone with her.
When the others had gone away, when he and she were in their room in the hotel,
then they would be alone together. He would call her softly:
“Gretta!”
Perhaps she would not hear at once: she would be undressing.
Then something in his voice would strike her. She would turn and look at
him....
At the corner of Wine tavern Street, they met a cab. He was
glad of its rattling noise as it saved him from conversation. She was looking
out of the window and seemed tired. The others spoke only a few words, pointing
out some building or street. The horse galloped along wearily under the murky
morning sky, dragging his old rattling box after his heels, and Gabriel was
again in a cab with her, galloping to catch the boat, galloping to their
honeymoon.
As the cab drove across O’Connell Bridge Miss O’Callaghan
said:
“They say you never cross O’Connell Bridge without seeing a
white horse.”
“I see a white man this time,” said Gabriel.
“Where?” asked Mr. Bartell D’Arcy.
Gabriel pointed to the statue, on which lay patches of snow.
Then he nodded familiarly to it and waved his hand.
“Good-night, Dan,” he said gaily.
When the cab drew up before the hotel, Gabriel jumped out
and, despite Mr. Bartell D’Arcy’s protest, paid the driver. He gave the man a
shilling over his fare. The man saluted and said:
“A prosperous New Year to you, sir.”
“The same to you,” said Gabriel cordially.
She leaned for a moment on his arm in getting out of the cab
and while standing at the curbstone, bidding the others good night. She leaned
lightly on his arm, as lightly as when she had danced with him a few hours before.
He had felt proud and happy then, happy that she was his, proud of her grace
and wifely carriage. But now, after the kindling again of so many memories, the
first touch of her body, musical and strange and perfumed, sent through him a
keen pang of lust. Under cover of her silence he pressed her arm closely to his
side; and, as they stood at the hotel door, he felt that they had escaped from
their lives and duties, escaped from home and friends and run away together
with wild and radiant hearts to a new adventure.
An old man was dozing in a great hooded chair in the hall.
He lit a candle in the office and went before them to the stairs. They followed
him in silence, their feet falling in soft thuds on the thickly carpeted
stairs. She mounted the stairs behind the porter, her head bowed in the ascent,
her frail shoulders curved as with a burden, her skirt girt tightly about her.
He could have flung his arms about her hips and held her still, for his arms
were trembling with desire to seize her and only the stress of his nails
against the palms of his hands held the wild impulse of his body in check. The
porter halted on the stairs to settle his guttering candle. They halted too on
the steps below him. In the silence Gabriel could hear the falling of the molten
wax into the tray and the thumping of his own heart against his ribs.
The porter led them along a corridor and opened a door. Then
he set his unstable candle down on a toilet-table and asked at what hour they
were to be called in the morning.
“Eight,” said Gabriel.
The porter pointed to the tap of the electric-light and
began a muttered apology, but Gabriel cut him short.
“We don’t want any light. We have light enough from the
street. And I say,” he added, pointing to the candle, “you might remove that
handsome article, like a good man.”
The porter took up his candle again, but slowly for he was
surprised by such a novel idea. Then he mumbled good-night and went out.
Gabriel shot the lock to.
A ghostly light from the streetlamp lay in a long shaft from
one window to the door. Gabriel threw his overcoat and hat on a couch and
crossed the room towards the window. He looked down into the street in order
that his emotion might calm a little. Then he turned and leaned against a chest
of drawers with his back to the light. She had taken off her hat and cloak and
was standing before a large swinging mirror, unhooking her waist. Gabriel
paused for a few moments, watching her, and then said:
“Gretta!”
She turned away from the mirror slowly and walked along the
shaft of light towards him. Her face looked so serious and weary that the words
would not pass Gabriel’s lips. No, it was not the moment yet.
“You looked tired,” he said.
“I am a little,” she answered.
“You don’t feel ill or weak?”
“No, tired: that’s all.”
She went on to the window and stood there, looking out.
Gabriel waited again and then, fearing that diffidence was about to conquer
him, he said abruptly:
“By the way, Gretta!”
“What is it?”
“You know that poor fellow Malines?” he said quickly.
“Yes. What about him?”
“Well, poor fellow, he’s a decent sort of chap after all,”
continued Gabriel in a false voice. “He gave me back that sovereign I lent him,
and I didn’t expect it, really. It’s a pity he wouldn’t keep away from that
Browne, because he’s not a bad fellow, really.”
He was trembling now with annoyance. Why did she seem so
abstracted? He did not know how he could begin. Was she annoyed, too, about
something? If she would only turn to him or come to him of her own accord! To
take her as she was would be brutal. No, he must see some ardor in her eyes
first. He longed to be master of her strange mood.
“When did you lend him the pound?” she asked, after a pause.
Gabriel strove to restrain himself from breaking out into
brutal language about the sottish Malines and his pound. He longed to cry to
her from his soul, to crush her body against his, to overmaster her. But he
said:
“O, at Christmas, when he opened that little Christmas-card
shop in Henry Street.”
He was in such a fever of rage and desire that he did not hear
her come from the window. She stood before him for an instant, looking at him
strangely. Then, suddenly raising herself on tiptoe and resting her hands
lightly on his shoulders, she kissed him.
“You are a very generous person, Gabriel,” she said.
Gabriel, trembling with delight at her sudden kiss and at
the quaintness of her phrase, put his hands on her hair and began smoothing it
back, scarcely touching it with his fingers. The washing had made it fine and
brilliant. His heart was brimming over with happiness. Just when he was wishing
for it, she had come to him of her own accord. Perhaps her thoughts had been
running with his. Perhaps she had felt the impetuous desire that was in him,
and then the yielding mood had come upon her. Now that she had fallen to him so
easily, he wondered why he had been so diffident.
He stood, holding her head between his hands. Then, slipping
one arm swiftly about her body and drawing her towards him, he said softly:
“Gretta, dear, what are you thinking about?”
She did not answer nor yield wholly to his arm. He said
again, softly:
“Tell me what it is, Gretta. I think I know what the matter
is. Do I know?”
She did not answer at once. Then she said in an outburst of
tears:
“No, I am thinking about that song, The Lass of Augh rim.”
She broke loose from him and ran to the bed and, throwing
her arms across the bedrail, hid her face. Gabriel stood stock-still for a
moment in astonishment and then followed her. As he passed in the way of the
cheval-glass he caught sight of himself in full length, his broad, well-filled
shirt-front, the face whose expression always puzzled him when he saw it in a
mirror and his glimmering gilt-rimmed eyeglasses. He halted a few paces from
her and said:
“What about the song? Why does that make you cry?”
She raised her head from her arms and dried her eyes with
the back of her hand like a child. A kinder note than he had intended went into
his voice.
“Why, Gretta?” he asked.
“I am thinking about a person long ago who used to sing that
song.”
“And who was the person long ago?” asked Gabriel, smiling.
“It was a person I used to know in Galway when I was living
with my grandmother,” she said.
The smile passed away from Gabriel’s face. A dull anger
began to gather again at the back of his mind and the dull fires of his lust
began to glow angrily in his veins.
“Someone you were in love with?” he asked ironically.
“It was a young boy I used to know,” she answered, “named
Michael Fury. He used to sing that song, The Lass of Augh rim. He was very delicate.”
Gabriel was silent. He did not wish her to think that he was
interested in this delicate boy.
“I can see him so plainly,” she said after a moment. “Such
eyes as he had: big, dark eyes! And such an expression in them—an expression!”
“O then, you were in love with him?” said Gabriel.
“I used to go out walking with him,” she said, “when I was
in Galway.”
A thought flew across Gabriel’s mind.
“Perhaps that was why you wanted to go to Galway with that Ivor's
girl?” he said coldly.
She looked at him and asked in surprise:
“What for?”
Her eyes made Gabriel feel awkward. He shrugged his
shoulders and said:
“How do I know? To see him, perhaps.”
She looked away from him along the shaft of light towards
the window in silence.
“He is dead,” she said at length. “He died when he was only
seventeen. Isn’t it a terrible thing to die so young as that?”
“What was he?” asked Gabriel, still ironically.
“He was in the gasworks,” she said.
Gabriel felt humiliated by the failure of his irony and by
the evocation of this figure from the dead, a boy in the gasworks. While he had
been full of memories of their secret life together, full of tenderness and joy
and desire, she had been comparing him in her mind with another. A shameful
consciousness of his own person assailed him. He saw himself as a ludicrous
figure, acting as a penny boy for his aunts, a nervous, well-meaning
sentimentalist, orating to Bulgarians and idealizing his own clownish lusts,
the pitiable fatuous fellow he had caught a glimpse of in the mirror.
Instinctively he turned his back more to the light lest she might see the shame
that burned upon his forehead.
He tried to keep up his tone of cold interrogation, but his
voice when he spoke was humble and indifferent.
“I suppose you were in love with this Michael Fury, Gretta,”
he said.
“I was great with him at that time,” she said.
Her voice was veiled and sad. Gabriel, feeling now how vain
it would be to try to lead her whither he had purposed, caressed one of her
hands and said, also sadly:
“And what did he die of so young, Gretta? Consumption, was
it?”
“I think he died for me,” she answered.
A vague terror seized Gabriel at this answer as if, at that
hour when he had hoped to triumph, some impalpable and vindictive being was
coming against him, gathering forces against him in its vague world. But he
shook himself free of it with an effort of reason and continued to caress her
hand. He did not question her again for he felt that she would tell him of
herself. Her hand was warm and moist: it did not respond to his touch, but he
continued to caress it just as he had caressed her first letter to him that
spring morning.
“It was in the winter,” she said, “about the beginning of the
winter when I was going to leave my grandmother’s and come up here to the
convent. And he was ill at the time in his lodgings in Galway and wouldn’t be
let out and his people in Auchterarder were written to. He was in decline, they
said, or something like that. I never knew rightly.”
She paused for a moment and sighed.
“Poor fellow,” she said. “He was very fond of me and he was
such a gentle boy. We used to go out together, walking, you know, Gabriel, like
the way they do in the country. He was going to study singing only for his
health. He had a very good voice, poor Michael Fury.”
“Well; and then?” asked Gabriel.
“And then when it came to the time for me to leave Galway
and come up to the convent he was much worse and I wouldn’t be let see him so I
wrote him a letter saying I was going up to Dublin and would be back in the
summer and hoping he would be better then.”
She paused for a moment to get her voice under control and
then went on:
“Then the night before I left, I was in my grandmother’s
house in Nuns’ Island, packing up, and I heard gravel thrown up against the
window. The window was so wet I couldn’t see so I ran downstairs as I was and
slipped out the back into the garden and there was the poor fellow at the end
of the garden, shivering.”
“And did you not tell him to go back?” asked Gabriel.
“I implored of him to go home at once and told him he would
get his death in the rain. But he said he did not want to live. I can see his
eyes as well as well! He was standing at the end of the wall where there was a
tree.”
“And did he go home?” asked Gabriel.
“Yes, he went home. And when I was only a week in the
convent he died, and he was buried in Auchterarder where his people came from.
O, the day I heard that, that he was dead!”
She stopped, choking with sobs and, overcome by emotion,
flung herself face downward on the bed, sobbing in the quilt. Gabriel held her
hand for a moment longer, irresolutely, and then, shy of intruding on her
grief, let it fall gently and walked quietly to the window.
She was fast asleep.
Gabriel, leaning on his elbow, looked for a few moments
unresentfully on her tangled hair and half-open mouth, listening to her
deep-drawn breath. So, she had had that romance in her life: a man had died for
her sake. It hardly pained him now to think how poor a part he, her husband,
had played in her life. He watched her while she slept as though he and she had
never lived together as man and wife. His curious eyes rested long upon her
face and on her hair: and, as he thought of what she must have been then, in
that time of her first girlish beauty, a strange, friendly pity for her entered
his soul. He did not like to say even to himself that her face was no longer beautiful,
but he knew that it was no longer the face for which Michael Fury had braved
death.
Perhaps she had not told him all the story. His eyes moved
to the chair over which she had thrown some of her clothes. A petticoat string
dangled to the floor. One boot stood upright, its limp upper fallen: the fellow
of it lay upon its side. He wondered at his riot of emotions of an hour before.
From what had it proceeded? From his aunt’s supper, from his own foolish
speech, from the wine and dancing, the merry-making when saying good-night in
the hall, the pleasure of the walk along the river in the snow. Poor Aunt
Julia! She, too, would soon be a shade with the shade of Patrick Moran and his
horse. He had caught that haggard look upon her face for a moment when she was
singing Arrayed for the Bridal. Soon, perhaps, he would be sitting in that same
drawing-room, dressed in black, his silk hat on his knees. The blinds would be
drawn down and Aunt Kate would be sitting beside him, crying and blowing her
nose and telling him how Julia had died. He would cast about in his mind for
some words that might console her and would find only lame and useless ones.
Yes, yes: that would happen very soon.
The air of the room chilled his shoulders. He stretched
himself cautiously along under the sheets and lay down beside his wife. One by
one they were all becoming shades. Better pass boldly into that other world, in
the full glory of some passion, than fade and wither dismally with age. He
thought of how she who lay beside him had locked in her heart for so many years
that image of her lover’s eyes when he had told her that he did not wish to
live.
Generous tears filled Gabriel’s eyes. He had never felt like
that himself towards any woman, but he knew that such a feeling must be love.
The tears gathered more thickly in his eyes and in the partial darkness he
imagined he saw the form of a young man standing under a dripping tree. Other
forms were near. His soul had approached that region where dwell the vast hosts
of the dead. He was conscious of, but could not apprehend, their wayward and
flickering existence. His own identity was fading out into a grey impalpable
world: the solid world itself which these dead had one time reared and lived in
was dissolving and dwindling.
A few light taps upon the pane made him turn to the window.
It had begun to snow again. He watched sleepily the flakes, silver and dark,
falling obliquely against the lamplight. The time had come for him to set out
on his journey westward. Yes, the newspapers were right: snow was general all
over Ireland. It was falling on every part of the dark central plain, on the
treeless hills, falling softly upon the Bog of Allen and, farther westward,
softly falling into the dark mutinous Shannon waves. It was falling, too, upon
every part of the lonely churchyard on the hill where Michael Fury lay buried.
It lay thickly drifted on the crooked crosses and headstones, on the spears of
the little gate, on the barren thorns. His soul swooned slowly as he heard the
snow falling faintly through the universe and faintly falling, like the descent
of their last end, upon all the living and the dead.

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